492 Best Releases From the Genre Comedy (Page 3)
Everything Now
Similar3rd Rock from the Sun, American Horror Story, Buffy the Vampire Slayer,
Eureka Seven Further Tales of the City, Gossip Girl,
HIStory Hospital Playlist Little Women Love, Victor, Loveless, More Tales of the City, Ned's Declassified School Survival Guide, Noah's Arc, Oranges Are Not the Only Fruit, Out of This World, Ravenswood, Sabrina, the Teenage Witch, Sentimental Journey, Stand Up!!, That '70s Show, The Alienist, The Nanny, The Wallflower,
As the TV series Everything Now begins, Mia (Sophie Wilde) is eager for freedom. After spending months in a hospital undergoing treatment for her anorexia, her supervisor, Dr. Nell (Stephen Fry), has decided she’s well enough to return to school with her best friends Becca (Lauryn Ajufo), Cam (Harry Cadby), and Will (Noah Thomas). Cooped up inside for what seemed like an eternity, Mia is bursting with enthusiasm about finally undergoing many teenage rites of passage like first dates and big parties. Continue Reading →
Frasier
NetworkNBC,
Similar'Allo 'Allo!, Catterick, Fawlty Towers, Here and Now,
HIStory I Dream of Jeannie, LA to Vegas, Lost in Space, My Hero, Ned's Declassified School Survival Guide, Off Centre, Red Dwarf, Sons of Tucson, Taxi, That '70s Show, The Bride of Habaek, The Fire Next Time, The War at Home,
StudioParamount Television Studios,
When Frasier premiered in the fall of 1993 it had massive shoes to fill. That's probably an understatement. Its parent show, Cheers, was a critical and commercial monster in a way that can only happen when there are only three shows for two hundred million people to choose from. It was nominated for almost two hundred Emmys over the course of its eleven-year run, and its series finale aired to 90 million people (40% of the country’s then population) three months before Frasier’s start. So yeah, expectations were pretty high, and Frasier ended up pretty much meeting them all. While never as popular as Cheers (nothing has been as popular as Cheers since Cheers), it was nevertheless a solid commercial hit that carved out its own identity and won more Emmys than its parent show over the course of its own eleven-year run. A lot of that success was rooted in Frasier’s ability as its own, independent show with its own characters and rhythms instead of being Cheers 2.0. Continue Reading →
Case History of a Sales Meeting
No 21st-century filmmaker has a more accurate and forceful finger on the pulse of global political thought trends than Radu Jude. His movies brim with a completely black-pilled attitude towards his own country’s political and social state amid the populace and an affinity for using social media obsession as a cipher in his cinema. In his latest, he comes out firing in an ironic and didactic rampage unseen since Jean-Luc Godard’s La chinoise (1967). Both film and digital collide in the characteristically wry and unambiguously titled Do Not Expect Too Much of the End of the World. Continue Reading →
Totally Killer
SimilarA Nightmare on Elm Street (1984), Back to the Future Part II (1989), Back to the Future Part III (1990),
Bend It Like Beckham (2002) Billy Elliot (2000), Cléo from 5 to 7 (1962), I Am Not a Serial Killer (2016), Italian for Beginners (2000), Little Miss Sunshine (2006), Mars Attacks! (1996), Saw II (2005), Silent Hill (2006), Star Trek: First Contact (1996), Strange Days (1995), The Devil's Rejects (2005), The Matrix Reloaded (2003), The Matrix Revolutions (2003), The Party (1980), The Party 2 (1982), Twelve Monkeys (1995),
Watch afterSaw X (2023), Spider-Man: Across the Spider-Verse (2023), Talk to Me (2023), The Equalizer 3 (2023),
The low-budget confines of Blumhouse movies mean that any idea can become a movie, including bold original visions like Whiplash or Get Out. Unfortunately, it also means a lot of subpar stuff can easily get the green light. The latest example is the new Amazon/Blumhouse collaboration, Totally Killer. Hailing from director Nahnatchka Khan, Totally Killer dares to ask a question no reasonable soul was pondering. “What if Happy Death Day and Hot Tub Time Machine had a tedious baby?” Buckle up, horror devotees. Here comes yet another dose of 1980s nostalgia and some frighteningly lousy editing. Continue Reading →
Killer Joe
Upon the news of the passing of William Friedkin, every headline reporting on the news focused on two films. It’s not surprising that the media spent so much time talking about The French Connection and The Exorcist, two bona fide masterpieces that paved the way for a new era of American filmmaking. What was disappointing was this seeming willingness to reduce a cinematic legend’s legacy to a burst of time in the early 1970s, thus dismissing the five decades that followed as either negligible or outright unworthy of interest. Continue Reading →
She Came to Me
Watch afterBullet Train (2022), Five Nights at Freddy's (2023), The Killer (2023), The Marvels (2023),
Seven films into her career as a filmmaker and Rebecca Miller is still a perplexing study. From 1995’s Angela, her symbolic unpacking of a lost childhood (presumably her own) to 2015’s Maggie’s Plan, a symbolic study of a desire for independence (presumably her own), she's made female pain and pleasure her subject without ever settling on a formal approach. Miller is an auteur in the sense that the peculiar combination of confrontational sexuality and highly personal discursiveness seem like the province of someone who both knows exactly what kind of things she wants people to think about, even if she’s never decided the way she wants us to think about them, other than “immediately.” Continue Reading →
Still Up
SimilarChicken Nugget, Ned's Declassified School Survival Guide,
Night owls and insomniacs will tell you it's special being awake while most of your family, friends, and community slumber. How sometimes weightless and creative you can feel when everyone else strives for that healthy rest. They’ll also often tell you how lonely and frustrating it can be. Wandering your home or the world outside all alone because their bodies’ circadian rhythm actually makes sense. Continue Reading →
Sex Education
Similar'Allo 'Allo!, American Horror Story, Bates Motel, Broadchurch, Buffy the Vampire Slayer, Dark, Elizabeth R, G.B.H.,
HIStory Komi Can't Communicate, More Tales of the City, Ned's Declassified School Survival Guide, Noah's Arc, Oranges Are Not the Only Fruit,
Pride and Prejudice Scully Stand Up!!, That '70s Show, Wycliffe,
There’s a moment in Sex Education Season 4’s first episode where a dark thought crosses one mind. “Wait…was this always JUST a sitcom?” Continue Reading →
Flora and Son
SimilarAmélie (2001),
Boys Don't Cry (1999) Chicago (2002), Dirty Dancing (1987), Enchanted (2007), Erin Brockovich (2000), Gridiron Gang (2006), La Vie en Rose (2007), Mary Poppins (1964), Moulin Rouge! (2001), Random Harvest (1942), Shall We Dance? (2004), What's Eating Gilbert Grape (1993), Willy Wonka & the Chocolate Factory (1971),
Watch afterEverything Everywhere All at Once (2022), Five Nights at Freddy's (2023), Killers of the Flower Moon (2023), Mission: Impossible - Dead Reckoning Part One (2023),
Oppenheimer (2023) Saw X (2023), Shortcomings (2023),
StudioFilmNation Entertainment,
About 75 minutes into Flora and Son, its script veers toward the self-reflexive. “What movie are you in?” Flora (Eve Hewson) snaps. “One without you in it,” her son, Max (Orén Kinlan), replies. This sort of exchange fits holistically into writer-director John Carney’s latest. It’s self-aware, sure, but it’s not meta. Like most of the film’s writing, it is entirely transparent in its machinations, going so far as to declare them at points. Supporting characters largely function as symbols rather than people. Continue Reading →
The Brink's Job
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Breakfast at Tiffany's
Similar2046 (2004), A Beautiful Mind (2001), Ali: Fear Eats the Soul (1974), Annie Hall (1977), Bridget Jones's Diary (2001), Caché (2005), Enchanted (2007), Eternal Sunshine of the Spotless Mind (2004), Fantomas vs. Scotland Yard (1967), Four Weddings and a Funeral (1994), Ghostbusters (1984), GoodFellas (1990), Home Alone 2: Lost in New York (1992), King Kong (2005), Léon: The Professional (1994), Manhattan (1979), Maria Full of Grace (2004), Match Point (2005), Men in Black II (2002), Moulin Rouge! (2001), Muriel's Wedding (1994), Pi (1998), Sissi (1955), Sleepless in Seattle (1993), Sliver (1993), Stalker (1979), Stranger Than Paradise (1984), Taxi Driver (1976), The Bridges of Madison County (1995), The Cider House Rules (1999), The Godfather Part III (1990), The Good German (2006), The Terminal (2004), The Usual Suspects (1995), Vertigo (1958), Wonder Boys (2000),
John Carney's new drama is just one of a diverse collection of features at this year's Toronto International Film Festival.
This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the works being covered here wouldn't exist.
Irish filmmaker John Carney made his big breakthrough in 2007 with Once, a film focused on the redemptive power of music and its ability to bring people, whether they are strangers or family, together in the pursuit of creating something that allows them to give voice to their once-buried hopes and desires. This was followed by Begin Again (2013), a film focused on the redemptive power of music and its ability to bring people, whether they are strangers or family, together in the pursuit of creating something that allows them to give voice to their once-buried hopes and desires. After that came Sing Street (2016), a film focused on the redemptive power of music and its ability to bring people, whether they are strangers or family, together in the pursuit of creating something that allows them to give voice to their once-buried hopes and desires. Continue Reading →
The Goldbergs
NetworkNBC,
Similar'Allo 'Allo!, Astro Boy, Catterick, Fawlty Towers, Garth Marenghi's Darkplace,
Great News I Dream of Jeannie, LA to Vegas, Ned's Declassified School Survival Guide, Off Centre, Red Dwarf, Taxi, That '70s Show,
The Cara Williams Show The John Larroquette Show The War at Home, Two and a Half Men,
In 1983, a group of crooks broke into a vault at the Heathrow International Trading Estate in London, patrolled by Brink’s Mat security conglomeration. The Brinks company was already famous for a famous robbery, one that was carried out in the '50s in the North End in Boston, an incident that turned into a charmingly strange movie by William Friedkin in 1978. Continue Reading →
Sitting in Bars with Cake
Watch afterBarbie (2023) Blue Beetle (2023), Elemental (2023), Shortcomings (2023), The Marvels (2023),
StudioMetro-Goldwyn-Mayer,
(Editor's note: A previous version of this review included the full name of the presumptive real-life inspiration for the film; upon a subsequent request to maintain their privacy, we have removed that sentence.) Continue Reading →
Mickey's Birthday Party
Friedkin’s second film is a bruising affair that finds the fledgling director wielding style to produce maximum psychological damage.
In the early days of his career, William Friedkin found himself playing second banana to his collaborators. For instance, one of his earliest biggest TV directing gigs was on Alfred Hitchcock Presents. Then, when he made the leap to feature narrative films, his debut was in service of Cher and Sonny Bono’s cult of personality.
In The Birthday Party, Friedkin’s second film, more well know talent once again eclipses him. Playwright Harold Pinter, whose original stage play the film adapts, also contributed the film script. Even now, the cover of Blu-rays and DVDs, the only way to see it currently, bills it as “Harold Pinter’s The Birthday Party.” Continue Reading →
When SCTV, the funniest sketch comedy show of all time, moved to the CBC network in its third season, the producers were given an edict to include two minutes of identifiably Canadian content in each episode. Believing this to be a particularly stupid order—the show was written, produced and performed by a mostly Canadian cast and crew—two of the show’s writer-performers, Rick Moranis and Dave Thomas, decided to ridicule the request via a string of largely improvised sketches in which they would play characters that would overtly embody the most obvious Canadian stereotype. They would always be wearing toques, talking about back bacon and beer and interject “Eh?” into practically every sentence. Continue Reading →
You Are So Not Invited to My Bat Mitzvah
SimilarBring It On (2000), Fried Green Tomatoes (1991), Manhattan (1979), Mary Poppins (1964), Sahara (2005), To Die For (1995), Willy Wonka & the Chocolate Factory (1971), Wonder Boys (2000),
You Are So Not Invited to My Bat Mitzvah has a simple premise. Stacy Friedman (Sunny Sandler) wants her bat mitzvah, only a few weeks away, to be perfect. Using that premise, the film takes off, exploring the growing pains of middle school. Continue Reading →
Landscape with Invisible Hand
Similar2001: A Space Odyssey (1968), 9 Songs (2004), A Clockwork Orange (1971), Annie Hall (1977), Apocalypse Now (1979),
Blade Runner (1982) Boys Don't Cry (1999) Contact (1997), East of Eden (1955), Eternal Sunshine of the Spotless Mind (2004), Fried Green Tomatoes (1991),
Jackie Brown (1997) Manhattan (1979), Mars Attacks! (1996), Mary Poppins (1964), Metropolis (1927), Predator (1987), Random Harvest (1942), Solaris (1972), Stalker (1979), The Elementary Particles (2006),
The Name of the Rose (1986) The Outsiders (1983), The Science of Sleep (2006), The Silent Partner (1978), The Thirteenth Floor (1999), To Die For (1995), War of the Worlds (2005),
Watch afterBarbie (2023) Rebel Moon - Part One: A Child of Fire (2023), Shortcomings (2023), The Equalizer 3 (2023),
StudioMetro-Goldwyn-Mayer,
Cory Finley is obsessed with money. His characters have nice things or want them. They live in beautiful houses or enviously plot to get them. Even in the year 2036, with aliens living on (or, more precisely, about two miles above) planet Earth, people still fret over money and try to make scads of it. That’s the state of things in his latest, Landscape with Invisible Hand. It’s a title with the same bespoke aestheticism as the stuffed ocelots and oversized chess pieces his characters own. It feels seemingly designed to scare off less curious viewers. While the film has an awful lot of plot, the undergirding is the same. As in his 2017 debut Thoroughbreds, his follow-up Bad Education, and even his episodes of the abysmal miniseries WeCrashed, the drama comes from the idea of what money does to the soul. Continue Reading →
Strays
SimilarArmageddon (1998), Austin Powers: The Spy Who Shagged Me (1999), Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006), Bridget Jones's Diary (2001), Bring It On (2000), Fantastic Four: Rise of the Silver Surfer (2007), From Russia with Love (1963), Ghostbusters (1984), Goldfinger (1964), Night at the Museum (2006), Ocean's Eleven (1960), Shrek the Third (2007), Snakes on a Plane (2006), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005),
Watch afterBarbie (2023) Blue Beetle (2023), Elemental (2023), Indiana Jones and the Dial of Destiny (2023), Meg 2: The Trench (2023),
Oppenheimer (2023) Talk to Me (2023), The Nun II (2023),
Talking animals have been an entertainment staple for practically as long as movies have been around. Most classics of the genre, like 1993’s Homeward Bound, aim squarely at children in the audience. Director Josh Greenbaum’s Strays seeks to subvert that approach by weaving dirty jokes and curse words into familiar genre tropes. The result is considerably more grating and unpleasant to watch. Continue Reading →
Jules
SimilarA.I. Artificial Intelligence (2001), Alien (1979), Aliens (1986), Mars Attacks! (1996), Predator (1987), Stalker (1979), War of the Worlds (2005),
Watch afterBarbie (2023) Blue Beetle (2023),
Oppenheimer (2023) Rebel Moon - Part One: A Child of Fire (2023), Shortcomings (2023), Spider-Man: Across the Spider-Verse (2023),
In a media landscape with fewer and fewer options actually targeted toward adults (often tied to the death of the mid-budget movie), audiences take the scraps they're given and make the best of them. This is the space that Jules occupies, a sci-fi fairy tale about the specific loneliness of senior citizens who feel isolated, ignored, and afraid. It’s also a thin, often ham-fisted take on a tale that could have had real legs in more capable hands. Continue Reading →