If you have finished watching the film Beverly Hills Cop II (1987) and are looking for other movies like it, here is a list of options to consider.
Aquaman and the Lost Kingdom
A decade's worth of superhero movies goes out with a big, stupid grin on its face.
One would hope that a film franchise with as much money poured into it as the DC Cinematic Universe would rage, rage against the dying of the light. Yet here we are, limping towards the end of a slate of superhero flicks marred by terrible reviews (Shazam! 2), controversy (The Flash), or sheer too-little-too-late-ness (Blue Beetle). As the superhero genre continues to flag in a year of duds, DC's set for a reinvention, a clean slate courtesy of former Marvel it-boy James Gunn and co-head Peter Safran. Before they can wipe the board and start all over with the label's slate of classic capes, though, there's a few rounds left in the last guy's chamber to fire off. That's what Aquaman and the Lost Kingdom feels like, easily the least objectionable of the DC films to come out in 2023. Problem is, that's not saying much.
A sequel to Aquaman should have been a slam dunk: Director James Wan's 2018 take on the King of Atlantis was a welcome breath of neon-soaked pop art in a franchise studded with Snyderesque dourness, leaning into the innate silliness of an underwater take on Flash Gordon. Jason Momoa is as effortless a casting as you could imagine for DC's hardest-to-pin-down superhero, brimming with giddy frat-boy energy. At its best moments, Aquaman and the Lost Kingdom leans into its star's goofiness and even lets it infect some of the rest of the cast. But there's no escaping the feeling of weariness, both for a cast and crew who are just repeating the novel beats of the first and an audience that's just plain starved for something new. Continue Reading →
At the risk of making a "getting a lot of Sorcerer vibes from this" guy out of myself, The Hunted—William Friedkin's 2003 old-master-hunts-rogue-student thriller really does make for a fascinating counterpart to his earlier men-on-a-desperate-mission masterwork. Both delve into the lives of damaged, forlorn, isolated men on perilous quests for deliverance. And both of those quests lead deep into madness. Both pointedly contrast man-made, flame-choked hellscapes (Sorcerer's exploding oil well, The Hunted's secret mission amidst the Kosovo War) with the vast, amoral green of the deep forest (Columbia and Oregon, respectively). Both turn on setpieces that thrill while maintaining a grounded (if not necessarily "realistic") feel and weave surreality in with care. Continue Reading →
The plot of Free Fire, in many ways, could not be more straightforward. A mix of thugs, gun runners, and revolutionaries meet up to exchange weapons in a Boston warehouse in the 1970s. Things go wrong in a hurry. Continue Reading →
Mission: Impossible - Dead Reckoning Part One
One of Mission: Impossible - Dead Reckoning Part One's earliest pieces of marketing was a trailer-by-way-of-behind-the-scenes featurette. In that clip, Tom Cruise, strapped to a motorcycle, rockets off the edge of a cliff in the Swiss Alps. He lets the bike drop away before popping his parachute and sailing into the horizon. It's one of the most death-defying sequences ever captured on film and, as we now know, it's one Cruise himself did again and again and again. The sequence, even devoid of context, sums up exactly what director Chris McQuarrie and Cruise (the two are also co-producers) hoped to achieve in Dead Reckoning: grade A movie spectacle. Continue Reading →
The Princess Switch 3: Romancing the Star
The temperatures are dropping and the stores are getting crowded, which can only mean one thing...it’s time for another installment of Netflix’s holiday cavity-maker...no, not that one. Noth that one either. That’s right, we’re talking Princess Switch 3: Romancing the Star, so grab your peppermint martinis and your fuzziest slippers as we delve into the film that begs the question “Is Vanessa Hudgens using Netflix as a vehicle to kiss cute boys?” Fair warning, there are some spoilers ahead. Continue Reading →
Hitman's Wife's Bodyguard
It takes almost an hour for Patrick Hughes’ The Hitman’s Wife's Bodyguard to take a break. At around the 52-minute mark, the film goes without dialogue, gunshots/explosions, or a car chase. But this short-lived, relatively still moment lasts less than a minute. Like a person terrified of an awkward silence who just keeps talking and talking to fill the void, Hughes does not let the movie ever take a second to breathe. Continue Reading →