Totally Killer
SimilarA Nightmare on Elm Street (1984), Back to the Future Part II (1989), Back to the Future Part III (1990),
Bend It Like Beckham (2002) Billy Elliot (2000), Cléo from 5 to 7 (1962), I Am Not a Serial Killer (2016), Italian for Beginners (2000), Little Miss Sunshine (2006), Mars Attacks! (1996), Momo (1986), Saw II (2005), Silent Hill (2006), Star Trek: First Contact (1996), Strange Days (1995), The Devil's Rejects (2005), The Matrix Reloaded (2003), The Matrix Revolutions (2003), The Party (1980), The Party 2 (1982), Twelve Monkeys (1995),
Watch afterSaw X (2023), Spider-Man: Across the Spider-Verse (2023), Talk to Me (2023), The Equalizer 3 (2023),
The low-budget confines of Blumhouse movies mean that any idea can become a movie, including bold original visions like Whiplash or Get Out. Unfortunately, it also means a lot of subpar stuff can easily get the green light. The latest example is the new Amazon/Blumhouse collaboration, Totally Killer. Hailing from director Nahnatchka Khan, Totally Killer dares to ask a question no reasonable soul was pondering. “What if Happy Death Day and Hot Tub Time Machine had a tedious baby?” Buckle up, horror devotees. Here comes yet another dose of 1980s nostalgia and some frighteningly lousy editing. Continue Reading →
Sayen: La cazadora
At the risk of making a "getting a lot of Sorcerer vibes from this" guy out of myself, The Hunted—William Friedkin's 2003 old-master-hunts-rogue-student thriller really does make for a fascinating counterpart to his earlier men-on-a-desperate-mission masterwork. Both delve into the lives of damaged, forlorn, isolated men on perilous quests for deliverance. And both of those quests lead deep into madness. Both pointedly contrast man-made, flame-choked hellscapes (Sorcerer's exploding oil well, The Hunted's secret mission amidst the Kosovo War) with the vast, amoral green of the deep forest (Columbia and Oregon, respectively). Both turn on setpieces that thrill while maintaining a grounded (if not necessarily "realistic") feel and weave surreality in with care. Continue Reading →
M3GAN
SimilarA Clockwork Orange (1971), A.I. Artificial Intelligence (2001),
In many ways, M3GAN is as much about its marketing as it is about the movie being marketed. That's hardly a revelatory statement, especially when it comes to horror films: Studios and producers have breathlessly promised thrills and chills with ever more outrageous gimmicks ever since the days of William Castle offering life insurance policies for audiences who "die of fright." With Blumhouse's M3GAN, the secret lies in its titular robo-tot, a cutesy android with snatched wig, Union Jack dickie bow, and murderous dance moves primed for TikTok virality, all of which have been over the film's marketing for months now. So it's a relief to learn that M3GAN has bite to go with its meme-ready bark, a horror-comedy as much about the ways we use technology to fulfill every human need as it is a sassy robot tween popping and locking with a paper cutter in its hand. Continue Reading →