17 Best Pg 13-rated Releases on Fubotv
Mean Girls
SimilarAustin Powers: The Spy Who Shagged Me (1999),
Bend It Like Beckham (2002) Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006), Bridget Jones's Diary (2001), Bring It On (2000), Chicago (2002), Enchanted (2007), Italian for Beginners (2000), Little Miss Sunshine (2006), Mary Poppins (1964), Paris Can Wait (2016), Shall We Dance? (2004), Shrek (2001), Sleepless in Seattle (1993), The Holiday (2006), The Party (1980), The Party 2 (1982), Willy Wonka & the Chocolate Factory (1971),
Watch afterPoor Things (2023), Saltburn (2023), Society of the Snow (2023), Spider-Man: Across the Spider-Verse (2023), Spider-Man: No Way Home (2021), Wonka (2023),
StarringJon Hamm,
The Broadway adaptation defangs its best characters in a misguided effort to appeal to a new generation of viewers.
Paramount’s new version of Tina Fey’s cult classic Mean Girls boasts a tagline many Millennials found downright offensive upon debut: “This ain’t your mother’s Mean Girls!” The movie, based on the Broadway musical adapted from the original 2004 film, makes it abundantly clear that it’s aimed directly at Gen Z from its very opening moments, which look like a vertical phone video straight out of TikTok. Fey, the writer of both versions of Mean Girls, hasn’t been without her fair share of controversies over the twenty years since the first film premiered. In a clear effort to avoid upsetting younger audience members who have grown up with more sensitive media, Fey kneecaps many of her own best jokes. The updated script is a wobbly attempt to satisfy fans of the original without offending newcomers. The set-ups where there used to be jokes still remain, but they’re empty husks strung together by mostly forgettable songs. Though not without its unique charms, the musical Mean Girls is glaringly unfunny.
The music, written by Fey’s husband and frequent creative collaborator Jeff Richmond, does little to make up for the chasms where cutting punchlines have been removed. Richmond can write excellent, hilarious songs like the ones in 30 Rock and Girls5eva, but his compositions here are basic and feel uninspired. Most of the sincere songs revolve around bland messages about self-esteem that lack any insight into the actual emotional experiences of teenage girls. Emo outcast Janis ‘Imi’ike (Auli’i Cravalho, Moana), formerly a supporting character, gets what feels like four separate songs about the power of Being Yourself. Only “Sexy,” a playful number about Halloween costumes performed by ditzy beauty Karen Shetty (Avantika), stands out. Continue Reading →
Blue Chips
While difficult, it is essential when reviewing a film to evaluate it within the context of the era. To choose a relatively inoffensive hypothetical, if a movie made before 1980 refers to bipolar disorder as “manic depression,” you shouldn’t ding it for the outdated terminology. After all, at that moment, that was the proper parlance. Still, it’s not easy, especially when our understanding of an issue has changed significantly in the years since. This reviewer, for instance, struggled mightily to judge William Friedkin’s 1994 directorial effort Blue Chips on its own era-specific merits. Continue Reading →
Jules
SimilarA.I. Artificial Intelligence (2001), Alien (1979), Aliens (1986), Mars Attacks! (1996), Predator (1987), Stalker (1979), War of the Worlds (2005),
Watch afterBarbie (2023) Blue Beetle (2023),
Oppenheimer (2023) Rebel Moon - Part One: A Child of Fire (2023), Shortcomings (2023), Spider-Man: Across the Spider-Verse (2023),
In a media landscape with fewer and fewer options actually targeted toward adults (often tied to the death of the mid-budget movie), audiences take the scraps they're given and make the best of them. This is the space that Jules occupies, a sci-fi fairy tale about the specific loneliness of senior citizens who feel isolated, ignored, and afraid. It’s also a thin, often ham-fisted take on a tale that could have had real legs in more capable hands. Continue Reading →
Transformers: Rise of the Beasts
SimilarA.I. Artificial Intelligence (2001), Aliens (1986), Austin Powers: The Spy Who Shagged Me (1999), Face/Off (1997), From Russia with Love (1963), Goldfinger (1964), Shrek the Third (2007),
Watch afterBarbie (2023) Spider-Man: Across the Spider-Verse (2023), The Flash (2023),
StarringColman Domingo, Cristo Fernández,
The blockbuster landscape shifted with Michael Bay's 2007 Transformers movie. It fit his directing style, with his love of explosions and male gazing, but what it amounted to was a guy playing with big, expensive cinematic toys. There was knowledge gained from those five previous installments when the 2018 spin-off Bumblebee had more personality and excitement than any of its predecessors. Continue Reading →
Creed III
SimilarDie Hard 2 (1990), Die Hard: With a Vengeance (1995), Godzilla Raids Again (1955), Live Free or Die Hard (2007), Raging Bull (1980),
Watch afterThe Super Mario Bros. Movie (2023),
StudioMetro-Goldwyn-Mayer,
Round three of twelve. Adonis Creed (Michael B. Jordan)—the fresh-out-of-retirement undisputed heavyweight champion of the world—faces Damian "Diamond Dame" Anderson (Jonathan Majors)—the ruthless-came-from-eighteen-years-in-prison reigning champ. Growing up in a group home, Adonis and Damian were brothers—united by care for one another in a callous system and a shared love of the sweet science. Continue Reading →
The Fabelmans
SimilarAlex Strangelove (2018), Ali: Fear Eats the Soul (1974), Dead Poets Society (1989), The Outsiders (1983), The Party (1980), The Party 2 (1982),
A little over 24 hours after seeing it, there are two sequences in Steven Spielberg's The Fabelmans that I've run on repeat back and forth. One dramatic, the other comedic—both illustrate the strengths of Spielberg's semi-autobiography. Continue Reading →
Dog
Watch afterDoctor Strange in the Multiverse of Madness (2022),
StudioFilmNation Entertainment, Metro-Goldwyn-Mayer,
The love of an animal can be transformative. The mix of companionship and responsibility that taking care of a pet entails can help create stability in an otherwise chaotic life. So it's no surprise that several movies explore the relationship between humans and canines. Continue Reading →
Death on the Nile
Studio20th Century Studios,
Even if you’re not familiar with Agatha Christie’s vast body of works—she wrote sixty-six detective novels alone—you’ve probably heard of Hercule Poirot. He’s the world’s most famous literary detective, next to Sherlock Holmes. Death on the Nile marks Kenneth Branagh’s second outing directing one of Christie’s Poirot stories and starring as the mustachioed detective himself, following 2017’s tepidly received Murder on the Orient Express. Dogged by COVID-19 delays and scandals surrounding star Armie Hammer, Death on the Nile sometimes feels like it’s scrambling to justify its own existence, and only half-succeeds. Continue Reading →
Breaking In
KinoKultur is a thematic exploration of the queer, camp, weird, and radical releases Kino Lorber has to offer.
Caper films are competitions. Outside of the obvious cops and robbers struggle, they, more importantly, dispute the value of things and who deserves to own them. While classically most capers are individuals vs institutions, there is a subgenre of capers that features an Odd Couple pair of thieves in a competitive mentorship and centers the push and pull between them.
Semi-recent entries like Entrapment (1999) and The Score (2001) are examples where the struggle between the thieves is a generational one with the old and new guards having to learn from each other. Couched within the larger struggles of value and property, these interpersonal battles between thieves play out an additional competition over cultural differences and ideas. Continue Reading →
Ghostbusters: Afterlife
SimilarBring It On (2000), Free Willy (1993), Hellboy (2004), Night at the Museum (2006), Perfume: The Story of a Murderer (2006), Superman Returns (2006),
Watch afterEternals (2021), Free Guy (2021), Spider-Man: No Way Home (2021),
StarringShohreh Aghdashloo,
StudioBron Studios, Columbia Pictures,
One of the few moments of genuine humanity from Ghostbusters: Afterlife comes before the movie starts. In the press screening intro video, director and co-writer Jason Reitman shows up to tell everyone to please enjoy the movie. Then he briefly mentions the high stakes pressure of taking up the mantle of a beloved film property from his father, Ivan Reitman. Continue Reading →
The Eyes of Tammy Faye
SimilarAlmost Famous (2000),
Boys Don't Cry (1999) Gandhi (1982), GoodFellas (1990), Manhattan (1979), The Last Emperor (1987),
Watch aftertick tick... BOOM! (2021), West Side Story (2021),
StudioSearchlight Pictures,
Have you ever spoken to a friend who was tangentially involved in a big event? They know the players, they saw some of it go down, but they’re missing pieces of information. They lack the perspective of someone directly involved and the insights that come with that. That’s the experience of watching The Eyes of Tammy Faye. Continue Reading →
No Time to Die
Watch afterDune (2021), Eternals (2021), Free Guy (2021), Shang-Chi and the Legend of the Ten Rings (2021),
To speak of No Time to Die is to speak of what came before it. Of course, that sounds obvious in theory; the Daniel Craig era of 007 comes to an end here. They lightly tied into each other until Spectre drunkenly tried and failed at deepening the mythology. While the quality of the films varied, at least they were all distinct. It's been fifteen years and five movies -- now it all comes to a head, the stakes ostensibly high and the emotions primed to be deeper. And yet, against all odds, Cary Joji Fukunaga's offering to the franchise is derivative enough of its most recent predecessors to fumble conceptually and concretely. Continue Reading →
Barb & Star Go to Vista Del Mar
If you’ve ever heard the phrase “May you live in interesting times,” understand this: we’re living in them right now. It’s a historically awful time of racial unrest, an ever-widening gap between the rich and the poor, and a global pandemic that’s coldly highlighted how little many of us care about our fellow humans. Optimism is in very limited supply at the moment, and so we cling to the little things that give us joy, and a reason to keep going the next day. Things like Lil Nas X’s Twitter feed, or Ted Lasso, or Lady Gaga branded Oreo cookies. Things like Barb and Star Go to Vista del Mar, which in better times might have made barely a blip on the pop culture radar, but right now feels like a cool drink of water on a very hot day, and is a cult hit in the making. Continue Reading →
Mystery Science Theater 3000: The Movie
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Land
SimilarFargo (1996), The Apartment (1960),
Robin Wright makes her directorial debut in a tender and understated drama about a woman who isolates herself from the world after an unimaginable loss.
The pain of losing our loved ones is unimaginable. It’s overwhelming and often hard to overcome. Though healing is not impossible, there’s no timetable when it comes to processing this loss. It may take weeks or months or even years for people to finally be okay again and move forward. Robin Wright’s directorial debut, Land, understands this really well. The movie delves deep into the pain and the complicated feelings that people have to face when they’re dealing with the death of their loved ones. It’s an understated character study about grief and loss, and a moving celebration of human connection and resilience.
Working from a script penned by Jesse Chatham and Erin Dignam, the movie follows Edee (Wright), a woman determined to isolate herself from everyone in the wake of a devastating tragedy. When we first meet her, she’s already on her way to a remote cabin in Quincy, Wyoming. She wants to abandon everything, staying away from everyone who wants her to get better, but never allow her to process the deep sadness she’s been feeling for a while. Before arriving at the cabin, she ditches her phone and even calls a local to get rid of her rental car, leaving herself with only a bunch of canned foods and a box of her most personal possessions. But Edee is not cut out for this kind of living, so the plan she’s made seems foolhardy. Continue Reading →
Flawless
Where’s the line between a messy movie and a movie that’s a mess? Joel Schumacher’s clearly-flawed Flawless oozes with subplots while it tries to fulfill the obligations of an “unexpected buddy” movie. Like the pre-gentrification East Village that it’s built around, characters and cultures clash to chaotic, uneven results. Continue Reading →