Reminiscence
Watch afterThe Suicide Squad (2021),
Hugh Jackman chases down the ghost of Rebecca Ferguson through futuristic memory tech in Lisa Joy's ponderous, limp tech-noir pastiche.
It would only be frustrating to recount exactly how many opportunities writer-director Lisa Joy (Westworld) throws away in her desperate effort to please in Warner Bros.’ latest, Reminiscence.
It’s not just that Joy fails to follow through on the noir tropes she so clearly wants to pay homage to while attempting to subvert, or a cast that features Thandiwe Newton and Hugh Jackman as jaded private gumshoes in a dystopian Miami, not to mention the near-perfect timing of this movie’s release. Noirs didn’t just come into their own in the years around WWII: some of the best examples of the genre came in the wreckage after, as people still flailing in the trauma of the Great Depression and genocide wondered what the hell was next in a new era of peace and prosperity that some found just as terrifying as what preceded it. Continue Reading →
Godzilla vs. Kong
SimilarGodzilla (1998), Godzilla Raids Again (1955), Night at the Museum (2006),
Watch afterBlack Widow (2021), Nobody (2021), The Suicide Squad (2021),
One of the most fascinating things about Godzilla -- whether in his original Japanese provenance in his long-running series of films, or in the comparatively-recent "MonsterVerse" Westernization of the big lizard, courtesy of Warner Bros. and Legendary -- is that he's so malleable. On the one hand (as with the original 1954 Ishiro Honda film and Gareth Edwards' flawed but philosophically-intriguing 2014 reboot), he can be a poignant vehicle to explore the apocalyptic anxieties of nations ravaged by atomic bombs and climate change. Continue Reading →
Zack Snyder's Justice League
Watch afterBlack Widow (2021), Shang-Chi and the Legend of the Ten Rings (2021), The Suicide Squad (2021),
StarringWillem Dafoe,
Zack Snyder’s Justice League is a good movie. Its cast brings the famous DC superhero team to life through performances that range from reliably solid to very strong. Its action is clear, creative, and in a few places downright stupendous. Its thematic work is interesting, both on its own and in the greater context of its long and winding road to existence. There are multiple moments that qualify as full-on fantastic filmmaking, sequences that successfully connect western superheroes to the larger-than-life feeling of mystical Arthurian lore. To put it simply, I like it. I like it a bunch. Continue Reading →