5 Best Movies To Watch After The Marvels (2023)
A good TV show is like a good book: you're both excited to get to the end, and nervous about getting to the end. If gave you that feeling, here are other titles that our writers have covered that you might want to check out.
After stumbling with Downsizing, Alexander Payne bounces back with a gentle & witty comedy-drama.
The artist Dmitry Samarov one said to me that the ratio of good to bad late periods in an artist's life was depressing to consider. For every Sir Edward William Elgar there was an Eric Clapton (my example, not his), and that it was rare to see someone sharpen as they aged. Now, I like Dmitry and certainly respect his opinion, but I can’t help but feel that when film overtook painting as the dominant artwork that people engage with, the ratio shifted towards bizarre experimentation and welcome self-reflection as much as dull self reflection. Continue Reading →
The Hunger Games: The Ballad of Songbirds & Snakes
Despite a challenging premise and an overlong runtime, the Hunger Games prequel makes the most of the hand it’s been dealt.
The character of Coriolanus Snow is an odd choice for a Hunger Games hero. In the original books and films, as played by screen giant Donald Sutherland, Snow was a cold-hearted, cruel dictator clearly meant to echo real world fascist leaders. Here, in the prequel story The Ballad of Songbirds and Snakes (say that five times fast), Coriolanus (Tom Blyth) is just a sensitive, emotional teen dreamboat whose main goal is to provide for his family in the wake of the violent revolution that tore apart Panem, the country formerly known as the United States of America. Continue Reading →
As daybreak bleeds from within the walls, Priscilla Presley (Cailee Spaeny) wakes up next to her husband, Elvis (Jacob Elordi). Her water’s broken and, as he calls for a car, she goes to the bathroom, where she applies the perfect fake eyelashes in silence. Continue Reading →
She Came to Me
Seven films into her career as a filmmaker and Rebecca Miller is still a perplexing study. From 1995’s Angela, her symbolic unpacking of a lost childhood (presumably her own) to 2015’s Maggie’s Plan, a symbolic study of a desire for independence (presumably her own), she's made female pain and pleasure her subject without ever settling on a formal approach. Miller is an auteur in the sense that the peculiar combination of confrontational sexuality and highly personal discursiveness seem like the province of someone who both knows exactly what kind of things she wants people to think about, even if she’s never decided the way she wants us to think about them, other than “immediately.” Continue Reading →
A Haunting in Venice
The first two entries in director/actor Kenneth Branagh’s foray into Agatha Christie adaptation lost the magic of the English writer’s mysteries. With his third attempt, A Haunting in Venice, Branagh decides to make considerable changes to the story. Using the bones of Christie’s Hallowe’en Party, writer Michael Green changes the setting from a small town in the English countryside to a palazzo in Venice. Branagh emphasizes the gothic elements of Christie’s story, leaning on the horror of the location, the manic nature of the children’s Halloween party, and the gruesome moments before and after an unexpected death. Continue Reading →