8 Best TV Shows Similar to Moonlighting
Dead Boy Detectives
Dead Boy Detectives is, by its nature, a strange beast. Both a spinoff of MAX’s now-finished Doom Patrol series and Netflix’s own Sandman, it began as a sort of backdoor pilot two and a half years ago in the third episode of Doom Patrol Season 3. However, this series tossed the actors portraying the Boys and their living friend Crystal for an entirely different trio of performers. Now George Rextrew plays Edwin, the uptight turn-of-the-century boy. Jayden Revri steps into the jacket of Edwin's late 80s punk adjacent partner Charles. Finally, Kassius Nelson portrays their modern and still of this mortal plane third wheel, teen medium Crystal Palace. Soon after meeting and freeing Crystal from the clutches of a demon named David (David Iacono), the boys take her in, although Edwin is less than thrilled at the idea. Missing large chunks of her memory, she is anxious to throw herself into the boys’ work investigating cases for and about ghosts, usually in the name of sending them off to the Great Beyond. Their first case as a trio takes them away from their English home to Port Townsend, WA. Unfortunately, even after they close the case, forces conspire to keep the three stuck in the town. With only time to waste, they decide to make the best of it by solving the problems of Townsend’s surprisingly bustling phantom population. Kassius Nelson accesses those spooky-ooky powers. (Netflix) This kind of “neither here nor there” of the show’s beginning and the characters’ “house arrest” soon reveals itself as a kind of meta reflection of the series itself. Steve Yockey, the writer of that backdoor pilot episode and the creator of this series, clearly has enthusiasm and love for the concept and the characters. The central relationship between the spectral friends has a striking sweetness without being cloying. The two's connection never feels in doubt, even as they bicker or revelations of unrequited sexual attraction come to light. The scripting deftly avoids needless "can their friendship survive" melodrama or after-school special syrupiness. It doesn’t hurt that, despite the roster change, Rexstrew and Revri wear the roles like comfortable clothes. They give Edwin and Charles a casual depth that extends behind their simple archetypes. Continue Reading →
Sugar
Some shows are difficult to write about because they don’t excite one’s passions. They’re not terrible or great, so they offer little to dig into. Sugar is not that sort of show. Instead, its difficulty stems from a plot development that seems too large to go unremarked upon. And yet, it would be unfair to those who haven’t yet watched the show to spoil it. With all that in mind, I will delicately attempt to navigate a third path. This development is significant. It changes much of what you know about several of the characters. And yet, it largely doesn’t impact the show. I don’t mean it is a waste of time, only that the show’s positives and negatives remain largely unaffected by this development. Take it out, and the story’s heart will remain essentially the same. It’s the rare significant plot point that changes so much without fundamentally altering the series. So, while it would be interesting to write about and explore it, this review is still broadly comprehensive without touching it. Amy Ryan bellies up to the bar and reminds us all she's excellent in noir stories. (AppleTV+) John Sugar (Colin Farrell) is a private investigator specializing in finding missing people. Draped in bespoke suits, he insists he hates hurting people but does so with fluidity and ease. After completing a case in Japan, a message from legendary film producer Jonathan Siegel (James Cromwell) draws him back to LA. Jonathan’s granddaughter Olivia (Sydney Chandler) is missing. Despite a history of substance abuse and frequent absences—as well as the lack of concern from her father Bernie (Dennis Boutsikaris), a producer of…less quality movies—Jonathan is convinced this time is different. A film obsessive, Sugar can’t resist taking the meeting despite reassuring his handler Ruby (Kirby) that he’d rest and recuperate. When Olivia reminds the PI of his missing sister, he must take the case, promise or not. Continue Reading →
Criminal Record
AppleTV+’s new crime drama compellingly juggles issues of race, internal politics, and family dynamics. Criminal Record drips with a sinister sense of foreboding in the first episode’s cold opening. Daniel Hegarty (Peter Capaldi), a high-ranking cop moonlighting as a car service driver, guides an age-mismatched couple to their destination, trying to play nice with them. The man of the lovers obnoxiously probes Hegarty for gruesome tales. In reply, the detective briefly indulges them before trailing off. To bring things to a close, he declares he’s seen far worse than what he’s described, and more often besides. Nothing more happens. We never see the couple again. Presumably, Hegarty got them where they were going without anything further of interest occurring. Still, the scene bristles and pulses with danger. One can easily imagine Hegarty arresting them both. Or, worse, revealing his corruption and killing them both. Criminal Record isn’t that kind of show, as it turns out. However, the series smartly sets its tone in those early moments. No matter what it shows the audience after that, it’s impossible to shake the sense that this aging cop, played by Capaldi as somehow both spry and fragile, could be a ticking time bomb. Continue Reading →
Lessons in Chemistry
Despite the lead character’s penchant for brutal honesty and empirical truths, Lessons in Chemistry is not a series viewers should turn to for a gritty look at early 60s gender relations, race relations, or workers’ rights. That’s not to say the word of the Lee Eisenberg-created series—adapted from a Bonnie Garmus novel of the same name—exists in a conflict-free world. It’s there’s a bittersweet gentleness that underpins and surrounds the proceedings, conflicts and all. Continue Reading →
Mayor of Kingstown
When last we left Kingstown, MI, the town was recovering from a brutal prison riot that left plenty of guards and scores of prisoners dead. Mike McLusky (Jeremy Renner) has proven nowhere near the adept fixer his deceased brother (Kyle Chandler) was. The town paid the price. Continue Reading →
The Blood Sisters
KinoKultur is a thematic exploration of the queer, camp, weird, and radical releases Kino Lorber has to offer. Lesbians love leather. This may be an obvious statement now, but when Michelle Handelman released her provocative documentary Blood Sisters: Leather, Dykes, and Sadomasochism (currently streaming on KinoNow) in 1995, it was a decidedly controversial assertion. Blood Sisters has a wonderful 1990s, gritty, DIY feel—a vibe that captures the spirit of the New Queer video culture from which it emerged. It was for leather lesbians to announce and display their tastes proudly; to be counted as having a sexuality, when so many had erased and/or ignored them. Perhaps the most exciting parts of Blood Sisters are the ways that Handelman and her interviewees boldly counter malinformed claims that write off sadomasicism (SM) as submission to The Patriarchy™. Continue Reading →
Law & Order: Special Victims Unit
The Law & Order: SVU and Law & Order: Organized Crime crossover event on April 1st will mark not only the premiere of a new Law & Order spinoff, but also the return of one Elliot Stabler (Christopher Meloni). For the first 12 seasons of SVU Stabler and Olivia Benson (Mariska Hargitay) were the SVU team, the perfect partners. Continue Reading →