If you have finished watching the film Saving Private Ryan (1998) and are looking for other movies like it, here is a list of options to consider.
Whenever a crowd pleasing movie hits theaters or streaming, people lament, “They don’t make ‘em like they used to.” Often, these people refer to middle-of-the-road movies from the 80s and 90s, the type of film that would play on cable television in the middle of a Sunday afternoon, something that people watch over and over again, simply because it makes them feel lighter. The Burial, the new courtroom drama from writer/director Maggie Betts, falls firmly into this category. It’s dad-fare, set in 1995 when it also likely would’ve had mainstream success in popular culture. Continue Reading →
The immediate issue with Tina Slatter’s debut feature, Reality, is how disengaging it is as a movie. A direct adaptation from Slatter’s theatrical piece Is This a Room, the conceptual background is probably the more interesting part. That show took the recorded transcript of FBI agents and former veteran and NSA translator Reality Winner (Sydney Sweeney) about Winner's leaking of classified information on Russian interference in the 2016 US Presidential election and used it as a verbatim dialogue. Everything uttered on the tape is replicated almost exactly in the play and, now, the film. The stutters, pauses, coughing, dog barking, doors opening. Everything. Recreated in minute detail. Continue Reading →