3 Best Releases Like The Jungle Book 1967 on Netflix

Big old monster brawls are a delight. They're one of the great pleasures of the Ultra series, the Eiji Tsuburaya-created science fiction series that's brought joy to folks worldwide for 58 years and counting. While the series kicked off with the monster mystery series Ultra Q in 1966, it was Ultraman (launched in July of that year, shortly after Ultra Q wrapped), the tale of a benevolent alien superhero who lived among humanity and fought aliens, giants, and giant aliens alongside a human Science Team (in capital letters). In the decades since Ultraman broke out, the series has proven flexible. It's first and foremost a kids' superhero show, but it's made space for experimentation and idiosyncrasy. See, for example, the great Shinji Higuchi and Hideaki Anno's 2022 film Shin Ultraman, a loving tribute to and riff on the original 1966 series that embraces kaiju wrestling and contemplation of humanity's place in the cosmos equally. Or, heck, head back to 1966 and dig into the episodes of the original series directed by acclaimed filmmaker Akio Jissoji. At its best, the new animated feature Ultraman Rising proves the strength of the Ultra series' core ideas—right good monster mashing mixed with a journey into humanity—with loveliness and style. Unfortunately, it's not at its best often enough to clinch the game. Rising is a messy, disjointed picture. Continue Reading →

The Netflix documentary uses historical evidence and modern scholarship to demonstrate racism's continued role in US society. At the start of the new documentary Stamped from the Beginning, filmmaker Roger Ross Williams asks his various interview subjects, “What is wrong with Black people?” Considering that all the interviewees in question are also Black, it is unsurprising that the question’s seeming hostility initially throws many. However, once they recognize the context of that query—Williams is asking for a historical context as to what Blacks have done to deserve centuries of institutionalized racism and violence—they are more than willing and able to discuss the subject at length throughout this strong and often provocative film. Dr. Ibram X. Kendi’s book of the same name inspired the Williams’ film, a karmic debt the director pays back by including the doctor among a number of knowledgeable Black female scholars and activists. Together, they discuss how the twin stains of racism and white supremacy permeate American society in ways that continue to fester today. They explain how the concept of deeming people as greater or lesser by the color of their skin was born out of slavery. The aim was to simultaneously remove enslaved people’s distinguishing characteristics to make them seem like one undifferentiated mass and drive a wedge between them and white “indentured servants” to prevent the groups from joining forces against their common enemy, the wealthy landowner. Continue Reading →

The Trolls movies continue to indulge in their best and worst impulses in a third installment. The poster for this past summer's R-rated comedy No Hard Feelings had a reasonably clever tagline to explain the strained dynamic between the film's two leads. Against an image of Jennifer Lawrence squeezing Andrew Barth Feldman's cheeks, a single word is placed on top of each person's face: "Pretty" and "Awkward." Nothing revolutionary in design, but it gets the job done. Best of all, that tagline also makes for an apt descriptor for Trolls Band Together. The third entry in the Trolls trilogy (based on the popular 80s dolls), Trolls Band Together does indeed live up to the phrase “Pretty. Awkward.” The animators at DreamWorks keep coming up with gorgeous-looking environments for the titular critters to inhabit that look like they emerged from the wreckage of a craft store explosion. Unfortunately, the writing remains as stilted as ever. Continue Reading →