5 Best Movies To Watch After Species II (1998)
Bad Boys: Ride or Die
Two questions face most rational people when confronting the existence of Bad Boys: Ride or Die. To the first, why did the filmmakers give it such an anonymous title? Especially while the previous installment had the seemingly more apt name Bad Boys For Life? For that, there is no answer. To the second? Yes, there is a joke involving Will Smith and someone getting slapped. And, yes, it is just as smug, stupid, and predictable as one would fear. The one compensating factor is one can describe the film as smug, stupid, and predictable too. That leaves hope most viewers will feel too numbed by the cacophony of crap to even register the slap gag. The film begins inauspiciously with an extended and mostly pointless act in which Mike Lowrey (Smith) and Marcus Burnett (Martin Lawrence) foil a convenience store robbery while on the way to Mike’s wedding to love Christine (Melanie Liburd). Shortly after that, Marcus upstages things by having a massive heart attack and near-death experience at the reception. Those beats out of the way, the cobbled-together plot finally kicks into gear. The local news fills with posthumous accusations that their beloved Capt. Howard (Joe Pantoliano) took bribes from cartels to allow drugs into the country. This cannot stand, of course. But when the two start an investigation to clear his name, everyone with information starts turning up dead. Continue Reading →
Immaculate
According to the press tour for Immaculate, Sydney Sweeney first auditioned for the film years ago. Despite not getting the role at the time, the script made a sizable impression on her. Thus, when she had enough clout, she immediately pursued it once again. Alas, for most of the jump scare-heavy but not especially frightening, horror movie, it’s difficult to understand why the script so captured her heart. After a brief prelude that would cost Immaculate little to lose, audiences meet Sister Cecilia (Sweeney) at Italian customs. After surviving a fall through the ice in her childhood, Cecilia felt called to serve God although not sure how. When her Michigan congregation closed, the young nun felt even further adrigt from His will. However, an invitation from Father Sal (Álvaro Morte) feels like it might be her true purpose. Therefore, despite not speaking Italian, she accepts his invitation to a remote convent specializing in hospice for nuns. Mother Superior (Dora Romano) and another novice nun, Sister Gwen (Benedetta Porcaroli), greet her kindly. The fellow Bride of Christ who makes the biggest impression, though, is Sister Isabella (Giulia Heathfield Di Renzi). She brings sharp bitterness to her first encounter with Cecilia, softening to warn Cecilia off taking the convent's vows. When the new nun rejects the advice, Isabella doubles down on that initial attitude. The seeming professional rivalry only increases when Cecilia discovers she’s pregnant despite being a virgin. Continue Reading →
Dune: Part Two
Denis Villeneuve finishes his epic two-part adaptation of Frank Herbert's novel with sprawling scope and thorny politics. It's really a miracle that the first of Denis Villeneuve's Dune films penetrated the public consciousness as well as it did. It was released amid a worldwide pandemic; it was an IMAX-ready blockbuster that was simultaneously dropped onto people's streaming subscriptions same-day; it's based on a dense, impenetrable sci-fi novel Villeneuve patiently chose not to wholly adapt in one film. The results, blessedly, were commercial and critical success and a host of technical Oscars the following year. That success was enough to secure Dune: Part Two, a chance for Villeneuve to complete his vision of Frank Herbert's seminal work of political science fiction. Where Part One worldbuilds, Part Two barrels down the road of its inevitable conclusion in satisfying style, even as it makes some noted changes from the novel or any previous adaptations -- some for the better, some for the worse. Continue Reading →
The Innocents
“We can’t change ourselves, only what surrounds us.” Sylvie (Anouk Grinberg) says to her son Abel (director Louis Garrel) in the opening minutes of The Innocent. Louis Garrel has appeared in movies since he was 6 years old, making his debut in a movie directed by his father, Philippe Garrel, the last French New Waver, and his mother, actress Brigitte Sy, (1989’s Les baisers de secours aka Emergency Kisses) about a director and his actress wife. Louis Garrel appeared in seven of his father’s films, several directed by his former partner Valeria Bruni Tedeschi, directed movies with ex-wife Golshifteh Farahani and current wife Laetitia Casta, and played his father’s peer and champion Jean-Luc Godard in Le Redoubtable, based on the memoirs of Anne Wiazemsky, whose niece Léa is in The Innocent. Continue Reading →
False Positive
Pregnancy sucks. Though we do it all the time, because otherwise god forbid more women would choose to not subject themselves to it, it seems almost morally wrong to sugarcoat it. Even an “easy” pregnancy is uncomfortable at best, when foods you normally love become repulsive, and even tasks as simple as putting on shoes become a comedy of errors, if your feet can even still fit in them. Childbirth itself is the most excruciating pain the human body can endure, and the effort for such a “natural and beautiful” process can result in vaginal tears that can make future intercourse difficult. Mostly, we just get real weird about pregnant people. Pregnancy is perceived as a communal event, with everyone, even casual friends and co-workers pushing advice and suggestions, while often dismissing (if not shutting down outright), the pregnant person’s needs and concerns. Ilana Glazer and John Lee’s False Positive is a chillingly effective look at an expectant parent’s sharp decline from excitement to unease to paranoid terror. Her fears are brushed off as part of “mommy brain,” but there may be something to it. Continue Reading →