Trolls
SimilarAladdin (1992), Billy Elliot (2000), Bugsy Malone (1976), Chicago (2002), Dances with Wolves (1990), Dirty Dancing (1987), Enchanted (2007), Fantasia (1940), Forrest Gump (1994), Four Weddings and a Funeral (1994), Harry Potter and the Philosopher's Stone (2001), Harry Potter and the Prisoner of Azkaban (2004), Ice Age (2002), Italian for Beginners (2000), Mary Poppins (1964), Moulin Rouge! (2001), Muriel's Wedding (1994), My Own Private Idaho (1991), Princess Mononoke (1997), Shall We Dance? (2004), Shrek (2001), Shrek 2 (2004), Shrek the Third (2007), Sleepless in Seattle (1993), Stranger Than Paradise (1984), The Terminal (2004), Wallace & Gromit: The Curse of the Were-Rabbit (2005), Willy Wonka & the Chocolate Factory (1971),
Studio20th Century Fox,
The Trolls movies continue to indulge in their best and worst impulses in a third installment.
The poster for this past summer's R-rated comedy No Hard Feelings had a reasonably clever tagline to explain the strained dynamic between the film's two leads. Against an image of Jennifer Lawrence squeezing Andrew Barth Feldman's cheeks, a single word is placed on top of each person's face: "Pretty" and "Awkward." Nothing revolutionary in design, but it gets the job done. Best of all, that tagline also makes for an apt descriptor for Trolls Band Together.
The third entry in the Trolls trilogy (based on the popular 80s dolls), Trolls Band Together does indeed live up to the phrase “Pretty. Awkward.” The animators at DreamWorks keep coming up with gorgeous-looking environments for the titular critters to inhabit that look like they emerged from the wreckage of a craft store explosion. Unfortunately, the writing remains as stilted as ever. Continue Reading →
Riverdance: The Animated Adventure
SimilarAs It Is in Heaven (2004), Volver (2006), Wallace & Gromit: The Curse of the Were-Rabbit (2005), Willy Wonka & the Chocolate Factory (1971),
In 1996, a peaceful time of American prosperity between the Cold War and Twitter, music’s biggest things were imports. One was Canadian Queen Celine Dion, with her classic “It’s All Coming Back To Me Now” playing from car radios on constant rotation. The other was Irishman Michael Flatley who came to our shores with the step dancing phenomenon Riverdance. Continue Reading →