3 Best Movies To Watch After The Beasts (2022)

When Godfrey Reggio’s monumental experimental documentary Koyannistqatsi (Life Out of Balance in Hopi) first entered the zeitgeist, its radical nature as a postmodern film, with a thoroughly entrancing score by Phillip Glass, became intertwined with the rise of MTV and a new era of visual aesthetic being born within the music sphere. From the noise rock band Cows to electronic musicians Dr. Atmo and Oliver Leib to superstar pop singer Madonna, the film had an indelible effect on music and the music video.  Continue Reading →

In Celine Sciamma’s Petite Maman, we see a young girl meet another in the woods. Soon we learn the latter girl happens to be a literal younger manifestation of the former’s mother. In Charlotte Le Bon’s debut film, Falcon Lake, a pre-pubescent boy falls in love for the first time with the daughter of a family friend in a campsite supposedly haunted by a ghost. Continue Reading →

Grizzled veterans go up against a drug dealer’s zombie-like henchmen in Joe Begos’ gory, fast paced action-horror film. We’re in a peak era for horror, when filmmakers are exercising their most creative, artful muscles to make beautiful, slow-paced nightmares like Midsommar and the recent Gretel & Hansel. Sometimes, however, you just want to see something a little more simple and direct in its attempt to shock and exhilarate audiences, and that’s where Joe Begos’ VFW comes in. An exciting entry in the “long night” trope, it pits the last survivors of a group of old war buddies against an unexpected and relentless enemy. Released at the same time on the festival circuit as Begos’ excellent (and delightfully gruesome) vampire flick Bliss, VFW shares some of Bliss’s actors, its similar candy colored neon lighting, and gallons and gallons of fake blood. Both movies even feature a personality-altering designer drug - here it’s “hype,” which turns its users into rage zombies. VFW, however, right down to its synth-heavy, very John Carpenter-esque score, leans more towards Assault on Precinct 13-style action than straight horror, with a few touches of Escape From New York and From Dusk Till Dawn. Stephen Lang leads a cast of largely underrated character actors, including Fred Williamson, Martin Kove, George Wendt, David Patrick Kelly, and the great William Sadler. Lang plays Fred, a Vietnam veteran who runs the local VFW hall, a beacon of normalcy in a rapidly decaying city. It’s Fred’s birthday, and he and his pals, who seem to be the only people left who show up at the hall, are determined to celebrate. They’re quietly acknowledging that they’re the last of a dying breed before the actual dying begins, giving the movie a bleak and poignant angle from the start. Continue Reading →