59 Best Drama Releases on Max (Page 2)
Hacks
Season 1 of Hacks literally left things up in the air with Deborah Vance (Jean Smart) and Ava (Hannah Einbinder), as they boarded Vance’s private jet back to Las Vegas. Deborah has convinced reluctant writer Ava to join her on tour. Unbeknownst to Deborah, Ava’s aired their dirty laundry via email to a team of British writers, who are keen to use the material as inspiration for a horrible boss-type sitcom. Ava’s in full crisis mode when news of her email reaches manager Jimmy (Paul W. Downs) as she boards the flight. Continue Reading →
The Staircase
NetworkHBO Max,
SimilarWhite House Plumbers,
A blandly suited district attorney steps up to the podium to make his opening statement.“In a very real sense, this case is about pretense and appearances,” he intones. “It’s about things not being as they seem.” Continue Reading →
We Own This City
SimilarFate/Apocrypha, Florida Man,
HIStory StarringDagmara Domińczyk, Wunmi Mosaku,
The easy move in discussing We Own This City is to compare it to co-creators David Simon and George Pelecanos’ The Wire. After all, they both concern crime, police, and politics in Baltimore. However, to do so diminishes both. Continue Reading →
The Flight Attendant
NetworkHBO Max,
SimilarAround the World in 80 Days, Helltown, No Escape, Santa Evita, The Summer I Turned Pretty,
It’s been over a year since we saw Cassie Bowden (Kaley Cuoco) at the beginning of her sobriety, coming to terms with how the trauma and legacies of her childhood shaped her. As season two begins, we get the rundown on how that’s been going via her AA sharing. Now based in Los Angeles, Cassie is healthy, in a relationship with smoking hot photographer Marco (Santiago Cabrera). She's also still working as an international first-class flight attendant with an unspecified side hustle that definitely isn’t working with the CIA, wink. Continue Reading →
Tirez sur le pianiste
“The voice you hear is not my speaking voice,” Ada (Holly Hunter) explains in The Piano’s opening voiceover. It is her “mind’s voice” explaining that she has been mute since she was six and no one, not even she knows why. There is no medical explanation, so those around her think her silence grows from sheer will, that she is determined and refuses to bend. She can only communicate through sign language, which has to be translated by her daughter Flora (Anna Paquin), or through notes written on a small notepad she keeps around her neck. Yet, she doesn’t think of herself as silent; she has her piano. The music she has studied her entire life has become her form of communication, her way of making noise and announcing herself to the world around her. But, as soon as she lands in New Zealand and enters her new life as the bride of a farmer, she is separated from her piano–it is simply too large to carry from the beach to her new home with her husband. She arrives in her new world voiceless, deprived of her primary means of expression. Continue Reading →
DMZ
NetworkHBO Max,
SimilarAnna, HAPPY!, Krypton, ThunderCats,
StarringRosario Dawson,
There’s no good time in history to make war into entertainment. This is possibly one of the worst times to try to do so. Now clearly, the creators of DMZ, HBO Max‘s newest miniseries, had no idea what was going to happen in history when they were creating the show, but there’s a faint bad taste in watching a woman search for her son in a war zone in a time when actual women are doing that actual thing. Continue Reading →
Winning Time: The Rise of the Lakers Dynasty
StudioHyperobject Industries,
We don’t step foot on an NBA court until the final minutes of the first episode of HBO’s new docu-series, Winning Time: The Rise of the Lakers Dynasty. This isn’t an accident; it’s a show with more on its mind than the x’s and o’s of a regular-season game. It’s not a series about the game of basketball but about the business of basketball - specifically, the moment the NBA goes from a poorly attended, barely-regarded sports league to the global entertainment juggernaut it is today. Continue Reading →
The Girl Before
Some of the best thrillers have to do with the home. Night House, The Invisible Man, and series like Haunting of Bly Manor and American Horror Story tap into that vein of particular terror that comes with having your safety, your shelter violated. It quite literally hits you where you live. Continue Reading →
Somebody Somewhere
Similar'Allo 'Allo!, Bates Motel, From, That '70s Show,
StudioThe Mighty Mint,
It seems like every TV show is set in Manhattan. Be it Friends, Sex & the City, or Seinfeld, Manhattan is the de facto environs for our favorite television. Somebody Somewhere, HBO’s latest series from Hannah Bos (High Maintenance) and Paul Thureen, keeps the Manhattan setting, but swaps out the Hudson and East Rivers for the Kansas and Big Blue Rivers. And just like the Little Apple seems like an inverse of the Big, this new show is a slice of lives drastically different from the hip and connected characters of Girls or And Just Like That.... Continue Reading →
Search Party
NetworkHBO Max,
Similar'Allo 'Allo!, Rescue Me,
Watch afterLove, Death & Robots, MINDHUNTER, Riverdale, The End of the F***ing World,
The Expanse The Sopranos,
WandaVision
Search Party, the TBS-turned-HBO Max comedy from co-creators Sarah-Violet Bliss, Charles Rogers, and Michael Showalter, has never been afraid of reinventing itself. While it started off as a satire of New York millennials trying (and failing) to find their own identities, the show kept evolving and playing with so many genres — from whodunit to legal drama to abduction thriller — throughout its run. The fifth and final season is no different, except this time, the story has higher stakes and doubles down even more on what makes the show so fearless and wildly entertaining in the first place. Continue Reading →
Station Eleven
NetworkHBO Max,
SimilarAround the World in 80 Days, Helltown, In the Land of Leadale, M*A*S*H,
Planet of the Apes Santa Evita,
Sherlock Holmes The Buccaneers, The Lost World, The Summer I Turned Pretty,
StudioParamount Television Studios,
When Station Eleven by Emily St. John Mandel hit shelves in 2014, it was a standout in science-fiction. HBO’s adaptation can’t help but hit differently in 2021. It’s a post-apocalyptic tale about what’s left of the world after a deadly flu ravages the populace. The parallels to current events are glaringly obvious. Continue Reading →
Landscapers
There’s a sort of inflationary issue in the True Crime genre these days. This presents an immediate hurdle to HBO’s new “based on a true story” limited series Landscapers. Continue Reading →
The Sex Lives of College Girls
NetworkHBO Max,
SimilarStar and Sky: Star in My Mind,
Despite sounding like something one might hesitate to Google outside of a private browser, HBO Max's The Sex Lives of College Girls is a fairly wholesome dramedy about four young women starting off their adult lives as freshmen in college. Admittedly, yes, college freshmen who do have sex, but wholesome just the same. Created by Mindy Kaling and Justin Noble (who also write many of the episodes) TSLoCG quickly overcomes the gimmicky nature of its title. Continue Reading →
Rocky IV
People think the Cold War officially ended with the fall of the Berlin Wall in 1989. That may technically be the right answer, but the actual end of the Cold War happened in Moscow on Christmas Day, 1985. That’s when American boxing champ Rocky Balboa knocked out Russian behemoth Ivan Drago in such a humiliating fashion that even his own countrymen were Team Rocky by the end of the slugfest. It was such a blow to morale that the USSR never recovered. Continue Reading →
The Many Saints of Newark
SimilarA History of Violence (2005), Brubaker (1980), The Departed (2006),
Watch afterDon't Look Up (2021), Free Guy (2021),
StudioNew Line Cinema,
When Anthony “Tony” Soprano first appears in Alan Taylor’s The Many Saints of Newark, he’s just a kid, hanging on the shoulder of his Uncle Richard “Dickie” Moltisanti (Alessandro Nivola). Much like the show it precedes, Taylor’s crime drama focuses on family, a group of related and unrelated men and women influencing and subsequently controlling various parts of New Jersey. Billed as a Tony Soprano origin story, a prequel that wasn’t needed but wanted, the film never feels inherently necessary or emotional. It coasts upon characters it has already set up, actors with pedigree playing said characters, and the understanding that this David Chase-created world is still connected and worth our time. Continue Reading →
Doom Patrol
NetworkHBO Max, Max,
SimilarBatman Beyond, Birds of Prey, HAPPY!,
Justice League Marvel Disk Wars: The Avengers, Spider-Man: The New Animated Series, Static Shock,
Writing about Doom Patrol Season 3 is a surprisingly tricky task. After all, how many times can one stress that its budget aesthetics are a distinct part of its charm? How many times can you praise its willful strangeness, its willingness to embrace the bizarre without ignoring the need for characterization? How many times can a critic declare, “yes, still very good.”? Continue Reading →
The Survivor
StudioBron Studios, Endeavor Content,
The post-WWII boxing drama wastes Ben Foster and Vicky Krieps in an overfamiliar prestige drama that botches its handling of the Holocaust.
For a one-time perennial Oscar-contending director, Barry Levinson has had one of the most curious careers of the 21st century. His recent work includes thrillers and comedies like Envy, The Bay, and Man of the Year. With Bill Murray vehicle Rock the Kasbah, Levinson seemed to have mildly scraped the zeitgeist once again. Now, with The Survivor he’s plunging back into the Oscar/prestige realm with The Survivor, a black-and-white Holocaust/ boxing drama.
The Survivor is based on the life of Harry (original name Hertzko) Haft, a Jewish man who survived Auschwitz by boxing as a ringer for a Nazi commander. When this becomes public knowledge, Haft is derided as a traitor by New York’s Jewish community. In execution, The Survivor hews closely to the standard patterns of prestige drama, to the point that there is very little distinct or interesting about its craft. Continue Reading →
ドライブ・マイ・カー
Watch afterLicorice Pizza (2021),
Ryusuke Hamaguchi adapts a Haruki Murakami short story & gives it additional depth & soul.
Interpretation is a complex beast. In terms of language, not even the most literal one is left entirely untouched by the person making it. In the case of longer work, a translator can take on a far more hands-on role, making a novel or film in translation a product of its interpreter as well as its original artist. In some cases, this influence can be significant. Translators and editors have played such a massive role in the way that English audiences understand and appreciate Haruki Murakami that writer, translator, editor, and creative writing professor David Karashima wrote an entire book on the topic in 2020.
Interpreting prose for the screen comes with its own nuances, and its own symbiotic relationship between the writer’s vision and the filmmaker’s. Translating Murakami’s writing for the screen is perhaps even more complicated, given the nature of his stories and how he tells them (or at least how I understand them based on the English translations I’ve read). Continue Reading →
Cry Macho
The country soundtrack kicks in. The plain, honey-coated lens flairs coat the screen. A truck parks and out steps Mike Milo (Clint Eastwood), met with the distance of his once-good friend Howard (Dwight Yoakam) who, like a soda machine someone’s kicked loose, dispenses copious exposition about Mike’s past. The man was a great rodeo rider before dabbling in pills and drink, and, according to his old pal, his rising age doesn’t help either. Howard wants fresh blood, but it seems the movie doesn’t. The delivery, the detachment, Yoakam’s thoroughly disinterested performance—the film borders on worrying at first. Continue Reading →
The White Lotus
SimilarBroadchurch, Family Guy, Quark,
Within the opening scene of The White Lotus, it’s revealed that someone will die at some point during the show. But the question of who that someone is and how will they die isn’t really the central plot, as the six-part miniseries is much more interested in the characters and their fascinating dynamics than the mysteries and all the events leading up to the impending death. Continue Reading →
Betty
Season one of HBO’s skateboard ensemble comedy/drama Betty was a sparkling slice of life, a rare female-led show where the main characters were flawed and brilliant and terrible in turns. The series (created and directed by Crystal Moselle, based on her movie Skate Kitchen) falters a bit in its sophomore season as it pulls the core girl gang apart into individual stories, to the detriment of the whole. Continue Reading →