The Color Purple
SimilarApocalypse Now (1979), Belle de Jour (1967), Ben-Hur (1959), Billy Elliot (2000), Blade Runner (1982), Blood and Chocolate (2007), Cat on a Hot Tin Roof (1958), Chicago (2002), Contact (1997), Contempt (1963), Crash (1996), Dances with Wolves (1990), Desert Hearts (1985), Enough (2002), Eyes Wide Shut (1999), Gone Baby Gone (2007), I've Always Liked You (2016),
Jackie Brown (1997) Just Cause (1995), Lost in Translation (2003), Manhattan (1979), Metropolis (1927), Mystic River (2003), Oldboy (2003), Once Upon a Time in America (1984), Solaris (1972), The Art of Racing in the Rain (2019), The Bridges of Madison County (1995), The Cider House Rules (1999), The Fisher King (1991), The Irishman (2019),
The Name of the Rose (1986) The Party (1980), The Silence of the Lambs (1991), The Tin Drum (1979), Titanic (1997), To Die For (1995), Volver (2006),
Watch afterAquaman and the Lost Kingdom (2023), Poor Things (2023), Spider-Man: Across the Spider-Verse (2023), The Whale (2022),
StarringColman Domingo,
Blitz Bazawule's adaptation of the Alice Walker classic (and the Broadway musical) is a more joyful, celebratory film than its predecessor.
The Color Purple has taken on a musicality ever since Steven Spielberg and Quincy Jones adapted Alice Walker’s 1983 Pulitzer Prize-winning novel for the screen. When the first film was released in 1985, Spielberg already referred to it as a “musical.” In a behind-the-scenes interview about the film's musicality included in Warner Bros’ sumptuous new 4K release, Walker, Spielberg, and Jones conduct us through the “diverse places” that music appears in the original film. There are rail work songs, African dance, juke joint blues, and revival gospel; all tonally matched together in a near seamless “immersion” of sound.
In an age where nearly every popular and cult film gets a Broadway adaptation, The Color Purple is a particular no-brainer. Celie’s journey of self-discovery through systematic abuses and struggles at the turn of the twentieth century lends itself to the kind of emotional bigness a musical requires. With music by the legendary Brenda Russell and the late queer songwriting icon Allee Willis, The Color Purple: The Musical also showcases a diverse range of musical styles and modes, especially those well suited for the stage, like swing and Greek chorus. Continue Reading →
Ruby Gillman, Teenage Kraken
SimilarAlex Strangelove (2018), Billy Elliot (2000), Bring It On (2000), Enchanted (2007), Harry Potter and the Goblet of Fire (2005), Pirates of the Caribbean: Dead Man's Chest (2006),
StarringColman Domingo, Sam Richardson,
Studiodentsu,
It’s not easy being a teenager. It’s especially not easy being a teenager like the titular protagonist of Ruby Gillman: Teenage Kraken. As that title would suggest, Ruby Gillman (Lana Condor) is a Kraken living in a seaside town with her family. Her parents and younger brother seem to have no trouble assimilating to the broader world, while Ruby struggles. All she wants is to blend in as a normal human-- albeit one with blue skin and no spine. However, to be an average teen, she’ll likely have to break some of her mom’s strict rules, namely, never going near the ocean. Continue Reading →
Transformers: Rise of the Beasts
SimilarA.I. Artificial Intelligence (2001), Aliens (1986), Austin Powers: The Spy Who Shagged Me (1999), Face/Off (1997), From Russia with Love (1963), Goldfinger (1964), Shrek the Third (2007),
Watch afterBarbie (2023) Spider-Man: Across the Spider-Verse (2023), The Flash (2023),
StarringColman Domingo, Cristo Fernández,
The blockbuster landscape shifted with Michael Bay's 2007 Transformers movie. It fit his directing style, with his love of explosions and male gazing, but what it amounted to was a guy playing with big, expensive cinematic toys. There was knowledge gained from those five previous installments when the 2018 spin-off Bumblebee had more personality and excitement than any of its predecessors. Continue Reading →
Candyman
As sparse as it is specific, Nia DaCosta’s Candyman feels like falling into a nightmare. It has the context, but the context feels increasingly shifted. It has the gravity, but the weight at hand seems to fall onto its audience in slow motion. It has a sense of remove but also a sense of intimacy, and as the picture develops, those schisms manage to lean into one another. Bernard Rose’s 1992 original was about the outsider looking in. DaCosta’s, on the other hand, is about the insider being forcibly removed from himself, and it’s a film as attuned to its own legacy as it is the legacy that’s been hoisted upon it. Continue Reading →
The God Committee
Some movies have a tone to them, a sort of flavor that pervades the proceedings. The God Committee’s flavor is, decidedly, sour. And not just lightly so. Continue Reading →
Tom Clancy's Without Remorse
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Ma Rainey's Black Bottom
Awards season is upon us, which means all the studios and streaming services are breaking out their big guns. Luckily, one of the best films of the year comes to Netflix this weekend. Ma Rainey's Black Bottom, based on the play by August Wilson and starring Viola Davis and Chadwick Boseman in his final role. A fictionalized snapshot in the life of the Mother of the Blues, Ma Rainey, George C. Wolfe's film imagines her in a sweaty, muggy Chicago recording studio in the 1920s, trying to record her most popular singles for white Northern audiences, far from her comfortable Black Southern crowds. Of course, tensions rise over everything from artistic freedom, racial animus, and Coca-Cola. Continue Reading →
Zola
Janicza Bravo's retelling of the 2015 viral Twitter thread boasts great performances and surprisingly solid filmmaking, even if it ends on a shrug.
In 2015, 20-year-old stripper A’Ziah “Zola” Wells met a sex worker named Jessica. Both in Detroit at the time, the two bonded over their “shared hoeism” and established something of a rapport. They spent the night dancing together; they made some money. Fast-forward a couple of hours later and Jessica is inviting her to go dance in Miami, purportedly to make thousands of dollars in one night.
This, of course, wasn’t half of it. They got involved with pimps, some gang-bangers, murder, attempted suicide, and oodles of prostitution cash—at least according to Wells’ 148-tweet thread that went viral. She’s since gone on the record to say that she turned up some of the story to 11, but guess what? Now there’s a movie credited as “Based on the Tweets by A’Ziah ‘Zola’ King,” bringing you about what you’d expect and mostly for the better.
Granted, a lot of this has a lot to do with one's tolerance for ridiculousness. Those intrigued are likely to have fun. It's raunchy, crass, and stylized, and in the pantheon of stranger-than-fiction stories, this is one to stand out. But if you want a jaunt that signals good things to come from its newcomers and further cement the talents of those already established, this is that too. Zola is aptly aggro while also about something: about race, about class, about predation from the preyed upon. And yet, it runs wonderfully. Just make sure you’re ready for a few bumps. Continue Reading →