3 Best Movies To Watch After Alita: Battle Angel (2019)

While the general world of theatrical comedies remains elusive at multiplexes everywhere, one strain of the genre keeps on chugging in theaters. The Last Vegas/Going in Style/Book Club-style comedy is still going strong. Titles focusing on a wacky trio or quartet of famous actors over 60 persist at Cinemarks everywhere. Even Book Club 2: The Next Chapter’s box office failure last year couldn't stop this subgenre. On the surface, The Fabulous Four looks like another breezy summertime entry in this domain. In many ways, including its flat third act, it totally is. Yet, some distinctive and even downright weird touches keep it from being another Wild Hogs pastiche. Back in the day, Marilyn (Bette Midler), surgeon Lou (Susan Sarandon), singer Alice (Megan Mullaly), and botanist Kitty (Sheryl Lee Ralph) were best friends growing up in New York City. After a few decades, though, those friendships have grown complicated. Lou and Marilyn, specifically, are no longer on speaking terms. However, that frayed dynamic is about to get “repaired” now that the latter character is getting married. While preparing for a lavish wedding in Key West, she yearns for her best friends to be her bridesmaids—all three of them. Alice and Kitty tricking Lou into traveling to Key West was only the beginning of their struggles. Once these former pals reunite, tensions clearly haven't frayed between the duo. Unresolved conflict looms over every pre-wedding celebration, even once Lou begins a flirty rapport with local DILF Ted (Bruce Greenwood). Can this quartet reunite and become “the fabulous four” again? Or will yesteryear’s turmoil capsize a once beautiful friend group? Continue Reading →

A pair of films out of the festival chronicle friendships new and old with differing degrees of success. While last year’s Banshees of Inisherin examined the end of a long friendship, Anthony Chen’s Drift depicts the slow but hopeful beginning of a new one. Banshees focused on a connection built out of commonality--same island and neighbors, similar life circumstances and concerns. By contrast, Drift revolves around a duo who don’t fit with each other or their surroundings. One, Callie (Alia Shawkat), is an American tour guide defined by her warm and non-judgemental demeanor. The other, Jacqueline (Cynthia Erivo), a Liberian-British refugee, is more guarded and grounded down. Unfortunately, Chen’s awkwardly plotted aims at political statements too frequently get in the way of what seems to be a wonderfully compassionate burgeoning connection between these two women. Chen is a bit out of his depth here unlike with his wonderful debut Ilo Ilo. Despite that film deftly exploring similar themes like class, immigration, and a friendship between two disparate parties, Drift never succeeds in the same way.  Continue Reading →

Before its release, Sia’s Music has generated controversy regarding the handling of its titular autistic character, including the decision to cast neurotypical actor Maddie Zeigler in the role. Sia’s responses to these critiques have only enflamed the hubbub, but tragically, those concerns are immaterial. Not because Music does a good job of handling the perspective of an autistic person, but rather quite the opposite. Continue Reading →