The Burial
SimilarAlmost Famous (2000), Anatomy of a Murder (1959), Anna and the King (1999), Apollo 13 (1995),
Boys Don't Cry (1999) Brubaker (1980), Donnie Brasco (1997), Erin Brockovich (2000), Freedom Writers (2007), Gandhi (1982), GoodFellas (1990), Gridiron Gang (2006), Manhattan (1979), Mississippi Burning (1988), Monster (2003), Schindler's List (1993), The Elephant Man (1980), The Last Emperor (1987), The Pursuit of Happyness (2006), The Straight Story (1999), Titanic (1997),
Watch afterBarbie (2023) Killers of the Flower Moon (2023), Mission: Impossible - Dead Reckoning Part One (2023), The Equalizer 3 (2023), The Killer (2023),
StarringAlan Ruck,
Whenever a crowd pleasing movie hits theaters or streaming, people lament, “They don’t make ‘em like they used to.” Often, these people refer to middle-of-the-road movies from the 80s and 90s, the type of film that would play on cable television in the middle of a Sunday afternoon, something that people watch over and over again, simply because it makes them feel lighter. The Burial, the new courtroom drama from writer/director Maggie Betts, falls firmly into this category. It’s dad-fare, set in 1995 when it also likely would’ve had mainstream success in popular culture. Continue Reading →
Air
SimilarAnna and the King (1999), Brubaker (1980), Freedom Writers (2007), I Stand Alone (1998), Mississippi Burning (1988), Raging Bull (1980), The Pursuit of Happyness (2006),
Watch afterThe Super Mario Bros. Movie (2023),
What makes an object meaningful? The plans its creators had for it? The image that its consumers build into it? The purpose it serves? The one who wields it? Continue Reading →
Elvis
SimilarBrubaker (1980), Freedom Writers (2007), Mississippi Burning (1988), Raging Bull (1980), The Pursuit of Happyness (2006),
Watch afterThor: Love and Thunder (2022), Top Gun: Maverick (2022),
In the opening seconds of Baz Luhrmann’s Elvis, viewers are blasted with the sight of the Warner Bros. logo – a variant glowing in gold and crimson, practically exploding with flair and moving parts – accompanied on the soundtrack by a remix of “Suspicious Minds.” Within the first few minutes, sweeping shots of Las Vegas clash with Ocean’s 11-style split screens, and the editing juggles between slowmo and cranked-up fast motion, in classic Luhrmann fashion. Continue Reading →