Baghead
SimilarAlien (1979), An American Crime (2007), Army of Darkness (1992), BloodRayne: The Third Reich (2010), Bride of Re-Animator (1990), May (2003), The Descent (2005), There's Someone Inside Your House (2021), Warlock: The Armageddon (1993), Wild at Heart (1990),
Watch afterInception (2010), Joker (2019), Parasite (2019), Psycho (1960),
StudioStudioCanal,
Sometimes when a loved one exits this mortal coil, they leave us something we don’t necessarily want. Outstanding bills, for instance. Or perhaps a piece of truly hideous artwork, or a cursed doll collection, or a house stuffed to the eaves with worthless junk, and we’re stuck dealing with it.
Or, like the main character in Alberto Corredor’s Baghead, you inherit an ancient malevolent creature with a connection to the dead. What do you in that situation? Do you try to foist it off on a cousin you never cared for? Maybe sell it on Facebook Marketplace? Well, if you’re Iris (Freya Allan), you turn it into a moneymaking venture, because why not? What could possibly go wrong??
Iris has inherited a pub from her late estranged father (Peter Mullan) that’s inexplicably in the middle of Berlin, even though every character in the movie is British and the pub looks like the Winchester in Shaun of the Dead. Despite it being a pub, it doesn’t appear to have paying customers, or at least not the kind you’d expect. Iris learns that hidden away in a hole in the basement is some sort of female creature wearing an Elephant Man bag over her head, and who can shapeshift into dead people. Whatever customers her father had came to the pub to communicate with deceased loved ones through the creature, paying a substantial fee for the experience. Continue Reading →
The Last Voyage of the Demeter
Similar8 Million Ways to Die (1986),
Blade Runner (1982) Blindness (2008), Carrie (1976), Carrie (2002), Children of Men (2006), Devil in a Blue Dress (1995), Die Hard (1988), Dr. No (1962),
Eyes Wide Shut (1999) From Russia with Love (1963) Goldfinger (1964), Gorky Park (1983), I Am Not a Serial Killer (2016),
Jackie Brown (1997) King Kong (1933),
Live and Let Die (1973) Lord of the Flies (1963), Mystic River (2003), Patriot Games (1992), Poseidon (2006),
Rebecca (1940) Shaft (2000) Shooter (2007), Starship Troopers (1997), Swimming Pool (2003), The 39 Steps (1935),
The Name of the Rose (1986) The Perfect Storm (2000), The Poseidon Adventure (1972), The Silent Partner (1978), The Time Machine (1960),
War of the Worlds (2005) Wild at Heart (1990), You Only Live Twice (1967),
Watch afterAmerican Fiction (2023),
Barbie (2023) Gran Turismo (2023), Guardians of the Galaxy Vol. 3 (2023), Indiana Jones and the Dial of Destiny (2023), Meg 2: The Trench (2023), Talk to Me (2023), The Nun II (2023),
The Last Voyage of the Demeter feels like a movie from a different era. To a point, it is—writer Bragi Schut first drafted his adaptation of the 'Log of the "Demeter"' sequence in Bram Stoker's Dracula in the early 2000s. It's a capital letters Hollywood Creature Feature—a grimmer straight horror cousin to 2004's action/horror hybrid Van Helsing. At its best, it's an admirably gnarly monster flick—bolstered by sturdy craft from director André Øvredal and consistently good performances from a game ensemble. At its worst, it loses confidence and resorts to bumbling attempts to guide its audience by the hand—most notably in its prologue and epilogue. Continue Reading →
John Wick: Chapter 4
The John Wick films are, simply put, the standard-bearer for American action in the 21st century. When the first came out in 2014, it shook the foundations of what we felt was possible in a Hollywood action landscape predominantly concerned with CGI energy blasts: It put stuntwork front and center, crafted labyrinthine mythology as dense and unnecessary as it was innately compelling in its flavor, and -- most importantly -- brought Keanu Reeves back to the public consciousness in a big way. Basically, it's some of the few times American action movies can even hope to compete with what comes out of Eastern Europe and Asia. And now, that saga comes to a close with John Wick: Chapter 4, a film that took two years after completion to come out, and feels like a final exhale of relief after hours of unrelenting, inventive action. Continue Reading →
Hansel & Gretel: Witch Hunters
Oz Perkins' latest, unceremoniously dumped into January, is a revisionist Grimm story as atmospheric as it is thin.
The original fairy tales documented by the Brothers Grimm and Hans Christian Andersen were often bloody, dark stories. As time passed, and we decided that children were too fragile for the originals, we reshaped them into toothless Disney stories of romance and happy endings. And as society began to critique the passive nature of these saccharine protagonists, the 2010s gave us badass butt-kicking makeovers for our heroes, like Hansel and Gretel: Witch Hunters.
At the dawn of the century’s third decade, however, we see fairy tales leaning harder into their older, more folkloric elements, crafting stories that mine terror out of feeling decidedly old and out-of-step with our understanding of the world. It happened with The Witch, and now we’ve got Gretel & Hansel, directed by Oz Perkins (son of Anthony), which opts for an eerie atmosphere and a decidedly dark interpretation of its source material.
The movie opens with one fairy tale framing another: Gretel’s favorite childhood story of a young child, beset by illness in their infancy. In a desperate bid to save the child’s life, her father takes her to a local witch. While the witch saves her life, she also gives the child the power of prophecy and witchcraft. As the child grows, so does her power and evil, until the townsfolk have little choice but to exile her to the woods. Continue Reading →