Meg 2: The Trench
Ever since James Cameron boldly wrote “S” after ALIEN on a chalkboard and then changed it to a dollar sign, the quickest way to sequel-ize your killer extraterrestrial/reptile/mammal/whatever has been to add more of it. You scored a hit with people fighting one giant mosquito? Great, here’s a sequel with six of them. Continue Reading →
Bird Box Barcelona
SimilarA Christmas Carol (1938), A Clockwork Orange (1971), Die Hard (1988), Eyes Wide Shut (1999), I Am Not a Serial Killer (2016),
Jackie Brown (1997) Live and Let Die (1973) Mystic River (2003),
Rebecca (1940) Shaft (2000) The 39 Steps (1935), The Handmaid's Tale (1990),
The Name of the Rose (1986) The Poseidon Adventure (1972), The Road (2009), The Silence of the Lambs (1991), Wild at Heart (1990),
Okay, fine, Bird Box Barcelona isn’t exactly a sequel. It’s more of a continuation, as Netflix gets a belated start on making a franchise out of 2018’s Bird Box, a perfectly fine but unremarkable film that inexplicably became a smash hit. Smash or not, five years is a long time, so you might need a refresher course. Much of Earth’s population has been decimated by malevolent beings with visages so emotionally overwhelming that anyone who looks at them immediately commits suicide, and the survivors are forced to navigate what’s left of the world with their eyes covered, lest they see whatever “they” are. That’s really all you need to remember. Continue Reading →
Texas Chainsaw Massacre
Try as they may (as of today we’re up to the ninth film in the series), no other film in the Texas Chainsaw Massacre franchise has come close to the original. Oh, a few of them have been entertaining in their own bananas way, like part 2, but no sequel, remake, or origin story can recreate the bleak grittiness of the first film, no matter how many new members of the cannibalistic Sawyer family they add to it. Continue Reading →
Kate
SimilarBatman Returns (1992), Blown Away (1994), Kill Bill: Vol. 2 (2004),
Shaft (2000) Zatoichi (2003),
Watch afterFree Guy (2021),
Mary Elizabeth Winstead as the next cinematic revenge thriller brawler is too brilliant not to at least try. Her bonafides in 10 Cloverfield Lane as lead and then clutch supporting turn in Birds of Prey do more than enough to establish precedent. Throw in a unique location (Tokyo) with an urgent, grisly hook (an assassin only has 24 hours to enact revenge), and Kate should be one of the most satisfying Netflix originals to presumably hit the Top 10 in 2021. Sadly, the only watchers who might find this satisfying have either watched too many action revenge thrillers or not nearly enough. Continue Reading →
How It Ends
SimilarCube (1997), Cube Zero (2004), Maria Full of Grace (2004),
Shaft (2000)
Zoe Lister-Jones and Daryl Wein usher in the end of the world with a winsome indie comedy about seeking closure and reconciliation.
(This review is part of our coverage of the 2021 Sundance Film Festival.)
Directed by husband-and-wife duo Zoe Lister-Jones and Daryl Wein, How It Ends can be recognized immediately as a movie filmed during the COVID-19 pandemic. Cameos abound, with each minimal character appearing on balconies, across the street, on the other side of the table. These interactions, despite any emotional connection or progress, end with a wave goodbye, air kisses, or any other touchless way of leaving a situation. As the film meanders forward, this oddness grows, as two people share a genuine moment of importance, only to walk their separate ways with no physical affirmation of that moment. Continue Reading →