3 Best Movies To Watch After The Double Life of Véronique (1991)
Ich seh, Ich seh
Ask someone if they’ve seen 2014’s Goodnight Mommy, and if their immediate response is to shudder, you’ll know they have. The Austrian cult horror film combines so many tropes – psychological horror, body horror, paranoia, twins, creepy kids, creepy moms, etc. – that it seems like it should be an incoherent mess, but is instead a tightly paced, relentless assault on the nerves. Even the trailer is creepier than many mainstream horror films, while only showing a tiny bit of how bad things get in it. Continue Reading →
Annette
As if chomping at the bit to show its true self, Annette immediately disrobes. Director Leos Carax, off-screen during the opening credits, tells the audience to stay silent. Audio tracks spray over shots of Los Angeles and, in a studio, he asks his musicians, “So, may we start?” He’s now speaking not to us but Ron Mael and Russell Mael of Sparks. Both of them share a story by credit, the latter having written the screenplay, and already, the film has dived feet first into its own joke. But Carax’s latest doesn’t just strip itself naked. It takes off its own skin, as a rock opera and as a movie. Continue Reading →
Music
Before its release, Sia’s Music has generated controversy regarding the handling of its titular autistic character, including the decision to cast neurotypical actor Maddie Zeigler in the role. Sia’s responses to these critiques have only enflamed the hubbub, but tragically, those concerns are immaterial. Not because Music does a good job of handling the perspective of an autistic person, but rather quite the opposite. Continue Reading →