6 Best TV Shows Similar to Reunion
Lady in the Lake
For a show set in the mid-1960s, Lady in the Lake explores a basketful of issues relevant to today. From nearly 60 years in our past, it echoes modern “concerns” of all stripes. For example, characters range from dubious to outright hostile to the idea of Maddie (Natalie Portman) working as a journalist or Ferdie Platt (Y’lan Noel) becoming the first black detective in Baltimore. It doesn’t take much to see how that connects with today’s handwringing over DEI—bigotry dressed up to look like worries about the “most deserving person” getting the job. That the most deserving always seems to be a white man, in such concerned citizens’ opinions, is just a coincidence, no doubt. Also spotlighted in Lady in the Lake are questions about women’s autonomy over their own bodies, grooming, legalized gambling, antisemitism, and politicians throwing over the people that got them elected for “respectability”. Homophobia, stranger danger, and the ramifications of untreated childhood trauma also receive small but prominent moments of attention. Moses Ingram's too good to get lost in this series' chaos so often. (AppleTV+) If that sounds like a lot for a television series to tackle in a single seven-episode season, well, it is. As a result, the show frequently —particularly the first two to three episodes—lapses into a sort of controlled but still frantic chaos. In its efforts, led by creator Alma Har’el, to wrap its arms around everything it wants to be about, the viewer can feel battered by incidents. The series’ occasional dalliances with hallucination and visual metaphor don’t help in this regard. They’re fascinating for certain. The sixth installment’s near episode-length exploration of Maddie’s psyche stands out as a season-high. However, they also sometimes make it overly difficult for the audience to find solid footing in the narrative. Lady in the Lake’s ambition is worthy of praise, but that doesn’t necessarily translate into good television. Continue Reading →
Eric
Eric is a tough sit. Whether that sit is worth the difficulty is a question I struggled with before tentatively arriving at yes. The story begins as a tale of a missing child, Edgar (Ivan Morris Howe), the son of Vincent (Benedict Cumberbatch) and Cassie (Gaby Hoffmann). After the couple’s latest row the night before, Edgar doesn’t wait around for them to sort themselves in the morning. Instead, he walks to school on his own as his father tries to make amends with his mother. But Edgar never arrives at school that day. Vincent is a creator and puppeteer on a formerly top-rated children’s show—think Sesame Street with no on-screen humans and only one set—with his creative partner Lennie (Dan Fogler). Edgar, aware of the show’s downturn and the need for a new puppet, has been doodling and dreaming up just the solution, the titular Eric. When Edgar disappears, Vincent’s desperate and possibly delusional reaction is to finish his son’s work on the giant felt monster. He reasons that if his son could only see the puppet on television, the boy would understand how important he was to his parents and come home. Others, confident Edgar is not gone of his accord and likely no longer alive, cannot get on board with the plan. Continue Reading →
True Detective
Jodie Foster and Kali Reis shine as a pair of detectives investigating an increasingly surreal crime. In Sara Gran’s Claire DeWitt mysteries, the title character is a brilliant, eccentric detective haunted by the unsolved disappearance of one of her closest friends. Her cases are vitally recognizable and beautifully surreal. When The Infinite Blacktop, the most recent entry in the series, was released in paperback, Gran held a giveaway, including a copy of the book and some fun feelies. On one of those, a pen, the following was printed: “Open your eyes and learn to see that truth lives in the ether.” In the course of thinking about Issa López (Tigers Are Not Afraid)’s excellent True Detective: Night Country, it’s a line that’s been on my mind. It's the end of 2023. In Ennis, Alaska, the eccentric scientists of the Tsalal research station vanish just as the long polar night sets in. Ennis police chief Liz Danvers (Jodie Foster) and detective-turned-trooper Evangeline Navarro (Kali Reis) know that something is not right. Though bitterly estranged, the former partners share a drive to discover what happened at Tsalal and why. Their need to get to the truth only intensifies after the scientists are discovered in a ghastly, bizarre state—a collective corpsicle, all of them nude and visibly terrified. Continue Reading →
The Morning Show
Aaron Sorkin learned the hard way that no one takes TV as seriously as TV people. When he followed up his critically acclaimed The West Wing, a show about the inner workings of the White House, with Studio 60 on the Sunset Strip he discovered that you can’t treat everything with the gravity of a cabinet meeting and the wit of a theater major who gets straight Bs. His backstage drama about a fake sketch show pleased no one. When he tried to course correct with The Newsroom he tried to portray the American news media out to be brave warriors for the cause of truth. Both shows have lived rich second lives as meme generators about what Andrew Sarris would call "strained seriousness." Continue Reading →
Full Circle
Seeing creators pull together disparate threads into a cohesive whole can often feel like a magic trick. “Oh, that woman on the train platform was the same one waiting outside the bodega. I get it!” and all that. For the attentive viewer, it can feel like an affirmation of one’s thoughtful focus. For the more casual audience members, it can impress and beguile. Push it too far, though, and one might feel less rewarded and more led by the nose. Full Circle dances on that line before stumbling, too far, into EVERYTHING is connected territory. Thankfully, several strong performances and director Steven Soderbergh’s gift for conveying immediacy through his imagery prove enough to redeem the series’ far too nicely wrapped up with a bow conclusion. Continue Reading →
The Afterparty
When last we saw Aniq (Sam Richardson) and Detective Danner (Tiffany Haddish) in The Afterparty, both were doing great. Aniq had exonerated himself for the murder of classmate Xavier (Dave Franco)—albeit at the cost of sending his friend Yasper (Ben Schwartz) to jail—and had a date with his high school crush Zoe (Zoë Chao). Danner had solved the crime of her career and put her rival Detective Germain (Reid Scott) to do it. Continue Reading →