7 Best TV Shows Similar to American Dad!
The Completely Made-Up Adventures of Dick Turpin
There is perhaps no more annoying phrase to hear from someone recommending a TV series in the streaming age than, “It’s very good, but you do have to wait a few episodes.” Regretfully, this writer nonetheless must employ it in reviewing The Completely Made-Up Adventures of Dick Turpin. When the series finds its footing, it is equally adept at the goofy gag and the droll declaration. It’s just that it doesn’t settle into that groove until the third of six episodes provided to critics. The premise revolves around a decidedly ahistorical take on the British outlaw Dick Turpin (Noel Fielding, late of The Great British Baking Show). For those not steeped in 18th-century English criminal lore, Turpin was a highwayman who became something of a legend after his execution at the age of 33. Fans of new wave pop star Adam Ant may recall the singer briefly made Turpin a sartorial touchpoint with the inclusion of a tri-corner hat in his rotation. In co-creators Claire Downes, Ian Jarvis, and Stuart Lane’s The Completely Made-Up Adventures of Dick Turpin, Fielding’s interpretation of the character hardly reflects the historical or legendary figure. Rather Turpin patrols the lawless outskirts of the Georgian era as a thoroughly modern man. A vegan who’s terrible with a gun and worse with his fists, he seems more drawn to the theatrics of criminality than the violence or even the money. As a result, he frequently confounds the odds through his stubborn insistence on making unusual choices and a healthy dose of good luck. Continue Reading →
The Cat in the Hat Knows a Lot About That!
Peacock’s claymation sitcom is at its best when it skips the satire for the strange, but “best” is grading on a curve. To its credit, In The Know resists dropping the term “woke” to describe its characters. Unfortunately, in a fairly disastrous opener, that’s the only “those silly sensitive liberals” signifier it lets go past. The premiere’s big joke, one it repeats OFTEN, centers on the proper terminology for someone without a place to live. Because, of course, it's a goofy waste of time to worry about language. Only Zach Woods’ ever-increasing profane frustration at being corrected by Fabian (Caitlin Reilly) saves the bit. His voice performance as “NPR’s third most popular host” Lauren Caspian is just sly enough to make it unclear if his anger comes from his inability to remember the correct term, someone having the nerve to interrupt him, or the thought that someone in the office might be more progressive than him. It isn’t that mocking blowhard radio hosts can’t be a rich comic vein. Just check out the original Frasier series, a show with a strangely intense cross-generational appeal that persists even over 19 years after the final episode aired. It’s centering that mockery on NPR, particularly an NPR that has more in common with a conservative’s fever dream of what the company is like rather than anything resembling reality, feels like a weak tea. Fortunately, things improve for In The Know as it quickly moves beyond what initially seems like an exercise in sticking it to those caricatures of public radio employees. Continue Reading →
Hazbin Hotel
Messy writing keeps this solid cast from shepherding Hotel to strong Yelp scores. Hazbin Hotel is not for me. That is not a bad thing. If every piece of media appealed to everyone, the homogeneity would be stifling. I can see the appeal of a big, bombastic, gleefully violent, heart-on-its-sleeve musical cartoon for grown-ups (heck, I've enjoyed my fair share of them)—I just don't click with the show's ice-pop made-of-blood aesthetic, and I'm not a huge show-tune guy. Acknowledging the disconnect between the show's vibe and my personal tastes, as a critic, I have two primary takeaways from Hazbin Hotel's first four episodes: In terms of animation and voicework, Hazbin Hotel is solid—and Keith David's turn as the burnt-out bartending demon Husk is a standout among a game cast. In terms of writing, Hazbin Hotel is a mess, awkwardly careening between silly and dramatic without precision—most noticeably when it delves into the horrific life of one of its lead players. Hazbin Hotel's aesthetic is built on contrasts—primarily between series heroine Charlie Morningstar (Erika Henningsen)'s deliberate good cheer, bright smiles, and crayon drawings and the continual viciousness of Hell and most of its denizens. Visually, the cast (both the show's core ensemble and the wider community of Hell) is expressive and distinct. Hell's assorted players and agents are united across factions by the frequent use of red and black either alone or in concert in costume design. Each faction, in turn, has its own visual signifiers—the staff and residents of the Hotel tend towards a hybrid of casual and professional wear, while a powerful gangster clique goes all in on decadence. Heaven's murderous, brotastic angels, meanwhile, opt for a more uniform style. Continue Reading →
Strange Planet
Mulligan
Mulligan may be an animated comedy about a ragtag group of survivors of an alien attack on Earth. However, Hardcore 30 Rock fans will quickly discover Netflix’s new animated series feels pretty familiar to the early-aughts sitcom. First, there’s the fast-paced comedic timing, a signature of producers Robert Carlock, Tina Fey, and Sam Means. Next, both series feature the infectious, bouncy music of Jeff Richmond. Finally, both got off to a bit of a rough start. Still, just like hang gliding over an apocalyptic alien attack, Mulligan’s an amusing, wild journey that rewards viewers who hang on for the ride. Continue Reading →
Velma
The character of Velma Dinkley inhabits a strange place in the Scooby-Doo franchise. In the context of the shows, she is arguably the most integral member of Mystery Inc, as her intelligence and skepticism make her most likely to solve the mystery first. However, as a supporting character in a franchise that focuses on Scooby and Shaggy’s antics, she is pushed to the sidelines and most viewers remember her catchphrase of “Jinkies” more than they remember her. Continue Reading →
Marvel's M.O.D.O.K.
M.O.D.O.K. isn’t set in the Marvel Cinematic Universe but it is firmly set in the newest trend in adult-sewing American animation. Popularized by Rick & Morty and BoJack Horseman, these cartoons put on an exterior dick jokes and fart gags but are actually about deeper explorations of weighty turmoil’s. Considering this phenomenon has produced shows like Horseman and Harley Quinn, it’s one of the better TV trends out there. The best parts of M.O.D.O.K. exemplify why. There’s something enduringly impressive about balancing out raunchiness with genuinely insightful drama. Continue Reading →