FEUD
NetworkFX,
SimilarA Little Princess, Alias Grace, Amazing Stories, Anna Karenina, Are You Afraid of the Dark?, Brides of Christ, Cleopatra, Cruel Summer, Dancing on the Edge, Elizabeth R, Fallen, Further Tales of the City, Intruders, Jack the Ripper, Jewels, More Tales of the City, Murder Most Horrid, Pope John Paul II,
Pride and Prejudice Sentimental Journey, Son of the Morning Star, The Buccaneers, The Gangster Chronicles, The Gold Robbers, The Phantom of the Opera, The Shining, The Wimbledon Poisoner, Troubles, Unorthodox, Viso d'angelo, Witchcraft, World War II: When Lions Roared,
Studio20th Television,
Gus Van Sant & Jon Robin Baitz collaborate on a miniseries rich in both vintage style & human drama.
Nora Ephron once said “Everything is copy.” When you’re a writer, anything you see, experience, or hear, even in confidence, might be filed away to use as creative fodder later, despite the potentially sketchy ethics of it. If you’re lucky, maybe your friends won’t recognize themselves quite as easily as the friends of Truman Capote did when he wrote “La Côte Basque, 1965,” a short story published in Esquire. Though the story purported to be fiction, it was thinly veiled fiction at best. So thin, in fact, you could see right through it.
The events leading up to the publication of Capote’s work in 1975, and the fallout afterward, is the focus of Feud: Capote vs. The Swans, a limited series that at first blush looks like it’s going to be camp nonsense in the vein of the interminable Real Housewives franchise, but has a deep sense of melancholy at its core. With the first four episodes directed by Gus Van Sant, where an easy approach would be to clearly delineate villains and heroes from the beginning, instead it offers something a little more complicated, and asks some uncomfortable questions about friendship, creativity, and trust. Continue Reading →
American Horror Story
A quick overview of the high highs and middling disappointments in horror this year.
With the social media app formerly known as Twitter now a shell of its former self, horror fans have been forced to return to Facebook to continue such interminable debates as “What does or doesn’t qualify something as ‘horror’?” “What the hell is ‘elevated horror,’ anyway?” “Are remakes inherently bad?” “Have horror movies gotten too ‘woke’?” “Were we wrong for letting women make horror?”
In a year when both David Gordon Green and M. Night Shyamalan released new movies, the horror discourse was especially spicy, and that’s before we get to the really interesting stories, like the surprise viral success of Skinamarink, which, with the way time seems to be passing nowadays, feels like it was released five years ago. Both indie and mainstream horror made daring choices, not looking to appeal to as broad a range of audiences as possible, and treating the genre as a serious art form, as opposed to just a machine that prints money. But the biggest surprise came in October, with the release of Saw X, the tenth film in a seemingly unkillable franchise, which ended up being one of the best, most coherent entries in the entire series. Continue Reading →
Barry
SimilarBrazil Avenue, Catterick, Hunter x Hunter, Murder Most Horrid,
The theme music is gone. Continue Reading →
Fleishman Is in Trouble
Watch afterFriends, Only Murders in the Building, Reacher,
Secret Invasion Succession, The Morning Show, The Sopranos, Tulsa King,
StudioABC Signature, FX Productions,
Fleishman Is in Trouble, the adaptation of Taffy Brodesser-Akner’s novel starring Jesse Eisenberg, Claire Danes, and Lizzy Caplan, has a first-act problem. Or rather, a first-episode problem. Continue Reading →