2 Best Releases Starring Jordan Bullchild

Danis Goulet's sci-fi adventure intriguingly explores the systematic eradication of indigenous peoples through a Hunger Games lens, but falters when it leans too close to the conventions of that already-creaky genre. (This review is part of our coverage of the 2021 Berlin Film Festival.) Night Raiders is yet another story involving grim dystopian futures and a seemingly ordinary kid who gradually discovers that she possesses extraordinary powers that might help change things at last. In an effort to keep it from coming across as nothing but a clone of The Hunger Games, Divergent and the rest, writer-director Danis Goulet has constructed the story to also serve as a parable for the systematic eradication of the indigenous people of North America throughout history.  Continue Reading →

Robin Wright makes her directorial debut in a tender and understated drama about a woman who isolates herself from the world after an unimaginable loss. The pain of losing our loved ones is unimaginable. It’s overwhelming and often hard to overcome. Though healing is not impossible, there’s no timetable when it comes to processing this loss. It may take weeks or months or even years for people to finally be okay again and move forward. Robin Wright’s directorial debut, Land, understands this really well. The movie delves deep into the pain and the complicated feelings that people have to face when they’re dealing with the death of their loved ones. It’s an understated character study about grief and loss, and a moving celebration of human connection and resilience. Working from a script penned by Jesse Chatham and Erin Dignam, the movie follows Edee (Wright), a woman determined to isolate herself from everyone in the wake of a devastating tragedy. When we first meet her, she’s already on her way to a remote cabin in Quincy, Wyoming. She wants to abandon everything, staying away from everyone who wants her to get better, but never allow her to process the deep sadness she’s been feeling for a while. Before arriving at the cabin, she ditches her phone and even calls a local to get rid of her rental car, leaving herself with only a bunch of canned foods and a box of her most personal possessions. But Edee is not cut out for this kind of living, so the plan she’s made seems foolhardy. Continue Reading →