Spencer
Pablo Larraín’s sympathetic “fable” about Diana, Princess of Wales, also compassionately addresses the secret shame of eating disorders.
CONTENT WARNING: this article addresses eating disorders and self-injury. See our spoiler-free overview of Spencer here.
If Pablo Larraín’s Spencer doesn’t change your mind about royalty being aspirational, then nothing will. Sure, you’ll have access to wealth and fancy clothes, but at the cost of your time and privacy. Every part of your life, every holiday, even “off time” with your family, is scheduled down to the last minute, and everything you do is judged according to tradition and propriety. Maybe it’ll be you who breaks tradition, who makes things different through sheer force of will. But probably not. You’ll be a dress-up doll in a glass case, to be taken out and shown off whenever the occasion calls for it, whether you want to be or not. Continue Reading →
Clifford the Big Red Dog
SimilarBen-Hur (1959), Dr. No (1962), From Russia with Love (1963), Goldfinger (1964),
Live and Let Die (1973) On Her Majesty's Secret Service (1969), Scrooge (1951), Willy Wonka & the Chocolate Factory (1971), You Only Live Twice (1967),
Watching Clifford the Big Red Dog, it immediately becomes clear that the titular canine’s red fur represents represent the blood of the proletariat spilled at the altar of capitalism. After all, why else would Clifford populate the cast with kindly working-class humans while delivering antagonists in the form of big Pharma executives, cops, and even a pesky landlord? Clifford’s slapstick rampage is directed at the bourgeoise, whose massive number of sins are reflected in Clifford’s gigantic stature. Old Dogs auteur Walt Becker is putting the transgressions of the privileged class on display and introducing children to the concept of class consciousness. Continue Reading →