Saltburn
SimilarBen-Hur (1959),
Bend It Like Beckham (2002) Billy Elliot (2000), Brazil (1985), Cat on a Hot Tin Roof (1958), Copying Beethoven (2006), Crash (1996), Desert Hearts (1985), Eternal Sunshine of the Spotless Mind (2004), Fargo (1996), Full Metal Jacket (1987), Little Miss Sunshine (2006), Lost in Translation (2003), M*A*S*H (1970), Mars Attacks! (1996), My Own Private Idaho (1991), On Her Majesty's Secret Service (1969), Paris Can Wait (2016),
Primal Fear (1996) Rope (1948), Shaun of the Dead (2004), Shrek (2001), Star Trek: First Contact (1996), Strange Days (1995), Talk to Her (2002), The Big Blue (1988), The Fisher King (1991), The Holiday (2006), The Last Emperor (1987), The Tin Drum (1979), To Die For (1995), Vertigo (1958),
Watch afterLeave the World Behind (2023), Poor Things (2023), Rebel Moon - Part One: A Child of Fire (2023), Society of the Snow (2023), Thanksgiving (2023), Wonka (2023),
StudioMRC,
With her first film, Promising Young Woman, writer-director Emerald Fennell took a storyline that was essentially a cloddish-but-glossy retread of such female-driven revenge sagas as Ms .45 and I Spit on Your Grave, infused it with insights regarding gender issues that would barely have passed muster in a 100-level college class and somehow rode it to inexplicable praise and an Oscar for Best Original Screenplay. Continue Reading →
The Portrait of a Lady
Campion followed The Piano with a Henry James adaptation dedicated to the magnificently fraught question of desire or duty.
Artwork: Felipe Sobreiro
In the wake of the critical success of The Piano, Jane Campion’s 1996 adaptation of Henry James’s The Portrait of a Lady barely made a splash at the box office, grossing only a fraction of The Piano’s $140 million US earnings. It too seemed to puzzle critics. Some called it “claustrophobic” and “stifling,” and to be fair–they’re not wrong. The world that James creates in his masterful 600-page novel is at once lush and chilling, thrillingly intimate and so frustratingly tragic that as a whole it’s nearly impossible to quantify. James’s Portrait is not necessarily Campion’s, and vice versa. But few authors have had such a clear-eyed view of the inner lives of women, so it’s fitting that Campion–a director who has always portrayed women as they are, without pretense or romanticization–should be the one to adapt James’s greatest work. Continue Reading →
Robin Robin
SimilarMary Poppins (1964), Willy Wonka & the Chocolate Factory (1971),
Watch afterFree Guy (2021), Licorice Pizza (2021), tick tick... BOOM! (2021),
MPAA RatingG,
Though their first project made exclusively for Netflix, Robin Robin brings animation studio Aardman back to familiar territory. Aardman’s big claim to fame was Wallace and Gromit shorts released as TV specials like A Grand Day Out or The Wrong Trousers. It may be dropping on a streaming platform rather than on broadcast television, but Robin Robin allows Aardman to once again cram a lot of beautiful animation and charm into 30 minutes of storytelling. Continue Reading →
Hitman's Wife's Bodyguard
SimilarBack to the Future Part III (1990), Beverly Hills Cop II (1987), Fantastic Four: Rise of the Silver Surfer (2007), Léon: The Professional (1994), Strange Days (1995),
StarringSamuel L. Jackson,
StudioLionsgate,
It takes almost an hour for Patrick Hughes’ The Hitman’s Wife's Bodyguard to take a break. At around the 52-minute mark, the film goes without dialogue, gunshots/explosions, or a car chase. But this short-lived, relatively still moment lasts less than a minute. Like a person terrified of an awkward silence who just keeps talking and talking to fill the void, Hughes does not let the movie ever take a second to breathe. Continue Reading →
Hudson Hawk
In the 30 years since it made its infamous debut, there have been bigger critical and commercial catastrophes unleashed upon multiplexes than Hudson Hawk (1991). And yet, while most of those disasters have been duly forgotten, it continues to loom large as the ultimate Hollywood cautionary tale of what can happen when a performer riding the absolute peak of their cultural ascendancy is given the chance to make literally anything that they want and it turns out to be something that evidently no one else wanted. Continue Reading →
Dispatches from Elsewhere
Jason Segel gives us an energetic journey with compelling characters to balance a campy premise.
About halfway through the first episode of AMC’s Dispatches From Elsewhere, Simone (Eve Lindley), one of the main characters, exclaims: “I don’t know what’s going on, but it’s freaking fun!” This phrase just about sums up this new show, created by and starring Jason Segel. While Dispatches is scripted entertainment, it's based on the documentary The Institute, which explores the hybrid alternate reality game and performance art piece by Oakland based artist Jeff Hull.
From 2008 to 2011, Hull “inducted” thousands of people in the San Francisco Bay Area into the Jejune Institute. He created multiple “episodes” for inductees to participate in, giving them missions with instructions as silly as dancing at a phone box to things as grand as leading a parade. Segel moves the action from San Francisco to Philadelphia but retains the ridiculous and almost cult-like nature of its source material in depicting the on-screen Jejune Institute and its rival the Elsewhere Society.
In the first episode, we are introduced to Peter, an average joe working a dull job. Intrigued by flyers with nonsensical adverts for dolphin communication and human forcefield testing, he calls a number and is invited to an office building downtown. He’s soon roped into a world of intrigue just below the surface of our everyday world, where two entities, the corporate Jejune Institute and more radical Elsewhere Society, frantically search for Clara (Cecilia Balagot), a mysterious inventor whose talent promises to liberate humanity from societal shackles. Continue Reading →