The Wonderful World of Mickey Mouse: Steamboat Silly
SimilarFantasia (1940),
MPAA RatingG,
As a relatively new face, Florence Pugh's sensational performance in William Oldroyd's Lady Macbeth was unexpected. To deliver a commanding performance of that deeply troubling, complex, and oft-alluded to character is difficult for screen and theatre vets, and yet Pugh did it with aplomb. She echoes that tour de force, albeit with a lighter approach, in Sebastian Lélio's The Wonder. Continue Reading →
Chip 'n Dale: Rescue Rangers
SimilarBeverly Hills Cop (1984), Bring It On (2000), Memento (2000), Night at the Museum (2006), The Holiday (2006), The Simpsons Movie (2007),
StudioWalt Disney Pictures,
The more things change, the more they stay the same. For the latest example of this phenomenon, notice how, 34 years after Who Framed Roger Rabbit? changed movies forever, moviegoers are getting another comedic mystery hinging on live-action humans interacting with famous cartoon characters. The shadow of Zemeckis' revolutionary blend of filmmaking styles looms large over its modern-day thematic successor, Chip ‘n Dale: Rescue Rangers. Continue Reading →
Animaniacs
Similar'Allo 'Allo!, The Wayans Bros.,
First things first. Just to be very clear, Animaniacs remains a funny show. The writing staff led by showrunner Wellesley Wild is undoubtedly clever. They can turn a phrase. They can develop an idea. Likewise, the voice talents, especially the trio behind Dot (Tress MacNeille), Wakko (Jess Harnell), and Yakko (Rob Paulsen, who also provides Pinky’s voice), are quite funny and haven’t lost their gift for motormouthed gab in the years since the first series. Continue Reading →
Cinderella II: Dreams Come True
SimilarHarry Potter and the Chamber of Secrets (2002), Harry Potter and the Goblet of Fire (2005), Harry Potter and the Philosopher's Stone (2001), Harry Potter and the Prisoner of Azkaban (2004), West Side Story (2021), Willy Wonka & the Chocolate Factory (1971),
MPAA RatingG,
What if during one of your worst nightmares, you couldn't wake up, no matter how hard you tried? This the brooding question hanging throughout Come True, Anthony Scott Burns' sophomore horror thriller, coming off of Our House in 2018. The director (and now screenwriter) brings his visual effects background to develop an atmospheric wasteland of pure, spine-chilling dread with just a touch of analog sci-fi. The result is an ironically snoozy slog about the horrors of sleep paralysis that gets by more on vivid aesthetic than the sheer terror of what keeps us up at night. Continue Reading →