Search Party
We talk with the series co-creator, writer and director about finding the balance between darkness and comedy.
When it first debuted in 2016, Search Party was often compared to Girls and Broad City, mostly because all those three shows deal with the same topics of millennials and hipster culture. But to solely focus on that element will dismiss the excellent craft and surprises that co-creators Sarah-Violet Bliss, Charles Rogers, and Michael Showalter has shown throughout four seasons. After all, this is a show like no other on TV, always radically reinventing itself to keep things fresh.
Season 4 — whose first three episodes were just released on HBO Max last Thursday — is no exception, finding new angles in the story while still retaining what makes the show such a delight in the first place. The only difference is, where the three previous seasons lean more towards the comedic side of the story and keep the darkness secondary, season 4 decides to do the opposite: going full in on the psychological horror of the characters’ journey by taking references from captivity dramas like Room and Misery to an unsettling effect. Continue Reading →
Fate: The Winx Saga
SimilarAmazing Stories, I Dream of Jeannie, The Dawn of the Witch,
Adapted from the Nickelodeon show Winx Club, Netflix’s new series Fate: The Winx Saga attempts to reboot the long-running favorite with gritty live action to fit on the homepage somewhere between The Chilling Adventures of Sabrina and Cursed. It’s a visually stunning fantasy quest centered around young women that has all the magic it needs to fly but hasn’t yet learned to focus its potential within. Continue Reading →
Chilling Adventures of Sabrina
SimilarItaewon Class, The Summer I Turned Pretty,
With its magic, monsters, and ridiculously attractive cast, Chilling Adventures of Sabrina makes no attempt at relatability. However, while its fourth and final season is filled with situations that no person will ever find themselves in, its premise of a world being assaulted with unimaginable terrors before finally succumbing to a soulless void is a #2020mood. Continue Reading →
I Am Not Okay with This
Netflix’s latest sci-fi/drama/comedy/thriller features realistic characters, but lifts heavily from “Stranger Things,” “Carrie,” & just about everything else in the same genre.
Say what you will about Netflix’s baffling business model, particularly when it comes to its practice of releasing hundreds of original programs and promoting perhaps 10% of them. It understands winning formulas, however, none so much as teenagers + supernatural powers=a guaranteed fan base. Filling the gap between seasons of Stranger Things and Chilling Adventures of Sabrina (though season three of the latter only just premiered last month) is I Am Not Okay With This, yet another comedy/drama/thriller/etc. in which a teenage girl struggles with both burgeoning mystical powers, and the slings and arrows of growing up. Based on Charles Forsman’s graphic novel, it brings absolutely nothing new to the table (other than a “Dear Diary” narrative device), but features a believable, complicated, often realistically frustrating protagonist.
Sophia Lillis, late of Gretel & Hansel and the IT movies, is Sydney “Syd” Novak, a lonely high school student given to outbursts of anger ever since her father committed suicide. On top of grieving, a strained relationship with her mother, new responsibilities at home, and acne in unfortunate places, Syd harbors a terrible crush on her best friend, Dina (Sofia Bryant), who is blissfully unaware of her feelings. Much to Syd’s dismay, Dina begins dating not just any jock douchebag, but the biggest douchebag of them all, football player Brad Lewis (Richard Ellis), who can’t get through a class on the reproductive system without making a snide joke.
Insincerity all but oozes from Brad’s pores, but Dina is inexplicably over the moon for him, calling him “babe” and wearing his letterman’s jacket. A heartbroken Syd stares at Brad with hate in her eyes, and it’s only when Brad’s nose spontaneously starts to bleed that she realizes she possesses some sort of telekinetic power beyond her understanding. This power only seems to exhibit itself when Syd is angry, which is unfortunate, because she’s angry just about all the time. Syd is propelled by anger, stomping around her drab little Pennsylvania town and scowling at anyone who isn’t Dina or her younger brother, Liam (Aidan Wojtak-Hissong). She’s a prickly heroine, which is the lifeline I Am Not Okay With This clings to to keep from drowning in cliches. Continue Reading →