The Holdovers
SimilarA Christmas Carol (1938), Apocalypse Now (1979), Brazil (1985), Donnie Brasco (1997), Driving Miss Daisy (1989), Edward Scissorhands (1990), Fargo (1996), Forrest Gump (1994), Full Metal Jacket (1987), GoodFellas (1990), Home Alone 2: Lost in New York (1992), I Am Not a Serial Killer (2016), Monster (2003), Mystic River (2003), Oldboy (2003), Scrooge (1951), Shrek the Third (2007), Solaris (1972), The Apartment (1960), The Departed (2006), The Fisher King (1991), The Party 2 (1982), The Poseidon Adventure (1972), The Silent Partner (1978), To Die For (1995), Wonder Boys (2000),
Watch afterAmerican Fiction (2023), Anatomy of a Fall (2023),
Barbie (2023) Killers of the Flower Moon (2023),
Oppenheimer (2023) Poor Things (2023), Society of the Snow (2023), The Killer (2023), The Marvels (2023),
StarringGillian Vigman,
StudioMiramax,
After stumbling with Downsizing, Alexander Payne bounces back with a gentle & witty comedy-drama.
The artist Dmitry Samarov one said to me that the ratio of good to bad late periods in an artist's life was depressing to consider. For every Sir Edward William Elgar there was an Eric Clapton (my example, not his), and that it was rare to see someone sharpen as they aged. Now, I like Dmitry and certainly respect his opinion, but I can’t help but feel that when film overtook painting as the dominant artwork that people engage with, the ratio shifted towards bizarre experimentation and welcome self-reflection as much as dull self reflection.
Take for instance 62 year old Alexander Payne, who, after the biggest disaster of his career (2017’s confused parable Downsizing), has started his fourth decade as a director by leaning hard back into what he knew (and what the royal “we” enjoyed) and rediscovered himself with The Holdovers, a movie no one can seem to stop comparing to Hal Ashby. No mean feat, of course, but even that sells its virtues short. This is no mere homage, no mere return to form, this is the movie that Payne’s been hoping to make since his 90s heyday, a film that earns both its jaundiced gaze and its catharsis. Continue Reading →
The Crow
Similar28 Days Later (2002), Blown Away (1994), Edward Scissorhands (1990),
Jackie Brown (1997) Sin City (2005), Sin City: A Dame to Kill For (2014), The Dark Knight (2008), The Interpreter (2005),
StudioMiramax,
While the first movie in the series was stylish & unexpectedly moving, it was tainted by cheap, empty sequels that forgot what made it special.
You don’t have to have seen The Crow to know the story behind it. It’s one of the great Hollywood tragedies, like the Twilight Zone crash, or the Poltergeist curse, where watching them feels a little forbidden and eerie. That’s particularly true for The Crow, because the scene in which star Brandon Lee was accidentally killed with a prop gun was left more or less intact. Granted, there’s some clever editing and use of a body double, but it’s close enough to raise the hairs on the back of your neck.
I shan’t spend too much time recounting The Crow, because, again, even if you haven’t seen it, you’ve sort of seen it (and also it’s already been written about at length on this very website). I will say that I rewatched it for this project, and was surprised to see how well it holds up. It might be perhaps the most early 90s movie ever made, but unlike, say, Reality Bites, it’s in a way that’s still cool and stylish. The swooping urban landscape shots, created almost entirely with miniatures, are still a feast for the eyes, and would be put to even greater use four years later by director Alex Proyas, in his masterpiece Dark City. Sure, the villains, who have names like “Tin Tin” and “Funboy,” are laughably over the top, but they’re balanced by Lee, undoubtedly a rising star, who plays doomed hero Eric Draven with subtlety and genuine human emotion. Continue Reading →