Justified: City Primeval
How does anyone justify a revival? The original Justified gave viewers a conclusion in the first 30 minutes and an epilogue with the last 16. It gave Raylan Givens (Timothy Olyphant) a fitting third act, living in Miami as a part-time dad to his daughter and finally enjoying freedom from the town he worked so hard to escape. So how does a creative team go from “we dug coal together?” to that nearly happy ending to a brand-new Givens tale? The simple answer is to head north. Continue Reading →
The modern age of streaming shows has delivered countless programs that boast in their press releases about being “just long movies.” The new Netflix limited series Florida Man continues this trend. Worse, it puts its own insufferable spin on the mold by stretching out a late-1990s Quentin Tarantino knock-off to nearly seven hours of storytelling. Yearning for a return to the era of non-linear crime dramas embracing the notion that F-bombs and shady behavior turn the story into the new Reservoir Dogs? This Donald Todd-created series will make you giddy. Unfortunately, everyone else will likely come away irritated. Continue Reading →
Pretty Baby: Brooke Shields
The acclaimed documentarian joins The Spool to discuss Brooke Shields, her work, her life, and her relationship to "Brooke Shields" the image.
In 1981, Roger Ebert wrote a profile on Brooke Shields in which he—quoting a press agent—said, “She will be with us for the rest of our lives.” That turned out to be remarkably prescient, but neither the agent nor Ebert could have anticipated the myriad number of ways Shields has been with us in that time. Yes, she is extraordinarily beautiful. But many equally attractive people have come and gone, while Shields remains a consistent part of pop culture’s firmament. From her early appearances in films like Pretty Baby (1978), The Blue Lagoon (1980), and Endless Love (1981) and her controversial TV ads for Calvin Klein jeans, all of which focused on her sexuality while she was literally a child, to her shift in the later Eighties to become America’s Virgin to her reinvention as a comedic actress in the Nineties to becoming an advocate for those suffering from postpartum depression (and suffering the slings and arrows of Tom Cruise in full asshole mode as a result), Shields has been a persistently relevant figure in the American popular consciousness.
While Shields has lived much of her life in the public eye, Pretty Baby: Brooke Shields, a fascinating two-part documentary from Lana Wilson now streaming on Hulu, proves that she still has a great deal to say. Given access to nearly a half-century’s worth of archival material, which she presents alongside contemporary interviews with Shields, Wilson paints a fascinating, eye-opening portrait that demands a new consideration of Shields and her career. Much of her story is harrowing, be it specific to her life—her wrenching descriptions of sexual assault and her tumultuous relationship with her mother—or experiences too many young women in the spotlight share. (If you think having someone inquire about the state of your virginity sounds awful, imagine having talk show hosts do so on live television.) And yet, not only has Shields survived, she is thriving. She has found peace with herself and is able to look back on her life with a sense of control over it. Continue Reading →
It seems like every TV show is set in Manhattan. Be it Friends, Sex & the City, or Seinfeld, Manhattan is the de facto environs for our favorite television. Somebody Somewhere, HBO’s latest series from Hannah Bos (High Maintenance) and Paul Thureen, keeps the Manhattan setting, but swaps out the Hudson and East Rivers for the Kansas and Big Blue Rivers. And just like the Little Apple seems like an inverse of the Big, this new show is a slice of lives drastically different from the hip and connected characters of Girls or And Just Like That.... Continue Reading →