154 Best Releases Translations Russian on Hulu (Page 2)
Theater Camp
SimilarBend It Like Beckham (2002) Billy Elliot (2000), Four Weddings and a Funeral (1994), Italian for Beginners (2000), Little Miss Sunshine (2006), Lolita (1962), Muriel's Wedding (1994), My Own Private Idaho (1991), Paris Can Wait (2016), Shrek (2001), Sleepless in Seattle (1993), Stranger Than Paradise (1984),
Watch afterShortcomings (2023),
StarringDavid Rasche,
For decades, the great American institution of summer camp has been fodder for cinema, and for good reason. A group of hormonal teenagers put together in an artificial environment is the perfect recipe for drama, with the gorgeous backdrop of the outdoors. Continue Reading →
What We Do in the Shadows
Season 5 of What We Do in the Shadows premieres tomorrow, and you might have some difficulty parsing that it’s already there. Many sitcoms tend to run out of steam by season 5 (you’ll note that exactly when Fonzie jumped the shark), resorting to dropping plot arcs without explanation, swapping out established characters for newer, less interesting characters, setting up tiresome romances, and relying on gimmick episodes, like flashbacks, clip shows, and musicals. Despite its supernatural premise, What We Do in the Shadows still follows much of the standard sitcom structure, so it’s a minor miracle that it’s still the freshest, funniest half-hour show on television right now, without anyone having to put on a fat suit or get stuck in an elevator. Continue Reading →
The League of Extraordinary Gentlemen
SimilarBatman Forever (1995), Constantine (2005), Sin City (2005), Spider-Man 2 (2004), Spider-Man 3 (2007), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005), The Dark Knight (2008),
Studio20th Century Fox, Walt Disney Productions,
One of the things I enjoy most about the moviegoing experience is coming out of a film feeling as if I've actually learned something that I didn't know before, or had not even occurred to me in the first place. That's exactly the feeling that I got while watching Sam Pollard’s The League, a documentary about the history of Negro baseball leagues in America. Going in, I suppose I knew the basics about the subject and could name such key figures as Josh Gibson and Satchel Paige, but Pollard, who previously directed MLK/FBI, and executive producer Questlove delve much deeper, and the results are indeed fascinating. Continue Reading →
Maggie Moore(s)
StarringJon Hamm, Nick Mohammed,
Near the homestretch of John Slattery’s small-town dipshit crime saga, Maggie Moore(s), a police chief (Jon Hamm), chides his colorfully quippy co-worker (Nick Mohammed) with the overly direct criticism that he has “no concept of when it’s ok to tell a joke.” It’s an understandable retort given the morbidity of their current case—two women with the same name gruesomely killed a few days apart, one dispatched in a way that could be legally described as murder by arson. Continue Reading →
Blue Jean
SimilarJFK (1991), Maria Full of Grace (2004),
Watch afterBarbie (2023) John Wick: Chapter 4 (2023), Spider-Man: Across the Spider-Verse (2023), The Whale (2022),
StudioBBC Film, BFI,
A portrait of a closeted lesbian woman living in England during Margaret Thatcher’s oppressively homophobic 1980s reign, Georgia Oakley’s Blue Jean illustrates a unique paradox for a critic. How does one navigate criticizing a film’s self-imposed binaries while also accounting for the realities of a restrictive period, the gravity of the subject matter (and parallel current circumstances), and the differentiation of what is intended as cinematic affect and what constitutes clumsy filmmaking? Continue Reading →
Cruel Summer
SimilarBaywatch Nights,
HIStory Nine: Nine Time Travels, The Twilight Zone, Twin Peaks,
In its first season, Cruel Summer was a roller coaster of a television show. It offered a new twist, loop, or drop around every corner. Cruel Summer Season 2, by contrast, feels more like the Slingshot. For one, the journey is much easier to understand and anticipate. Of course, there are still thrills to be hand. Still, it lacks a certain gonzo quality. As a result, this season is better and more logically plotted, but also significantly less likely to leave a viewer’s head spinning. Continue Reading →
Flamin' Hot
Watch afterSaw X (2023), Thanksgiving (2023), The Flash (2023),
StudioSearchlight Pictures,
Of all the oddball trends in 2023’s multiplex movies, the strangest has to be Hollywood’s current obsession with films about the origins of familiar consumer lines and products, including Air Jordans, Tetris, and the BlackBerry PDA. The films have been okay—and Air’s genuinely quite good—but even so, when all is said and done, it is hard to shake the sense that what you have been watching is less a movie than an elaborate brand extension designed to remind viewers of the benevolence and vision of our corporate overlords. That is especially true in the case of Eva Longoria’s directorial debut Flamin’ Hot, a film whose story is almost too good to be true (more on that later) but which is, in practice, an ironically bland bit of product placement even more processed and devoid of nourishment than the snack food it celebrates. Continue Reading →
Kandahar
Watch afterBlue Beetle (2023), Meg 2: The Trench (2023), The Flash (2023),
Gerard Butler's CIA-agent-on-the-run thriller aims to be more than a power fantasy, but for all its virtues, it doesn't stick that landing.
There's an expected cognitive dissonance that comes with watching a man-on-a-mission genre piece set in the Middle East. Whether it's a glorified shooting gallery or a power fantasy where the hero stops just short of bleeding red, white, and blue - one needs to practice a mental limbo to either ignore or maybe be pleasantly surprised with the bare minimum concessions to showing the opposite side's perspectives.
Ric Roman Waugh's expertly mounted, ambitiously scattered Kandahar is, at its core, a Stagecoach riff. One where our leading man, career CIA operative Tom Harris (Gerard Butler leveraging his soulful full-time divorced dad essence), has 30 hours to make a mad 400-mile dash across an Afghanistan desert from an impossibly large group of following forces. It's a foolproof premise, yet intriguingly, Kandahar refuses to embrace its conceptual neatness. Continue Reading →
Master Gardener
SimilarTaxi Driver (1976),
Folks, maybe I’m wrong, but I just don’t think we’re ready for Nazi redemption stories yet. Granted, there have already been a few, but those were from a time when the threat was neutralized. Now, in our current upside down world, they’re being normalized by both the media and Republican politicians, some of whom, like Alabama Senator Tommy Tuberville, would rather pretend they don’t know what “white nationalism” is than denounce it. We really don’t need a “but what if they can change?” story right now. But Paul Schrader is doing it anyway with Master Gardener, a movie that is surely well-intentioned, but ill-timed at best, and clumsy and borderline offensive at worst. Continue Reading →
Class of '09
SimilarMy Holo Love, Santa Evita, The Gold Robbers, Three Days of Christmas, White House Plumbers,
StudioFX Productions,
Welcome to the future. America is “the safest country on Earth,” as FBI Agent Tayo Michaels (Brian Tyree Henry) assures us. And it is all thanks to a program that is one part Minority Report, one part that computer Lucius Fox gets all bent out of shape about in The Dark Knight. It started as a sort of interrogation tool, but it has blossomed into a prediction machine that lets the FBI anticipate criminal activities. Comic book fans, think Force Works. Law enforcement has gotten “proactive.” Continue Reading →
R.M.N.
Highly lauded Romanian director Cristian Mungiu is back from a six-year hiatus with the curious R.M.N., a look at a town slowly letting itself succumb to its worst fears. Like the famous Twilight Zone episode “The Monsters are Due on Maple Street,” a town gears up to combat an imaginary menace they’ve created to demonize real people and problems, simply to feel better about their own misfortune and short-sightedness. After three films that failed to capture the attention of his sophomore feature, Cannes Top Honors recipient 4 Months, 3 Weeks, 2 Days, Mungiu has found an edifying middle ground between his wilder ambitions and the style in which he made his name. R.M.N. may suffer from heavy hands, but this is a film of deceptive heft from a director renewed by change. Continue Reading →
Clock
SimilarThe Shining (1980),
Watch afterAnt-Man and the Wasp: Quantumania (2023), Evil Dead Rise (2023),
From Rosemary's Baby in 1968 to 2021's False Positive, Hollywood has long been interested in women's bodies and reproductive systems as a setpiece for horror: and writer-director Alexis Jacknow's Clock is no exception. From its humble beginnings as a short film, Jacknow's freshman feature has blossomed into a chilly, paranoia-ridden horror flick commanded by a captivating lead in Diana Agron. Though Clock's script is sometimes inelegant and clunky, it boasts enough personality, perspective, and ferocity to stand an exciting feature debut in the world of horror. Continue Reading →
Tiny Beautiful Things
SimilarAgatha Christie's Poirot Around the World in 80 Days, Helltown, No Escape, Santa Evita, The Summer I Turned Pretty, Wycliffe,
StudioABC Signature,
If you belonged to a certain group of very online Millennials around 2011, then the chances that a Dear Sugar letter changed your life or permanently lodged itself in your brain are high. I know it’s certainly true for me. That means I’m carrying a certain degree of baggage to Hulu’s newest series, Tiny Beautiful Things, based on the book of the same name--a collection of Dear Sugar’s best advice columns)--and Sugar herself, Cheryl Strayed, who stepped forward as the columnist in 2012. Continue Reading →
Rye Lane
StudioBBC Film, BFI, Searchlight Pictures,
There’s been no shortage of pieces lately decrying the state of the romcom—is it on life support? Dead? In danger? If you’ve been lamenting the dearth of gems like You’ve Got Mail and Bridget Jones’s Diary, then Hulu has good news for you with its release of director Raine Allen-Miller’s feature debut: Rye Lane. It’s a quick and quippy romp through London’s Peckham neighborhood as two heartbroken twentysomethings bond over breakups and, far more deliciously, how to get back at their rotten exes. It’s a return to form that doesn’t feel stuck in the past. Rather, it’s a joyful reminder of why everyone loves a rom-com to begin with. Continue Reading →
Fumer fait tousser
When I come out of a movie, I have a fairly good idea of whether I liked it, and if I would recommend it to anyone. In the case of Smoking Causes Coughing, the latest work from Quentin Dupieux, the French provocateur behind such cult oddities as Rubber (2010), Deerskin (2019) and Mandibles (2020), I'm not entirely sure I could describe it as a proper film in the first place. Continue Reading →
Up Here
There’s a subset of “Will they or won’t they?” stories that are perhaps best described as “They will, then they won’t, then they will again, then they won’t again, and so on.” There are certainly fans of this kind of story. Arguably the most popular sitcom of the past 40 years, Friends, had Ross and Rachel bouncing together and apart repeatedly. Hulu’s new musical series Up Here is the latest example of that rom-com subset of a subset. Continue Reading →
Boston Strangler
SimilarBoys Don't Cry (1999) Driving Miss Daisy (1989), Erin Brockovich (2000), Monster (2003), The Straight Story (1999),
Studio20th Century Studios,
Considering the lurid details of it (let alone that it was never solved), it’s curious that Netflix, America’s number one source for grisly true crime documentaries, has yet to cover the Boston Strangler. It’s a fascinating story largely because the man who was long believed to be the Strangler, Albert DeSalvo, almost certainly didn’t act alone, and may not have even killed all of the thirteen women whose deaths were originally attributed to him. DNA evidence years after the fact conclusively linked DeSalvo, convicted of rape and later murdered in prison, to just one victim. At the time of his arrest, both police and the media were so eager to bring the city-wide hysteria to an end that they pointed at him for all the murders, only quietly conceding after DeSalvo was in jail that there was likely more than one strangler, and that the case was still open. Nearly sixty years later, the other twelve murders remain unsolved. Continue Reading →
Magic Mike's Last Dance
SimilarBack to the Future Part II (1989), Back to the Future Part III (1990), Home Alone 2: Lost in New York (1992), Shaun of the Dead (2004), Shrek 2 (2004), Shrek the Third (2007),
In the climactic monologue of the original Magic Mike, Mike Lane (Channing Tatum) says, “I don’t want to be a forty-year-old stripper.” It’s an affecting scene that shows that Mike understands the dead-end nature of his current lifestyle and his desire to escape, and it makes the ending where he gives stripping up a satisfying one. Continue Reading →
Infinity Pool
SimilarBrazil (1985), Godzilla Raids Again (1955),
Brandon Cronenberg & Chloe Domont direct stylish films about sex & violence among the bourgeoise wealthy.
A growing trend in Hollywood film & TV of late has been to put a mirror in front of the idle rich and mock the privileged and avaricious lifestyles they live. Some may say this is happening now because of honest self-reflection in the face of growing and untenable wealth-inequality in this country, but that just sounds gullible to me. It’s probably more so that hedonistic and openly, publicly vapid displays of self-promotion and consumerist propaganda through social media has made it easier to become famous and sponsored by doing less than ever before.
Brandon Cronenberg probably has imposter syndrome. In Infinity Pool, his central character James Foster (Alexander Skarsgård) is a writer plagued by a lack of inspiration and haunted by a review that boils his career down to only having a rich father-in-law, which affords him the luxury of not needing a real job. His hang-up over this connection through his wife, Em (Cleopatra Coleman), explodes in the open when they have a fight and he tells her to “run back to Daddy.” In formally and thematically finding a voice unto himself apart from his lineage, the younger Cronenberg has cultivated a filmography where the corporeal form is at odds with the sense of identity. His characters constantly feel like empty vessels and thus, the trauma their bodies endure are more a dissociative terror than a deeply internally felt one. Continue Reading →
Accused
SimilarCruel Summer, Star and Sky: Star in My Mind,
American remakes of British television shows haven’t earned the best reputation despite a few gems over the years. The newest series to make it successfully across the pond, FOX’s new crime drama, Accused, does so with a premise you just can’t mess up. Continue Reading →
Skinamarink
SimilarA Nightmare on Elm Street (1984),
I was a fretful child who was scared of her own shadow. A victim of an overactive imagination fed by parents who didn’t monitor what I read or watched, there wasn’t one thing I was particularly afraid of, it was all things. Vampires, werewolves, serial killers, alligators in the sewer, Michael Myers, they all lurked in the recesses of my mind, waiting to jump out at me when I wasn’t paying attention. Luckily I was always on high alert: I never slept in complete darkness or silence, and, much to my mother’s chagrin, I kept both my closet and the space under my bed stuffed full of clutter so there’d be no place for the monsters to hide. Even then, I always jumped in and out of bed far enough away that nothing could drag me underneath. The way I saw it, you just couldn’t be too sure. Continue Reading →