Kate
SimilarBatman Returns (1992), Blown Away (1994), Kill Bill: Vol. 2 (2004),
Shaft (2000) Zatoichi (2003),
Watch afterFree Guy (2021),
Mary Elizabeth Winstead as the next cinematic revenge thriller brawler is too brilliant not to at least try. Her bonafides in 10 Cloverfield Lane as lead and then clutch supporting turn in Birds of Prey do more than enough to establish precedent. Throw in a unique location (Tokyo) with an urgent, grisly hook (an assassin only has 24 hours to enact revenge), and Kate should be one of the most satisfying Netflix originals to presumably hit the Top 10 in 2021. Sadly, the only watchers who might find this satisfying have either watched too many action revenge thrillers or not nearly enough. Continue Reading →
Reminiscence
SimilarEternal Sunshine of the Spotless Mind (2004), Memento (2000), Secret Window (2004), Twelve Monkeys (1995),
Watch afterThe Suicide Squad (2021),
Hugh Jackman chases down the ghost of Rebecca Ferguson through futuristic memory tech in Lisa Joy's ponderous, limp tech-noir pastiche.
It would only be frustrating to recount exactly how many opportunities writer-director Lisa Joy (Westworld) throws away in her desperate effort to please in Warner Bros.’ latest, Reminiscence.
It’s not just that Joy fails to follow through on the noir tropes she so clearly wants to pay homage to while attempting to subvert, or a cast that features Thandiwe Newton and Hugh Jackman as jaded private gumshoes in a dystopian Miami, not to mention the near-perfect timing of this movie’s release. Noirs didn’t just come into their own in the years around WWII: some of the best examples of the genre came in the wreckage after, as people still flailing in the trauma of the Great Depression and genocide wondered what the hell was next in a new era of peace and prosperity that some found just as terrifying as what preceded it. Continue Reading →
The Protégé
SimilarLucky Number Slevin (2006), Minority Report (2002), North by Northwest (1959), The Interpreter (2005),
The Name of the Rose (1986) StarringSamuel L. Jackson,
StudioIngenious Media,
Hollywood is in something of a conundrum these days. Audiences have by no means lost their taste for a good action flick, but such movies are meant for a theater experience, which has become somewhat limited by necessity. Then there’s the fact that so much of our lust for violence tends to be sated by established properties such as the Marvel Cinematic Universe and its competitors, not to mention other franchises such as the Fast & the Furious and The Purge movies. Continue Reading →