The Exorcism
SimilarA History of Violence (2005), A Nightmare on Elm Street (1984), A Nightmare on Elm Street 3: Dream Warriors (1987), Constantine (2005), Ghostbusters (1984), Godzilla (1998), Insomnia (2002), Just Cause (1995), Misery (1990), Saw (2004), Saw II (2005), Saw III (2006), Silent Hill (2006), The King of Comedy (1982),
The Name of the Rose (1986) The Science of Sleep (2006), The Shawshank Redemption (1994), The Silence of the Lambs (1991),
Watch afterAquaman and the Lost Kingdom (2023), Dune (2021), Five Nights at Freddy's (2023), Morbius (2022), Napoleon (2023), Society of the Snow (2023), The Marvels (2023),
StudioMiramax,
The biggest challenge any director making an exorcism movie faces is: How do you top The Exorcist? William Friedkin's apocalyptic, daring 1974 classic defined the genre so thoroughly that any subsequent entry is both indebted to, and haunted by, its mastery. The smartest move, really, is to just embrace its fog-covered shadow; The Exorcism, a meta-textual possession film that swims happily in the iconography of its forebear. In so doing it comes away with surprisingly melancholic ruminations on the strain that came with, well, making The Exorcist.
The film is co-written and directed by Joshua John Miller (Final Girls), whose most direct connection to The Exorcist comes from being the son of Jason Miller, the actor who played Father Karras in Friedkin's original. In a way, this story feels like Miller exorcising demons of his own, likely spurred by watching the emotional toll his father experienced working on Friedkin's famously chaotic and unpredictable set back in 1974. Here, the timeline is moved to the present, where a film called The Georgetown Project (a nod to the town in which The Exorcist is set) is put on hold after the actor playing the priest (a brief turn from Adrian Pasdar) meets a grisly fate late one night in the film's doll-house like soundstage.
In desperation, the film's director (Adam Goldberg) turns to Anthony Miller (Russell Crowe), a washed-up movie star freshly sober and looking for his way back into the spotlight. In an early scene of confession -- a perpetually useful device for Catholic-flavored exposition -- we learn that Miller is a lapsed Catholic whose life has been haunted by childhood sexual abuse as an altar boy. This itself rippled out into drug and alcohol problems and a strained relationship with his daughter Lee (Ryan Simpkins), who comes home after washing out of college just in time for Miller to contemplate a return to screen. Continue Reading →
Clock
SimilarPoint Break (1991), The Shining (1980),
Watch afterAnt-Man and the Wasp: Quantumania (2023), Evil Dead Rise (2023),
From Rosemary's Baby in 1968 to 2021's False Positive, Hollywood has long been interested in women's bodies and reproductive systems as a setpiece for horror: and writer-director Alexis Jacknow's Clock is no exception. From its humble beginnings as a short film, Jacknow's freshman feature has blossomed into a chilly, paranoia-ridden horror flick commanded by a captivating lead in Diana Agron. Though Clock's script is sometimes inelegant and clunky, it boasts enough personality, perspective, and ferocity to stand an exciting feature debut in the world of horror. Continue Reading →
Evil Dead Rise
Watch afterAnt-Man and the Wasp: Quantumania (2023), The Super Mario Bros. Movie (2023),
Folks, I simply would not open that book. Continue Reading →
すずめの戸締まり
Watch afterEvil Dead Rise (2023), The Super Mario Bros. Movie (2023),
Like the Oracle said to Neo, "Everything that has a beginning has an end." But "ending" is not synonymous with "annihilation." Whether it's a literal, physical remnant (say, an amusement park that remains standing even years after being shut down) or patterns that folks continue out of habit or the hopes of feeling something (think Yūsuke Kafuku continuing to rehearse for Uncle Vanya with his late wife's recording years after her death in Drive My Car—whose co-lead Tōko Miura was a key contributor to the soundtrack of Makoto Shinkai's last film, Weathering With You). Continue Reading →
Renfield
Watch afterEvil Dead Rise (2023),
StarringShohreh Aghdashloo,
There's always been something of the vampiric in the acting style of Nicolas Cage; his dark, intense eyes, his hunched gaze, his predilection for sinking his teeth into the scenery as vociferously as he might an unsuspecting jugular. And yet, it's wild to think he's never played a gen-you-wine bloodsucker before now. Sure, there's Vampire's Kiss, the great 1988 dark comedy in which he played a manic '80s business guy who imagines himself to be one -- but those were more the panicked neuroses of your typical self-destructive Cage protagonist. But in Chris McKay's action-horror-comedy Renfield, he's the real pale deal: Count Dracula himself, complete with velvet capes, a mouth full of fangs, and an unquenchable thirst for hemoglobin. Continue Reading →
The Super Mario Bros. Movie
SimilarAladdin (1992), Austin Powers in Goldmember (2002), Austin Powers: International Man of Mystery (1997), Austin Powers: The Spy Who Shagged Me (1999), From Russia with Love (1963), Goldfinger (1964), Harry Potter and the Chamber of Secrets (2002), Harry Potter and the Prisoner of Azkaban (2004), King Kong (1933),
Live and Let Die (1973) On Her Majesty's Secret Service (1969), Shrek (2001), Shrek 2 (2004),
Shrek the Third (2007) The Man with the Golden Gun (1974),
Watch afterAnt-Man and the Wasp: Quantumania (2023), Evil Dead Rise (2023), Fast X (2023), John Wick: Chapter 4 (2023),
It’s been almost 40 years since that little plumber in the red hat jumped into a warp pipe and into our hearts. Super Mario Bros., released for the original Nintendo system in the US in 1985, is still the perfect video game. It’s simple (you just got to jump around), it has iconic music, and its colorful world is hypnotic even with all those cute creatures trying to kill you. Continue Reading →
65
SimilarIce Age (2002), King Kong (1933), King Kong (2005),
Watch afterAnt-Man and the Wasp: Quantumania (2023), Evil Dead Rise (2023), The Super Mario Bros. Movie (2023),
StudioBron Studios, Columbia Pictures, TSG Entertainment,
If nothing else, 65 proves that Adam Driver plays a marvelous survival hero. After his ship crash-lands on an uncharted world, his Mills is dazed and wounded—but not to the point that he does not remember what to do in an emergency. He's got a checklist memorized, and he can follow it until he's back together. As Mills treats his wound, catalogs the damage to his ship, and ultimately dons an environment suit to survey his crash site, Driver's body language shifts. Wooziness gives way to groundedness, and halting movements become smooth. Driver makes it clear that even when despairing and terrified, Mills knows what he's doing. Continue Reading →
Scream VI
SimilarCube (1997), Cube Zero (2004), Klute (1971), Maria Full of Grace (2004), Things to Do in Denver When You're Dead (1995),
Watch afterAnt-Man and the Wasp: Quantumania (2023), Evil Dead Rise (2023),
StarringJack Quaid, Josh Segarra,
The Scream franchise's strength has always been in its self-awareness. Initially, it turned the camera towards the audience, demanding that they ask themselves why it's so entertaining to see other people being made to suffer, and what happens if, as the tagline went, someone took their love of scary movies too far. Then it mocked the inevitability of sequels, then the movie industry in general, then how the media treats trauma victims like celebrities, with varying levels of success. The 2022 reboot, directed by Matt Bettinelli-Olpin and Tyler Gillett, sought to address all of it in some fashion, with toxic fandom on top of that. It was mostly successful, despite being at times aggressively meta. Scream VI does much of the same, although this time the knowing winks and nods are starting to feel a little tired. Continue Reading →
Ant-Man and the Wasp: Quantumania
Watch afterEvil Dead Rise (2023), The Super Mario Bros. Movie (2023),
StarringOwen Wilson, Tom Hiddleston,
As the Marvel Cinematic Universe got bigger and bigger and bigger, it was downright refreshing to see something as fittingly small and low-stakes as the Ant-Man films break up all the universe-ending tension. It was nice; after watching the Avengers punch through an exhausting sea of robotic baddies and set up a bunch of Infinity Stone dross, along came Paul Rudd as a smirking, kinda-dumb thief who lucked his way into a shrinking suit he used on a tech heist. After Thanos snapped half the universe away, we flashed back to good ol' Scott Lang on a caper to bring his mentor Hank Pym's (Michael Douglas) wife Janet Van Dyne (Michelle Pfeiffer) back from the Quantum Realm. They were lighter, more carefree, a much-needed sitcom wing of the MCU. Continue Reading →