Inspector Sun y la maldición de la viuda negra
SimilarA Bug's Life (1998), Aladdin (1992), Arlington Road (1999), Barton Fink (1991), Basic Instinct (1992), Blue Velvet (1986), Caché (2005), Charlotte's Web (2006), Chicken Little (2005), Chinatown (1974), Gone Baby Gone (2007), Madagascar: Escape 2 Africa (2008), Mary Poppins Returns (2018), Memento (2000), Momo (1986), Mulholland Drive (2001), No Good Deed (2002), Oldboy (2003), Pocketful of Miracles (1961), Se7en (1995), The Big Lebowski (1998), The Crow: Salvation (2000), The Long Goodbye (1973),
The Name of the Rose (1986) The Thirteenth Floor (1999), Vertigo (1958), Who Framed Roger Rabbit (1988),
Watch afterSpider-Man: No Way Home (2021), Top Gun: Maverick (2022),
I love detective stories. Tales of how, as Sara Gran would say, "truth lives in the ether." Explorations of people and places and how they shape each other. The journey down the streets towards a hidden truth. Dennis Lehane's Darkness, Take My Hand, is my favorite book. Rian Johnson's Brick and Ben Affleck's Gone Baby Gone are movies I think the world of, never mind all-timers like Howard Hawks' The Big Sleep and Robert Altman's The Long Goodbye. And, of course, the immortal Who Framed Roger Rabbit? from Robert Zemeckis. Any time there's a new detective film, whether it be an affably bleak comedy or an action-driven character study, it's a treat. Continue Reading →
We Broke Up
We Broke Up wastes no time cutting to the chase of its own title. The first scene quickly and efficiently introduces the breezy, playful dynamic between longtime partners Doug (William Jackson Harper) and Lori (Aya Cash) as they banter in a restaurant while waiting for takeout. By the end of the scene, Doug pulls a proposal out of nowhere and Lori proceeds to vomit right then and there. It's one of the few times We Broke Up even tries to push the comedy into its supposed rom-com format. Continue Reading →
Possessor
Brandon Cronenberg's second feature is a po-faced collection of genre tropes that wastes its cast and a modest sense of style.
(This review is part of our coverage of the 2020 Sundance Film Festival.)
It’s about 45 minutes into Possessor when its most apt moment comes. A bunch of generically rich people in a generically glossy mansion turn to each other and give a toast. That toast, as it so happens, is “to boredom.”
Now, while Brandon Cronenberg’s second movie in eight years isn’t a complete failure, it’s an empty one: a grab bag of sci-fi clichés with a few spurts of violence. The occasional gore gets your attention, sure, but that’s because it’s something on the screen. The production design from Rupert Lazarus does what it sets out to do, but that aim is to recreate older, better sci-fi movies. It’s just… there, and then the color palette generously shifts from pale to neon. These tricks might have an effect if they hadn’t been done so many times before. Continue Reading →
Spree
Eugene Kotlyarenko's satire about a rideshare driver who murders for online fame lacks the bite or nuance its premise deserves.
(This review is part of our coverage of the 2020 Sundance Film Festival.)
It was just over six years ago when Sharkeisha went viral for assaulting her friend on camera. The World Star video became a meme goldmine and made headlines, and while it seemed shocking at the time, it obviously wasn’t the last. Six months later in the wake of the Isla Vista massacres, the shooter’s face spread like wildfire as he waged polemics against those he felt had polluted the earth. He sat in his car, camera on his dashboard, and tried to justify his misogyny and racism. Now he has his own Wikipedia page.
Of course, the 2010s didn’t birth this sort of infamy, but, like some sort of trickle-down economics, it helped normalize it. YouTube “comedians” like Sam Pepper churned out “prank” videos so he could justify groping women on camera. A few years later, Logan Paul went from Vine to CNN to apologize for a video in which he vlogged a dead body in a Japanese suicide forest. But what about the kids that aren’t famous, the ones that aren’t pulling pranks on the homeless? Continue Reading →