11 Best TV Shows Similar to 3rd Rock from the Sun
WondLa
There’s no honest way to say WondLa looks ugly or uninteresting. The environs, in particular, make wonderful use of gentle pastels broken by sharp primary colors to create a world both beautiful and utterly alien (no pun intended) to our protagonist, Eva (Jeanine Mason). But visually attractive isn’t the same as unique or arresting. Sadly, once one begins to scratch the show’s surface, it reveals many all-too-familiar elements. Sometimes, it is just a general sense of the thing. At others, it is nearly one-to-one. For example, Eva’s first otherworldly ally, Otto (Brad Garrett), is a furry talkative sibling to Raya and The Last Dragon’s Tuk Tuk. Similar design elements are typically easy to accept for this critic, provided the story utilizing them offers enough to chew on. It is here that WondLa truly stumbles. A collection of other “coming of age” and “humanity’s end” stories’ greatest hits, the series never offers something fresh enough to get its audience to sit up and take notice. A collection of strong voice work, including Teri Hatcher—who has proven herself a real voice talent asset over the years—is further hamstrung because the voices come from mostly thinly sketched characters. Sarah Hollis and Jeanine Mason love your new look. (AppleTV+) In some unnumbered future year, Eva is the only child living in a vast underground bunker known as a Sanctuary. Her only true companionship is a robot surrogate parent, Muthr, who sees to the child’s physical—and, with time, inevitably—emotional needs. When Eva turns six, she—and the audience—learns she is part of a program to “save” humans from themselves. Under the direction of Cadmus Pryde (Alan Tudyk in a rare straightforward voice performance), the dwindling human populace built an array of Sanctuaries. In each, a robot raised children until the planet healed from the various environmental catastrophes and violent conflicts people visited upon it. When the Earth is ready and the children properly trained, they will be released to the surface to re-establish society and maybe treat each other and their planet right this time. Continue Reading →
Dark Matter
In reviewing Dark Matter, it feels fitting to follow the moral of the show’s story. While it is easy to get lost in forever puzzling over details, the far more useful—and rewarding—path is to take a step back and fully appreciate a thing. There are elements in creator/showrunner Blake Crouch’s adaptation of his own work that do not work, especially concerning pacing. And yet, by the time the credits roll on the final episode, one is largely left satisfied and, perhaps, a bit exhilarated. The temptation to dwell on each choice at the expense of the larger picture is something Jason Dessen (Joel Edgerton) knows well. But we’re already getting ahead of ourselves. Dark Matters begins with the Jason I’ll christen “our Jason” for clarity. Our Jason is a Physics professor living in Chicago with his wife Daniela (Jennifer Connelly), a former artist who now focuses more on the administrative and business sides of art, and their son Charlie (Oakes Fegley). One night, Jason meets up with his friend Ryan (Jimmi Simpson) to celebrate the latter’s academic success. The vibe is strained, with parties seemingly aware that Jason should’ve received the same award, if not over Ryan, then certainly before him. Continue Reading →
Star Trek: Discovery
The 1960s Star Trek show did not have the chance to do a true series finale. All of its successors did though, until now. From The Next Generation to Deep Space Nine to Voyager to Enterprise to Picard, every show had the opportunity to make a final statement and sum up the years of adventures in some fashion. Yet, despite being the primogenitor of the franchise, The Original Series just sort of ends, with the sense of the conveyor belt simply stopping, and its last output accidentally becoming an end, if not quite the end. And yet “Turnabout Intruder”, infamous though it may be, is a surprisingly fitting finale for TOS. It features the good notions and abiding themes of the 1960s show: the idea that this crew knows their captain well enough to sniff out a fake; that become a well-functioning team that can work through even the most unorthodox problems, and that after seventy-nine episodes’ worth of outlandish adventures, they remain open to new and unexpected possibilities. It also features the bad ideas and problematic elements that plagued series time and again: from a mixed-at-best perspective on women to William Shatner’s over-the-top acting. In that, the show’s final outing is an inadvertent but strangely apt swan song for the series. In its new season, Star Trek: Discovery follows in those hallowed, unexpected footsteps. This is Discovery’s fifth and final year on the air, but as reported by the cast and crew, they didn’t know that when writing or filming it until the last minute. Despite the promise of a hastily-shot coda to give the show an air of finality, that makes this last leg of Discovery’s mission an accidental ending, not unlike the one endured by the original Star Trek series. Continue Reading →
Everything Now
As the TV series Everything Now begins, Mia (Sophie Wilde) is eager for freedom. After spending months in a hospital undergoing treatment for her anorexia, her supervisor, Dr. Nell (Stephen Fry), has decided she’s well enough to return to school with her best friends Becca (Lauryn Ajufo), Cam (Harry Cadby), and Will (Noah Thomas). Cooped up inside for what seemed like an eternity, Mia is bursting with enthusiasm about finally undergoing many teenage rites of passage like first dates and big parties. Continue Reading →
Only Murders in the Building
The surprise, sustained hit Only Murders in the Building brands itself as a comedy-mystery on Hulu. But, as season three hits the streaming service, with another murder for the Arconian trio of Charles (Steve Martin), Oliver (Martin Short), and Mabel (Selena Gomez) to solve, something becomes apparent. The series isn’t going for big laughs. Instead, it provides warmth, small chuckles, and genial goodness between the triumvirate. The show remains about found family, intergenerational friendships, and murder mysteries. It’s perhaps best described as a cozy mystery, a murder show with a heart of gold, an oxymoron of concepts. Continue Reading →
This Fool
This Fool's first season saw main character, Luis (Frankie Quiñones), getting out of prison and reuniting with his cousin Julio Lopez (Chris Estrada) at the Hugs Not Thugs program in Los Angeles. For many shows, getting out of the slammer would be the focal point of the drama, the end goal to build an entire season of storylines around. Instead, the series hits the ground running with Luis emerging from incarceration. Then it draws out comedic scenarios from him trying to get his life back on track. Continue Reading →
Emily in Paris
Full disclosure: I was going to start this review with a Peloton joke given show creator Darren Star’s recent track record. Then out of nowhere, there was an actual Peloton knock-off storyline in this season of Emily in Paris. So my joke told itself. Points to you, Emily in Paris. Continue Reading →
The Letter for the King
Netflix's latest overstuffed fantasy adaptation is a challenge for viewers' time & patience. Visiting the source material before watching an adaptation can be a difficult decision to make. On the one hand, going into a viewing experience as fresh and free of expectations as possible typically feels like the best-case scenario. On the other hand, some level of awareness can make it easier to follow the early installments of, say, a six-episode Netflix series. To be a little less opaque, not being familiar with The Letter for the King’s source material -- the Dutch 60’s fantasy novel De brief voor de Koning -- makes the early goings of the Netflix series a bit of a slog. The first episode of newcomer showrunner Will Davies’s effort in particular feels very nearly inert. Too many characters are introduced with little clarity on their back story, and there's too much switching from location to location without giving us a true feel for the world. It's so much setup to achieve so little connection with the audience. However, as Tiuri (Amir Wilson) begins to undergo the trials of becoming a knight more in earnest in episode 2, the world starts to take shape. More important, the show starts to develop a personality. In addition to finally separating Tiuri out as our lead, the supporting characters snap into relief. We see the mix of nobility, arrogant callousness, and underhandedness of Tiuri’s adopted father and namesake Sir Tiuri the Valiant (David Wenham). Sir Fantumar’s (Omid Djalili) thirst for power and disgust for others starts to reveal itself. Additionally, characters who ultimately do not figure stronger into the narrative become easier to spot. Continue Reading →