118 Best Releases From the Genre Adventure (Page 5)
The Green Knight
SimilarHarry Potter and the Chamber of Secrets (2002), Harry Potter and the Goblet of Fire (2005), Harry Potter and the Philosopher's Stone (2001), Harry Potter and the Prisoner of Azkaban (2004), On Her Majesty's Secret Service (1969), Pirates of the Caribbean: Dead Man's Chest (2006), The Silent Partner (1978),
StudioA24, Bron Studios,
It’s no more than a few minutes into its 132-minute runtime that The Green Knight lays its cards on the table. It doesn’t really subvert expectations here; it’s not like it immediately carves out its identity. Rather, it makes itself clear in the most literal of ways, although in one that doesn’t register as such immediately. After an opening in which Sir Gawain (Dev Patel) wakes up hungover and half-naked, the camera tracks him from behind through sweaty medieval corridors and out into the cloud-covered morning. As he walks through the village, text flashes across the screen declaring itself “a filmed adaptation.” Continue Reading →
Minuscule 2 - Les mandibules du bout du monde
SimilarDr. No (1962), King Kong (1933), The Man with the Golden Gun (1974),
In the decade since his cult hit Rubber, French provocauteur Quentin Dupieux has been churning out small, absurd movies at a steady clip. Mandibles – his third U.S. release since the start of the pandemic – is yet another wonky tale of le ridicule, clocking in at a mere 77 minutes. Beach bum Manu (Gregoire Luig) is hired by a rich benefactor to transport a mysterious suitcase; specifically told he must do so in a car, he stumbles on an unlocked, dusty yellow Mercedes, and picks up his buddy Jean-Gab (David Marsais). Everything’s going smoothly until the pair notice an odd rumbling emanating from the trunk of their stolen automobile. Turns out, they’ve been riding around with an enormous, disgusting fly. Continue Reading →
The Tomorrow War
Similar28 Days Later (2002), Back to the Future Part II (1989), Back to the Future Part III (1990), Star Trek: First Contact (1996),
Watch afterBlack Widow (2021), Free Guy (2021), The Suicide Squad (2021),
StarringSam Richardson,
It's clear from the starting gun that Paramount originally intended to push The Tomorrow War as a major summer theatrical release. But given the pandemic, Amazon Prime Video has stepped up to rollout this 140-minute sci-fi action romp starring Chris Pratt of Marvel’s Cosmic corner and Jurassic World fame. Continue Reading →
F9
SimilarBack to the Future Part II (1989), Back to the Future Part III (1990), Kill Bill: Vol. 2 (2004), Ocean's Eleven (1960), Ocean's Twelve (2004), Snakes on a Plane (2006), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005),
Watch afterBlack Widow (2021), The Suicide Squad (2021),
At this point, the mechanics of a Fast and Furious movie are no secret. Running on an engine of blistering sincerity, the over-the-top action inevitably finds Dominic Toretto (Vin Diesel) pulled in for “one last job.” You’ll see a street race populated by women in bikinis. Fancy cars will defy the laws of physics as they inevitably crash, fly, or crash while flying. Roman (Tyrese Gibson) shall vamp and riff to kingdom come. Coronas will be consumed and, in the end, family will emerge victorious. Continue Reading →
Borderlands
SimilarHitman (2007), Resident Evil: Apocalypse (2004),
StudioLionsgate,
Samarth Mahajan’s documentary about life on India's borders is engaging, involving, and dense.
Too often, filmmakers think they can make a documentary simply by picking a good subject. But the mark of a good documentary is not the importance or controversy of its subject, but the way that its filmmaker convinces their audience that the subject is worth exploring. Samarth Mahajan’s Borderlands accomplishes just this, and does so by pulling off the difficult task of spinning what could be disjointed or arbitrary subjects into a compelling thread that speaks to the history and dynamics of a region.
Borderlands focuses on the communities of people who live near the different national borders of India. India is currently bordered by seven different countries – Pakistan, Nepal, Bhutan, Myanmar, China, Sri Lanka, and Bangladesh. The history of these borders is vast and dense, consisting of major wars, invasions, imperialist conquest, and political turmoil. Continue Reading →
Spirit Untamed
The biggest mistake Spirit Untamed makes is setting its credits to hand-drawn versions of computer-animated images straight from the movie. The already choppy animation looks even more underwhelming compared to warmer hand-drawn sketches. These credits are bound to send audiences out of the theater more aware than ever that the visuals on-screen were disappointing. Then again, maybe moviegoers will just forget the unfortunately generic thing entirely before they even reach the parking lot. Continue Reading →
Hudson Hawk
In the 30 years since it made its infamous debut, there have been bigger critical and commercial catastrophes unleashed upon multiplexes than Hudson Hawk (1991). And yet, while most of those disasters have been duly forgotten, it continues to loom large as the ultimate Hollywood cautionary tale of what can happen when a performer riding the absolute peak of their cultural ascendancy is given the chance to make literally anything that they want and it turns out to be something that evidently no one else wanted. Continue Reading →
The Hunger Games: Mockingjay - Part 1
Just a few days after he passed, it was clear that The Hunger Games: Mockingjay – Part 2 would be Philip Seymour Hoffman’s final film. Back in 2012, Lionsgate made the financial decision to milk a fourth movie out of the Hunger Games trilogy, keeping their cash cow going until November 2015. While Catching Fire made for a worthwhile outing in its own right, the back half of the series does its best to annihilate any goodwill it’d accumulated. Continue Reading →
Tom Clancy's Without Remorse
Continue Reading →
The Hunger Games: Catching Fire
This is a little embarrassing – I’m pretty sure The Hunger Games: Catching Fire was my first exposure to Philip Seymour Hoffman. As I’ve said before, he didn’t appear in many blockbusters, and when I was fifteen (watching this Hunger Games sequel on the largest screen I could find), well, I watched a lot of blockbusters. But on second look, my embarrassment isn’t warranted. Catching Fire, and Hoffman’s work in it, is far better than I’d remembered. Continue Reading →
Excalibur
Excalibur was hardly the first film to be made based on the legend of King Arthur and the knights of the Round Table and it was hardly the last word on the subject either. The saga has inspired everything from a bloated musical (Camelot) to one of the funniest films ever made (Monty Python and the Holy Grail) to whatever that thing was that Guy Ritchie made that you have already forgotten even existed until just about now (King Arthur: Legend of the Sword). It may not even be the best screen version—I would have to give that prize to Holy Grail on the basis of being both hysterically funny and more accurate in its depiction of the period than most of its brethren (coconuts notwithstanding). Continue Reading →
Thunder Force
Mere moments before the whole world shut down last year, I reviewed the Vin Diesel vehicle/comic adaptation Bloodshot. In that review, I talked about how the film often felt like a refuge from another time, an earlier era of superhero movies, and that there was a certain charm in that. Thunder Force similarly feels like a holdover from a different time, but as an anachronism, it offers far less charm. If Bloodshot felt like a pale but pleasant copy of films from the Raimi Spider-Man portion of the era, Thunder Force feels a bit more like Sky High’s cousin, obsessed with seeming more mature. Continue Reading →
劇場版ポケットモンスター みんなの物語
Stuck in the dark with little but her own fears, the animus of her colleagues, and the terrifying specter of a mysterious presence that haunts the hospital, Val's in for a bone-chilling night that will touch on not just her own personal traumas, but the collective trauma of abused and disbelieved women throughout history. Continue Reading →
Zack Snyder's Justice League
Watch afterBlack Widow (2021), Shang-Chi and the Legend of the Ten Rings (2021), The Suicide Squad (2021),
StarringWillem Dafoe,
Zack Snyder’s Justice League is a good movie. Its cast brings the famous DC superhero team to life through performances that range from reliably solid to very strong. Its action is clear, creative, and in a few places downright stupendous. Its thematic work is interesting, both on its own and in the greater context of its long and winding road to existence. There are multiple moments that qualify as full-on fantastic filmmaking, sequences that successfully connect western superheroes to the larger-than-life feeling of mystical Arthurian lore. To put it simply, I like it. I like it a bunch. Continue Reading →
The SpongeBob Movie: Sponge on the Run
StarringDee Bradley Baker,
Early on in The SpongeBob Movie: Sponge on the Run, the third cinematic iteration of the long-running Nickelodeon series SpongeBob Squarepants -- after 2004's The SpongeBob SquarePants Movie and 2015's The SpongeBob Movie: Sponge Out of Water -- the Tim Hill-directed road movie flashes us back to the childhood of our absorbent, yellow, porous protagonist (voiced by Tom Kenny) and his first meeting with his beloved snail, Gary. By the time the film's over, we'll learn that all of SpongeBob's friends -- Patrick (Bill Fagerbakke), Squidward (Rodger Bumpass), Mr. Krabs (Clancy Brown), and the rest -- all met as kids in an undersea summer camp called Kamp Koral. Continue Reading →
Raya and the Last Dragon
SimilarAliens (1986), Fantasia (1940), Harry Potter and the Chamber of Secrets (2002), Harry Potter and the Goblet of Fire (2005), Shrek (2001), Shrek 2 (2004), Shrek the Third (2007), Zatoichi (2003),
Watch afterBlack Widow (2021),
StudioWalt Disney Pictures,
(Note: We heavily encourage you to read reviews and criticism from Southeast Asian critics, who have a much more intimate and detailed understanding of the cultures from which Raya and the Last Dragon draws inspiration. This thread is a helpful primer.) Continue Reading →
Nothing but Trouble
At one point during Ghostbusters , Dan Aykroyd’s character is discussing the bizarre architectural features of the apartment building where much of the supernatural action takes place and says “I mean, the architect was either a certified genius or an authentic wacko.” My guess is that there was a similar reaction among executives at Warner Brothers after they took a look at the screenplay for Aykroyd’s other elaborate and expensive horror-comedy vehicle for him and a number of his SNL and SCTV pals. I cannot say for certain which side those suits would have opted for but however they voted, they did pull the trigger on what would eventually become known as Nothing But Trouble , a peculiarity that would bomb so hard that it is now pretty much forgotten by everyone except of SNL alumni film completists and the few souls brave or foolhardy enough to—gulp—actually find good things to say about it. Continue Reading →
점박이 한반도의 공룡 2: 새로운 낙원
Arjitpal Singh's drama about a rural family in the Himalayas struggling to get by leans on strong performances and interlocking class critiques to overcome some clunky narrative structure.
(This review is part of our coverage of the 2021 Sundance Film Festival.)
Since 2012 when Anusha Rizvi’s Peepli Live became the first Indian movie to ever debut at Sundance, the film festival has seen a more consistent inclusion of films from Indian filmmakers. This year’s edition saw two movies from India – one narrative and one documentary. Both deal with underrepresented and economically disadvantaged communities in the country and focus on women. While the documentary (Writing With Fire) is a tale of inspiration and community perseverance, the narrative feature, Arjitpal Singh’s Fire in the Mountains, is more frustrating and somber. Continue Reading →
How It Ends
SimilarCube (1997), Cube Zero (2004), Maria Full of Grace (2004),
Shaft (2000)
Zoe Lister-Jones and Daryl Wein usher in the end of the world with a winsome indie comedy about seeking closure and reconciliation.
(This review is part of our coverage of the 2021 Sundance Film Festival.)
Directed by husband-and-wife duo Zoe Lister-Jones and Daryl Wein, How It Ends can be recognized immediately as a movie filmed during the COVID-19 pandemic. Cameos abound, with each minimal character appearing on balconies, across the street, on the other side of the table. These interactions, despite any emotional connection or progress, end with a wave goodbye, air kisses, or any other touchless way of leaving a situation. As the film meanders forward, this oddness grows, as two people share a genuine moment of importance, only to walk their separate ways with no physical affirmation of that moment. Continue Reading →
The Blazing World
SimilarPoseidon (2006), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005),
Carlson Young writes, directs and stars in a baffling horror-fantasy about a young woman who deals with trauma by disappearing into an elaborate alternate universe.
The nature of trauma, and how it impacts the human brain, is something that’s frustrating understudied, largely because it’s different for everyone. Some of us can take the terrible things we’ve experienced head on, moving past them and living a normal life. Some of us struggle to maintain that sense of normalcy, while our trauma lingers in the shadows just behind us. And some are so consumed by it that the entire world becomes a hostile, dangerous place. Carlson Young’s The Blazing World is an elaborate take on the latter, an ambitious spectacle for the eyes that lacks in comprehension.
Based on her short film of the same name, Young writes, directs and stars as Margaret, who as a child witnessed the accidental death of her twin sister. The event leaves her haunted by visions of a mysterious man (Udo Kier) who might be the Devil, if for no other reason than every character Udo Kier plays might be the Devil. Some fifteen or so years later, he’s still hanging around, leering at her and trying to lure Margaret into some sort of portal. Continue Reading →
Night at the Museum
SimilarBorat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006), King Kong (1933), King Kong (2005), Ocean's Eleven (1960), Snakes on a Plane (2006), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005), Willy Wonka & the Chocolate Factory (1971),
StarringOwen Wilson,
Studio20th Century Fox, Ingenious Media,
The thing about guilt is that it can wear you down until you’re more a cluster of exposed nerve endings than a human being. That, at least, is the premise behind The Night, a new psychological horror and debut film from director Kourosh Ahari. Set in Los Angeles and spoken almost entirely in Farsi, The Night is a wonderfully odd mix of being spare and a bit too much all at once. Continue Reading →