Rebel Moon - Part Two: The Scargiver
Similar2001: A Space Odyssey (1968), Alien (1979), Aliens (1986), Apollo 13 (1995), Armageddon (1998), Blown Away (1994), Catwoman (2004), Code of Silence (1985), Con Air (1997), Crouching Tiger Hidden Dragon (2000), Die Hard (1988),
Die Hard: With a Vengeance (1995) Dune (1984), Fantastic Four: Rise of the Silver Surfer (2007), La Vie en Rose (2007), Lethal Weapon 2 (1989), Live Free or Die Hard (2007), Mortal Kombat: Annihilation (1997), Sliver (1993), Star Trek III: The Search for Spock (1984), Star Trek: First Contact (1996), Star Trek: Generations (1994), The Bourne Ultimatum (2007), The Fifth Element (1997), The Matrix Reloaded (2003), The Matrix Revolutions (2003), You Only Live Twice (1967),
Watch afterDune: Part Two (2024), Rebel Moon - Part One: A Child of Fire (2023),
My favorite moments in Rebel Moon: Part Two - The Scargiver come during quick breaths before a plunge.
In the first, warriors Tarak (Staz Nair) and Milius (Elise Duffy) come to terms with their likely imminent deaths at the hands of a smoke-spewing tank. Having spent years of his life consumed by survivor's guilt, Tarak thought having a cause to die for would be enough. It isn't. He wants to live, but he probably won't. The next best thing is to die fighting alongside a peer like Milius.
In the second, Kora (Sofia Boutella) is in the midst of blasting her way through the fearsome dreadnought King's Gaze. After slaying a warrior wielding a high-tech superheated sword, she takes a moment to catch her breath. With some pilfered cloth, she wraps the blade's hilt so she can use it without burning herself. It's a moment of improvisation, providing Boutella a chance to deliver a quieter piece of physical acting that stands in contrast to brawling with a corridor of goons or swordfighting Ed Skrein's Admiral Noble. Continue Reading →
Malignant
SimilarConspiracy Theory (1997),
StudioNew Line Cinema,
While we spent a lot of time debating whether or not “elevated horror” is a real thing or just something film snobs made up so they didn’t have to be embarrassed about liking a scary movie, gore fell to the wayside. There was a period when we weren’t getting an acceptable amount of blood and guts, in favor of understated chills and psychological trauma. Not that there’s anything wrong with that, of course, but it’s left something lacking in the genre. With Nia DaCosta’s take on Candyman and the upcoming Halloween Kills, however, it looks like old-fashioned look-between-the-fingers horror is back in all its splattery glory. Add to that list James Wan’s Malignant, often very silly, but always with a self-aware wink at the audience, with a body count that will satisfy even the most jaded horror fans. Continue Reading →