41 Best TV Shows Similar to Lucifer (Page 2)

Hulu’s new series How I Met Your Father attempts to recreate the magic of the - wait for it! - legendary status of the original series How I Met Your Mother (HIMYM for short). This update proves a nostalgic ride for fans of the original series and an enjoyable journey for newcomers, even if it lacks some of the fresh qualities of its predecessor.   Continue Reading →

Everyone’s favorite silver-haired, monster-killing hunk is back, and this time you can call him Daddy. After a ponderous first season that took the long way to find its footing, TheWitcher’s second season boasts both a more assured stride and a more ambitious scope. Thankfully dispensing with the non-linear timelines, we catch up with Geralt of Rivia and company right where ‘Much More’ left off. But while season one was a witty, delightfully horny romp, season two takes on a gloomier tone and delves into stories with uncertain outcomes. Continue Reading →

It's doubtful Dickinson Season 3 will convert any new subscribers to AppleTV+. Still, the final season provides a strong salute to wartime poet Emily Dickinson. Don't think of Dickinson in those terms? You're hardly alone.  Continue Reading →

The ultimate representation both of making it, and of giving up, the soul-crushing blandness and hidden darkness of suburbia is a well drawn from many, many times. HOAs and smiling politely through block parties and feigning interest in rose bushes, moving to the suburbs is frequently painted as the end of adventure and creativity. What happens when the couple that moves to their shiny new house to start shiny new lives aren’t just leaving the city but also a trail of bodies behind? Can a relationship work when you’re not just newlyweds and new parents but are also trying your darndest not to murder any more people or each other? Continue Reading →

The third season of Laurie Nunn’s raunchy, teen dramedy Sex Education kicks off with a montage of the characters engaging in all sorts of sexual activities—some with their partners, some with their secret lovers, and some with themselves. For a show that’s always had a positive attitude when it comes to sex, it’s a fitting choice. However, Sex Education has never been just about hormones and horniness. Since its first season, the show has also proven to be a charming, often heartfelt look at adolescence. In season three, it remains committed to that approach.  Continue Reading →

As a queer child of the early Internet, I've seen my fair share of gay erotic animation. Netflix's new adult animation series, Q-Force, might be one of the best. Continue Reading →

The small, fictional town of Jellystone is like other close-knit communities across America. It’s quaint, charming, and filled with jittery citizens on the edge of a nervous breakdown. HBO Max brings back the beloved characters of Hanna-Barbera (the first since their deaths in the 2000s) for a newer, more anxious generation with, an animated show that’s as hilarious as it is self-aware. Continue Reading →

In a perfect world, every sitcom would have a first season that never sees the light of day. That’s because it usually takes a season for the actors to grow comfortable in their characters’ skins, and for the show’s writers to fine-tune the dynamics of the ensemble into something compelling. The new season of Apple TV+’s Mythic Quest is a perfect example of a show finding itself after taking ten episodes to figure things out.  Continue Reading →

I sat down with Trapanese for a lengthy chat about the challenges of scoring an entire series of such grand scope, the creative inspirations he took from the books, and the interconnecting, interweaving musical motifs of the major characters. In a first for the podcast, Trapanese also provides commentaries explaining his process for the cues "Erase the Past" and "Royal Archives Heist." Continue Reading →

Netflix is back with the second season of The Circle, the social media reality game show where contestants compete to be influencers, wielding their power to block their rivals and win $100,000. Season one was a lovefest, with bro-y Joey Sasso winning by playing honestly (aka “The Sasso Way”) and befriending his competitors. The contestants of season two of The Circle are less interested in making friends and more interested in strategy, dialing up the drama, and building alliances within the first four episodes. Continue Reading →

Did you know Disney+ has original TV shows that don’t belong to the Marvel and Star Wars cinematic universes? It’s true! The streaming service also has a bunch of programs that are just too edgy for the Disney Channel, but not compelling enough to make it on other streaming platforms. A great example of this is the new John Stamos sports show Big Shot. Hailing from creators David E. Kelley and Brad Garrett, the show will prove revolutionary to those who have never seen any kind of inspirational sports storytelling before.  Continue Reading →

In the first three episodes of Season 4 provided to critics, Good Girls one begins to feel a creeping sense of the same. The “girls”—Ruby (Retta), Beth (Christina Hendricks), and Annie (Mae Whitman)—are still jockeying for power with Rio (Manny Montana). Beth is finding herself, once more, in a sexually charge situation with a known felon—this time a hired killer named Mr. Fitzpatrick (Andrew McCarthy)—while her husband Dean (Matthew Lillard) is left in the dark in that and so many other ways. Ruby and Stan’s (Reno Wilson) child, this time their son, is getting in trouble, the kind of trouble their criminal endeavors make both easier and harder to deal with. A zealous federal agent, Phoebe Donnegan (Lauren Lapkus), is closing in on them all, too. Continue Reading →

Adapted from the Nickelodeon show Winx Club, Netflix’s new series Fate: The Winx Saga attempts to reboot the long-running favorite with gritty live action to fit on the homepage somewhere between The Chilling Adventures of Sabrina and Cursed. It’s a visually stunning fantasy quest centered around young women that has all the magic it needs to fly but hasn’t yet learned to focus its potential within. Continue Reading →

With its magic, monsters, and ridiculously attractive cast, Chilling Adventures of Sabrina makes no attempt at relatability. However, while its fourth and final season is filled with situations that no person will ever find themselves in, its premise of a world being assaulted with unimaginable terrors before finally succumbing to a soulless void is a #2020mood.  Continue Reading →

Thank goodness for Shonda Rhimes, not only for having the clout to bring a beloved historical romance to a major streaming service but for recognizing what’s been missing from historical television drama: Fun. And Bridgerton is fun, bursting at the seams with romantic tropes, six-packs, friendship, and scandal.  Continue Reading →

When I saw that Netflix made all ten hour-long episodes of its new ballet show, Tiny Pretty Things, available to review, I was intimidated. Even during a global pandemic, ten hours of uninterrupted solo TV time can be hard to come by on short notice. Luckily, Tiny Pretty Things was built to be binged. Fast-paced and drama-filled, the story whisks viewers away from their own lives and plunges them into a grim, seedy world of backroom dealings, sexual blackmail, Machiavellian schemes, and, finally, ballet.  Continue Reading →

Netflix breathes new life into the tired stand-up comedian sitcom genre. The stand-up comedy dramedy is dead. It was tired after Seinfeld, and the only person that got it right since turned out to be a monster. Every other offer in the genre has either struggled with a relationship with the world outside of comedy, or an obsession with the inside world of comedy, which is not that interesting. I am sorry to say, but I do not care about anyone’s struggles to impress a booker.  The thing that Feel Good, Netflix’s new British comedy centered on the life of queer comedian Mae Martin, gets right is that stand up is still work. It doesn’t matter if your work is talking in front of other people, or working in an office. Most of the time it’s not that interesting. Our current society is so obsessed with work that the obsession tends to bleed into our media. Feel Good isn’t a show about a stand-up comedian. It's about a person who happens to be a stand-up comedian.  Mae as a character has more important things to think about than comedy. The show navigates through its first six episodes mostly focused on Mae’s relationships with George (Charlotte Ritchie), a teacher who’s never had any queer experiences, her mother, Linda (Lisa Kudrow), and her sobriety. Martin proves themself a capable actor, painting a well-made version of a person who doesn’t just love cocaine but loves getting high on any sort of obsessive behavior. Feel Good isn’t about drugs or about being queer. It's about the day to day struggle to fight our worst aspects.  Continue Reading →

Jason Segel gives us an energetic journey with compelling characters to balance a campy premise. About halfway through the first episode of AMC’s Dispatches From Elsewhere, Simone (Eve Lindley), one of the main characters, exclaims: “I don’t know what’s going on, but it’s freaking fun!” This phrase just about sums up this new show, created by and starring Jason Segel. While Dispatches is scripted entertainment, it's based on the documentary The Institute, which explores the hybrid alternate reality game and performance art piece by Oakland based artist Jeff Hull. From 2008 to 2011, Hull “inducted” thousands of people in the San Francisco Bay Area into the Jejune Institute. He created multiple “episodes” for inductees to participate in, giving them missions with instructions as silly as dancing at a phone box to things as grand as leading a parade. Segel moves the action from San Francisco to Philadelphia but retains the ridiculous and almost cult-like nature of its source material in depicting the on-screen Jejune Institute and its rival the Elsewhere Society. In the first episode, we are introduced to Peter, an average joe working a dull job. Intrigued by flyers with nonsensical adverts for dolphin communication and human forcefield testing, he calls a number and is invited to an office building downtown. He’s soon roped into a world of intrigue just below the surface of our everyday world, where two entities, the corporate Jejune Institute and more radical Elsewhere Society, frantically search for Clara (Cecilia Balagot), a mysterious inventor whose talent promises to liberate humanity from societal shackles. Continue Reading →

Netflix’s latest sci-fi/drama/comedy/thriller features realistic characters, but lifts heavily from “Stranger Things,” “Carrie,” & just about everything else in the same genre. Say what you will about Netflix’s baffling business model, particularly when it comes to its practice of releasing hundreds of original programs and promoting perhaps 10% of them. It understands winning formulas, however, none so much as teenagers + supernatural powers=a guaranteed fan base. Filling the gap between seasons of Stranger Things and Chilling Adventures of Sabrina (though season three of the latter only just premiered last month) is I Am Not Okay With This, yet another comedy/drama/thriller/etc. in which a teenage girl struggles with both burgeoning mystical powers, and the slings and arrows of growing up. Based on Charles Forsman’s graphic novel, it brings absolutely nothing new to the table (other than a “Dear Diary” narrative device), but features a believable, complicated, often realistically frustrating protagonist. Sophia Lillis, late of Gretel & Hansel and the IT movies, is Sydney “Syd” Novak, a lonely high school student given to outbursts of anger ever since her father committed suicide. On top of grieving, a strained relationship with her mother, new responsibilities at home, and acne in unfortunate places, Syd harbors a terrible crush on her best friend, Dina (Sofia Bryant), who is blissfully unaware of her feelings. Much to Syd’s dismay, Dina begins dating not just any jock douchebag, but the biggest douchebag of them all, football player Brad Lewis (Richard Ellis), who can’t get through a class on the reproductive system without making a snide joke. Insincerity all but oozes from Brad’s pores, but Dina is inexplicably over the moon for him, calling him “babe” and wearing his letterman’s jacket. A heartbroken Syd stares at Brad with hate in her eyes, and it’s only when Brad’s nose spontaneously starts to bleed that she realizes she possesses some sort of telekinetic power beyond her understanding. This power only seems to exhibit itself when Syd is angry, which is unfortunate, because she’s angry just about all the time. Syd is propelled by anger, stomping around her drab little Pennsylvania town and scowling at anyone who isn’t Dina or her younger brother, Liam (Aidan Wojtak-Hissong). She’s a prickly heroine, which is the lifeline I Am Not Okay With This clings to to keep from drowning in cliches. Continue Reading →