14 Best Romance Releases on Netflix
Maestro
Similar9 Songs (2004), A Beautiful Mind (2001), A History of Violence (2005), Alex Strangelove (2018), Ali: Fear Eats the Soul (1974), Annie Hall (1977), Apollo 13 (1995), Belle de Jour (1967), Ben-Hur (1959),
Bend It Like Beckham (2002) Billy Elliot (2000),
Boys Don't Cry (1999) Cat on a Hot Tin Roof (1958), Crash (1996), Desert Hearts (1985), Donnie Brasco (1997), Driving Miss Daisy (1989), East of Eden (1955), Enough (2002), Eternal Sunshine of the Spotless Mind (2004), Gridiron Gang (2006), Manhattan (1979), Match Point (2005), Random Harvest (1942),
Rebecca (1940) Schindler's List (1993), Sissi (1955), The Bridges of Madison County (1995), The Elephant Man (1980), The Pianist (2002), The Science of Sleep (2006), The Straight Story (1999), The Tin Drum (1979), Titanic (1997), True Romance (1993),
Watch afterAmerican Fiction (2023), Killers of the Flower Moon (2023), Leave the World Behind (2023), Napoleon (2023), Poor Things (2023), Rebel Moon - Part One: A Child of Fire (2023), Saltburn (2023), Society of the Snow (2023), Spider-Man: Across the Spider-Verse (2023), The Killer (2023),
Bradley Cooper pays respectful homage to Leonard Bernstein in this lavish passion project.
The problem inherent to most biopics is one of balance. Err too far on the side of worshipful and you get nonsense like Oliver Stone’s The Doors. Or you could swing in the other direction and you end up with an “oops, all warts” camp disaster like Mommie Dearest. Most linger somewhere in the middle, at a respectful distance, so that they’re ultimately kind of boring, and offer nothing new or particularly insightful about its subject matter.
Bradley Cooper’s Maestro, about the life of legendary composer Leonard Bernstein, isn’t boring. It’s too visually dazzling for that. It does not, however, leave one feeling like they’ve really gotten to know more about Bernstein other than he was a complicated, workaholic genius who struggled with his sexuality, which is all information that could be gleaned from his Wikipedia page. But it sure is lovely spending time in his world for a little while. Continue Reading →
Fair Play
Similar9 Songs (2004), A Real Young Girl (1976), Anatomy of a Murder (1959), Basic Instinct (1992), Belle de Jour (1967),
Bend It Like Beckham (2002) Boys Don't Cry (1999) Cape Fear (1991), Cat on a Hot Tin Roof (1958), Cléo from 5 to 7 (1962), Contempt (1963), Copying Beethoven (2006), Eternal Sunshine of the Spotless Mind (2004), Italian for Beginners (2000), Little Miss Sunshine (2006), Lost in Translation (2003), Memento (2000), Raging Bull (1980), Secret Window (2004), Shall We Dance? (2004), Talk to Her (2002), The Handmaid's Tale (1990), The Holiday (2006), The Shining (1980), Vertigo (1958), Volver (2006),
Watch afterBarbie (2023) Leave the World Behind (2023), Mission: Impossible - Dead Reckoning Part One (2023), The Killer (2023),
StudioMRC,
Fair Play is all about the rules of engagement—in business, in bed, in relationships—and the chaos that ensues when someone who lives and dies by those rules suspects his partner is breaking them. However, it isn’t the fairness of the righteous or the just she’s violating. No, it is the unwritten rules he believes everyone should play the game by. Continue Reading →
Love at First Sight
Similar2046 (2004), A Christmas Carol (1938), A Real Young Girl (1976), Anatomy of a Murder (1959), Apocalypse Now (1979), Ben-Hur (1959),
Blade Runner (1982) Contact (1997), Crouching Tiger Hidden Dragon (2000), Cruel Intentions (1999), Dances with Wolves (1990), Desert Hearts (1985), East of Eden (1955), Edward Scissorhands (1990), Eyes Wide Shut (1999), Finding Forrester (2000), Four Weddings and a Funeral (1994), Fried Green Tomatoes (1991), Full Metal Jacket (1987), Gone Baby Gone (2007), I Am Not a Serial Killer (2016), I've Always Liked You (2016),
Jackie Brown (1997) Manhattan (1979), Metropolis (1927), Mystic River (2003), Once Upon a Time in America (1984),
Primal Fear (1996) Random Harvest (1942),
Rebecca (1940) Rosemary's Baby (1968), Sahara (2005), Schindler's List (1993), Shooter (2007), Sissi (1955), Solaris (1972), Stalker (1979), Stand by Me (1986), The Art of Racing in the Rain (2019), The Bridges of Madison County (1995), The Cider House Rules (1999), The Green Mile (1999), The Handmaid's Tale (1990),
The Name of the Rose (1986) The Outsiders (1983), The Poseidon Adventure (1972), The Road (2009), The Silent Partner (1978), The Tin Drum (1979), To Die For (1995), What's Eating Gilbert Grape (1993), Wild at Heart (1990),
Watch afterBarbie (2023) Blue Beetle (2023), Elemental (2023), The Equalizer 3 (2023),
StarringJameela Jamil,
As an avid consumer of romance—be it in book, film, or television format—you learn to level expectations when a beloved story is adapted. That’s particularly the case amongst the recent spate of mid-to-low budget adaptations across the gamut of streaming services. Usually, the best-case scenario is they’re mildly enjoyable but ultimately forgettable. For example, there’s Prime Video’s recent adaptation of Casey McQuiston’s Red, White, and Royal Blue. More often than not, they’re absolutely dreadful. The less said about Netflix’s take on Austen’s Persuasion, the better. What is true, though, is that they’re very seldom genuinely good. Continue Reading →
Happiness for Beginners
SimilarAmélie (2001), Annie Hall (1977), The Apartment (1960),
Happiness for Beginners happens when hundreds of hours of labor come together over months to create something so bland and ineffectual it feels years old even on a first watch. Continue Reading →
The Out-Laws
SimilarBlown Away (1994), Kill Bill: Vol. 1 (2003), Sissi (1955), The Party 2 (1982), Wild at Heart (1990),
Watch afterThe Flash (2023),
Director Tyler Spindel's track record is scattered, composed of primarily-for-streaming movies including The Wrong Missy and Father of the Year. He has an affinity for the David Spade experience, in other words. His latest, The Out-Laws, doesn't feature Spade and doesn't do much to suggest that Spindel's body of work will ever grow more than scattered. Continue Reading →
No Hard Feelings
SimilarAnnie Hall (1977), Billy Elliot (2000), Four Weddings and a Funeral (1994), Italian for Beginners (2000), Sleepless in Seattle (1993), Talk to Her (2002),
StudioColumbia Pictures,
As big tent blockbusters like superhero movies and other franchise fare battle it out for screens and box office returns, the traditional mid-budget comedy has become increasingly rare. With adult comedies squeezed off the schedule, there are far fewer opportunities for performers who don’t want to don a cape or end up described as “the live-action version” of a cartoon. That’s part of what makes Gene Stupnitsky’s No Hard Feelings such a breath of fresh air. Continue Reading →
You People
SimilarBeverly Hills Cop (1984), Beverly Hills Cop III (1994), The Holiday (2006), True Romance (1993),
A household name (and one of the most in-demand creators of color) in network TV and Hollywood over the last decade, Kenya Barris has shepherded tv sitcom universes like Black-ish/Grown-ish/Mixed-ish, collaborated on box office smashes like Girls Trip, and developed franchise revival attempts like Shaft and Coming 2 America. Within these projects, his central preoccupation has been negotiating authenticity in relation to race, class, family, and the self. Continue Reading →
Falling for Christmas
At this moment, combining Lindsay Lohan and Christmas movies sounds like a gift to viewers. It worked for Vanessa Hudgens with The Princess Switch. Her fellow Mean Girls co-star Lacey Chabert has cornered the market. Now Lohan returns from a 3-year acting hiatus after various setbacks to take on the holiday season in the direct-to-Netflix fluff Falling for Christmas. It seems a sure thing for loyal Netflix and chill folks. Unfortunately, the film fails to capture any true romance, landing flat on its face. Continue Reading →
クレイジークルーズ
SimilarThe Apartment (1960),
As much of Hollywood’s current and immediate future output remains dedicated to comic book movies and Disney fare, the need for straightforward adult entertainment remains frustratingly unfulfilled. Hope blossomed anew at the announcement that Adrian Lyne, the king of classy erotic thrillers, was making a comeback with Deep Water, some two decades since the release of 2002’s Unfaithful. Everything that was revealed about the plot of Deep Water suggested that it was dipping from the same well as Unfaithful, in which infidelity in an otherwise stable marriage leads to raging jealousy, and ultimately murder. Upping the stakes is the fact that it stars hot couple for a second Ben Affleck and Ana de Armas, who met on set and presumably exhibited that sizzling chemistry in front of the camera. Surely this would be a triumphant return to form for Lyne, and a much-needed respite from trying to keep up with what phase Marvel is in at the moment. Continue Reading →
The Princess Switch 3: Romancing the Star
SimilarBeverly Hills Cop II (1987), Brazil (1985), The Holiday (2006),
The temperatures are dropping and the stores are getting crowded, which can only mean one thing...it’s time for another installment of Netflix’s holiday cavity-maker...no, not that one. Noth that one either. That’s right, we’re talking Princess Switch 3: Romancing the Star, so grab your peppermint martinis and your fuzziest slippers as we delve into the film that begs the question “Is Vanessa Hudgens using Netflix as a vehicle to kiss cute boys?” Fair warning, there are some spoilers ahead. Continue Reading →
Diana: The Musical
Next year will mark, improbably, 25 years since Diana, Princess of Wales was killed in a horrific car accident while being chased down by aggressive photographers. Like Marilyn Monroe, another unlucky blonde who was mercilessly hounded by the press before dying too young, Diana’s image has only become more indelible in the years following her death. Also like Marilyn, lots of money has been made exploiting her, in endless bullshit attempts to tell her “true” story. Musician/lyricists David Bryan and Joe DiPietro cash in on her too with the Broadway musical Diana, filmed and presented on Netflix for our viewing “pleasure.” The producers of Dear Evan Hansen owe Bryan and DiPietro a great deal of gratitude, because Evan Hansen is no longer the worst musical of 2021. Continue Reading →
The Last Letter from Your Lover
While author Jojo Moyes doesn’t confine herself to the romance genre, her works do share a rosy bloom. Light-heartedness and melodrama and historical settings and yes, love, all abound. So without even reading it, you’ll probably have some idea of what to expect from the newest adaptation of her work, The Last Letter from Your Lover. There’s the French Riviera and 1960s fashion and mystery and a torrid love affair—the works. And director Augustine Frizzell doesn’t seem too interested in taking this tale off the tracks.In short? It’s your classic Netflix weepie, though perhaps a little more star-studded than usual. Felicity Jones (Rogue One) stars as Ellie, a modern London reporter with a bad case of heartbreak and a crappy attitude. While researching a basic assignment, she stumbles upon an old love letter that’s so intoxicating she becomes determined to track down who it belongs to and what happened to the couple in question. In between scenes of Ellie’s search, we see the romance play out. Jennifer (Shailene Woodley, Big Little Lies) is a 1960s housewife with a husband who doesn’t seem to know or care that she exists. So when she meets dashing reporter Anthony (Callum Turner), it isn’t long before the two become swept up in each other and fall madly in love. But you won’t know if their romance ends in tragedy or happily ever after until Ellie gets to the bottom of it. Continue Reading →
To All the Boys: Always and Forever
SimilarFreedom Writers (2007), Fried Green Tomatoes (1991),
Primal Fear (1996) What's Eating Gilbert Grape (1993),
In the wide world of algorithmically-derived Netflix teen romantic comedies, surely one of the finest was 2018's To All The Boys I've Loved Before, the syrupy-sweet story of adorable bookworm Lara Jean Covey (an always-radiant Lana Condor) and her shockingly-resilient relationship with too-good-to-be-true-except-he-is jock Peter (Noah Centineo). The film did well enough to spawn an entire trilogy based on Jenny Han's YA romances; while the second, To All the Boys: P.S. I Still Love You, still had its fair share of charms, it started to show the cracks in the sunny, conflict-free firmament of Lara Jean's fairy tale romance. Now, the trilogy closes with To All the Boys: Always and Forever, and this time, the decision isn't between Peter and some other boy: it's between Peter and the rest of her life. Continue Reading →
Malcolm & Marie
Sam Levinson’s gorgeously shot but obnoxious and exhausting relationship drama Malcolm & Marie is filled with plenty of big ideas — about film, about art criticism, about authenticity, about the relationship between artists and their muse. But more often than not, those big ideas are just big ideas that go unexplored. Instead of trying to make solid arguments about what it wants to say at the beginning, Malcolm & Marie is too busy being angry and whiny. So what could’ve been a compelling two-hander drama examining art and a fractured relationship instead ends up as a movie struggling to find itself, made by a man with nothing but pettiness in his mind. Continue Reading →