Dear Edward
“Emotionally manipulative” is a criticism of television and film I’ve always struggled with evaluating. If it is doing its job, any show or movie should emotionally manipulate you, at least a bit. It’s why you can go into a dark cineplex feeling a bit in the grip of the blahs and emerge high on the story of Nic Cage and his best swine friend. So know, when I declare Dear Edward “emotionally manipulative as hell,” that’s not necessarily a bad thing. Continue Reading →
The Novice
SimilarBlood and Chocolate (2007),
Watch afterDune (2021), Licorice Pizza (2021),
Isabelle Furhman's relentless lead performance as an obsessive aspiring athlete propels the Tribeca rowing drama forward.
“Rhythm is everything,” a crew coach tells Alex (Isabelle Fuhrman) at one point during The Novice, which won awards for best U.S. narrative feature, actress, and cinematography at the Tribeca Festival this week. The coach could well be explaining how this movie, about a college student with an obsessive drive to be the best at varsity rowing, differentiates itself from Black Swan (the movie about a young woman with an obsessive drive to be the best at ballet) or Whiplash (the movie about a young man with an obsessive drive to be the best at jazz drumming) or The Social Network (the movie about a college student with an obsessive drive to be the best at something, even if it winds up destroying the world, in part because there’s no way that he can row crew)—all of which The Novice resembles in content, and sometimes form.
Writer-director Lauren Hadaway’s rhythm is her own, distinct from Darren Aronofsky’s, David Fincher’s, and Damien Chazelle’s, the triumvirate of dude directors who made those previous, excellent studies in obsession. Perhaps informed by her own college rowing experience, Hadaway keys into a relentless push-pull, especially as Alex drives herself further, further, and further still before picking herself up off the floor. Continue Reading →
CODA
Watch afterThe Power of the Dog (2021), West Side Story (2021),
Sian Heder directs a touching & funny story of having to choose between dreams & obligation.
The reason why so many movies about teenagers don’t work is because they often feature too-old actors playing characters who talk like jaded 35 year-olds (or rather, like the people who wrote them). Every once in a while, however, you find a real gem, like Sian Heder’s Coda, a low-key, moving story about a teenage girl who finds herself caught between doing the thing she loves, and having to help keep her family’s business afloat.
17 year-old Ruby, played by Emilia Jones (in what will hopefully be a star-making performance) is the only hearing member of her Massachusetts fishing family. On top of trying to get through school, she must also work on the family fishing boat, serving as the ears and voice of her father, Frank (Troy Kotsur), and older brother Leo (Daniel Durant), as they try to avoid (with mixed success) getting ripped off by the local fish buyer. It’s quietly expected that Ruby, who has no real plans for college, will simply stick around as long as Leo, Frank, and her mother Jackie (Marlee Matlin) need her. Continue Reading →