16 Best Releases From New Line Cinema Studio
Austin Powers: The Spy Who Shagged Me
Similar2001: A Space Odyssey (1968), A.I. Artificial Intelligence (2001), Aliens (1986), Back to the Future Part II (1989), Back to the Future Part III (1990), Batman Begins (2005), Beverly Hills Cop III (1994), Blade Runner (1982), Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006), Con Air (1997), Dr. No (1962), Fantastic Four: Rise of the Silver Surfer (2007), Fargo (1996), Forrest Gump (1994), From Russia with Love (1963), Goldfinger (1964), Harry Potter and the Chamber of Secrets (2002), Kill Bill: Vol. 1 (2003), Mars Attacks! (1996), Men in Black II (2002), Nausicaä of the Valley of the Wind (1984), North by Northwest (1959), Ocean's Eleven (1960), On Her Majesty's Secret Service (1969), Pirates of the Caribbean: Dead Man's Chest (2006), Snakes on a Plane (2006), Star Trek: First Contact (1996), Star Trek: Generations (1994), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005), The Life Aquatic with Steve Zissou (2004), The Matrix Reloaded (2003), The Matrix Revolutions (2003), Twelve Monkeys (1995), Wallace & Gromit: The Curse of the Were-Rabbit (2005), Wild at Heart (1990), You Only Live Twice (1967),
StarringRebecca Romijn,
StudioNew Line Cinema,
An overview of the diverse features selected to screen at this year's Austin Film Festival.
This piece was written during the 2023 SAG-AFTRA strike. Without the labor of the actors currently on strike, the work being covered here wouldn't exist.
A cycle rickshaw, adorned with a Texas flag billowing in the wind, whizzes by while blaring a Luke Combs tune. Massive murals of Willie Nelson and Post Malone gaze down on passersby like the eyes of T.J. Eckleburg. A man in a Blue Lives Matter shirt waltzes past a "PROTECT TRANS KIDS" sign planted on the lawn of a Catholic Church. Welcome to Austin, Texas, a Southern hotspot that, for the final weekend of October 2023, wasn't just home to these and other oddball sights, but also the backdrop for the 30th edition of the Austin Film Festival. Though not as world-famous as the Toronto International Film Festival or Cannes, Austin's annual ode to cinema is still a much-ballyhooed event attended by freelance journalists, aspiring screenwriters, iconic filmmakers, and everyone in between. Continue Reading →
Rampage
Even before the internet, certain movies had reputations they didn’t quite live up to. Some, like Salo or 120 Days of Sodom, earn their mythical status as movies designed to make your skin crawl and your stomach clench. Others, like the Faces of Death series, while unpleasant to watch, were just empty, acting as a controversy delivery devices and nothing more. Others still, like William Friedkin’s Rampage, never courted outrage. But unlike those others, whatever reputation it earned before the public got a chance to see it didn’t much help. As a result, at least partially, it remains one of the more obscure releases in Friedkin’s filmography. Continue Reading →
Evil Dead Rise
Watch afterAnt-Man and the Wasp: Quantumania (2023), The Super Mario Bros. Movie (2023),
Folks, I simply would not open that book. Continue Reading →
Shazam! Fury of the Gods
SimilarBring It On (2000), Hellboy (2004), Night at the Museum (2006), Superman Returns (2006), The Legend of Zorro (2005),
Watch afterAnt-Man and the Wasp: Quantumania (2023), Avatar: The Way of Water (2022), John Wick: Chapter 4 (2023), The Super Mario Bros. Movie (2023),
StudioDC Films, New Line Cinema,
If only there were a word I could scream that would turn me into a superhero. I wouldn’t fight crime or fly in the heavens above. Instead, I would run really fast until time went backward. Then I would sprint into the DC Film offices circa 2020 and yell, “Please do not make Shazam! Fury of the Gods. Nobody needs this!” Alas, I have no such power. So, here we are. Continue Reading →
The Wedding Singer
Though I had in my younger days a pretty low bar as to what funny meant, Adam Sandler was quickly filed under “not for me.” I could take him in bite-sized portions on Saturday Night Live, but his brand of aggressive man-child comedy was far harder to take in feature-length films, particularly when quoted or imitated ad infinitum by men who weren’t professional comedians. To say that I greeted the announcement that he was cast as the leading man in the romantic comedy The Wedding Singer with skepticism would have been an understatement; I fully expected that it would be a “romantic comedy” made strictly for the guys, where the leading man would have to change in no appreciable way to get his co-star to fall madly in love with him. Continue Reading →
Black Adam
SimilarBack to the Future Part II (1989), From Russia with Love (1963), Goldfinger (1964), Shrek the Third (2007), Sin City (2005), The Dark Knight (2008),
Watch afterAvatar: The Way of Water (2022), Black Panther: Wakanda Forever (2022),
StudioDC Films, New Line Cinema,
We’re officially in the third decade of Dwayne “The Rock” Johnson being a movie star. The former WWE legend made his cinema debut in the forgettable sequel to The Mummy, where he’s introduced as the dreaded Scorpion King, one of the most infamous early CGI debacles. Special effects have since improved, along with Johnson’s abilities as an actor and charismatic leading man. However, it feels like now we’ve come full circle with DC’s Black Adam. Continue Reading →
Don't Worry Darling
SimilarBoys Don't Cry (1999) Dead Poets Society (1989), Lost in Translation (2003), Stand by Me (1986), The Godfather (1972), West Side Story (2021),
Watch afterBarbarian (2022),
Don’t Worry Darling, director Olivia Wilde’s latest film, is neither a masterpiece nor a disaster. Based on the amount of behind the scenes drama that has surrounded the entire production filming to promotion, this review will surely come as a disappointment to some. But if not for the gossip about the filming of the movie and the celebrities involved, this deeply forgettable film would probably fade from the public eye in no time at all. Continue Reading →
Honeymoon in Vegas
When James Caan passed away back in July, most of the celebrations of his life and career focused on the tough guy persona that he developed via such classic films as The Godfather (1972), The Gambler (1974), and Thief (1981), to name just a few. All of those are undeniably worthy of tribute, of course. However, many remembrances failed to note his adeptness in comedies, especially those that allowed him to have fun with his macho screen image. Continue Reading →
Mr. Saturday Night
StudioColumbia Pictures, New Line Cinema,
On December 14th, 1977, Paramount released Saturday Night Fever. Bolstered by critical acclaim and a bestselling soundtrack, the story of a working-class Brooklynite blazing through discotheques eventually grossed over $94,000,000 worldwide and brought disco to Middle America. Continue Reading →
8-Bit Christmas
SimilarEdward Scissorhands (1990), Harry Potter and the Chamber of Secrets (2002), Harry Potter and the Goblet of Fire (2005), Harry Potter and the Philosopher's Stone (2001), Harry Potter and the Prisoner of Azkaban (2004), The Party 2 (1982),
StudioNew Line Cinema,
To quote Mystery Science Theater 3000, “It’s the 80s! Do a lot of coke and vote for Ronald Reagan!” Continue Reading →
The Many Saints of Newark
SimilarA History of Violence (2005), Brubaker (1980),
Watch afterDon't Look Up (2021), Free Guy (2021),
StudioNew Line Cinema,
When Anthony “Tony” Soprano first appears in Alan Taylor’s The Many Saints of Newark, he’s just a kid, hanging on the shoulder of his Uncle Richard “Dickie” Moltisanti (Alessandro Nivola). Much like the show it precedes, Taylor’s crime drama focuses on family, a group of related and unrelated men and women influencing and subsequently controlling various parts of New Jersey. Billed as a Tony Soprano origin story, a prequel that wasn’t needed but wanted, the film never feels inherently necessary or emotional. It coasts upon characters it has already set up, actors with pedigree playing said characters, and the understanding that this David Chase-created world is still connected and worth our time. Continue Reading →
Malignant
While we spent a lot of time debating whether or not “elevated horror” is a real thing or just something film snobs made up so they didn’t have to be embarrassed about liking a scary movie, gore fell to the wayside. There was a period when we weren’t getting an acceptable amount of blood and guts, in favor of understated chills and psychological trauma. Not that there’s anything wrong with that, of course, but it’s left something lacking in the genre. With Nia DaCosta’s take on Candyman and the upcoming Halloween Kills, however, it looks like old-fashioned look-between-the-fingers horror is back in all its splattery glory. Add to that list James Wan’s Malignant, often very silly, but always with a self-aware wink at the audience, with a body count that will satisfy even the most jaded horror fans. Continue Reading →
The Conjuring: The Devil Made Me Do It
SimilarA Nightmare on Elm Street (1984), Carrie (1976), Happy Death Day 2U (2019), Ocean's Twelve (2004), The Rage: Carrie 2 (1999),
StudioNew Line Cinema,
Several movies into the Conjuring universe, we’ve mostly separated the real life grifters Ed and Lorraine Warren from the America’s Mom and Dad version of them on screen. If the movies work, it’s because stars Patrick Wilson and Vera Farmiga bring warmth and gravitas to them. They sell the hell out of the bullshit their characters are peddling, whereas the real-life Warrens often came off as prickly and defensive in interviews, offended that anyone would dare to question their dubious authority. Wilson and Farmiga can only do so much, however, and it’s not enough to save The Conjuring: the Devil Made Me Do It, a by-the-numbers snooze that trades in haunted house horror for a supernatural police procedural. Continue Reading →
Those Who Wish Me Dead
StudioBron Studios, New Line Cinema,
While Those Who Wish Me Dead is coming out in theaters this weekend (be safe, especially if you're not vaccinated!), it's probably the movie to benefit most from Warner Bros. pandemic-fueled decision to simultaneously throw their releases up on HBO Max. From stem to stern, Taylor Sheridan's latest feels like the kind of movie you'd find on old-school HBO in the '90s, or FX or TNT, watching with your dad over a holiday weekend. It's silly, forgettable schlock, and yet I can't get too mad at it. Continue Reading →
Se7en
Director David Fincher’s movies are generally fascinated with creating a mythos around his characters that then breeds an egotistical obsession of oneself. It’s no wonder famous people like Mark Zuckerberg, Orson Welles, and the Zodiac Killer became points of fascination for him. He is also fascinated by propaganda and engages in it a bit himself. Continue Reading →