The Last Voyage of the Demeter
SimilarBlade Runner (1982) Carrie (1976), Die Hard (1988), Dr. No (1962), Eyes Wide Shut (1999), From Russia with Love (1963), Goldfinger (1964), I Am Not a Serial Killer (2016),
Jackie Brown (1997) King Kong (1933),
Live and Let Die (1973) Mystic River (2003), Poseidon (2006),
Rebecca (1940) Shaft (2000) Shooter (2007), The 39 Steps (1935),
The Name of the Rose (1986) The Poseidon Adventure (1972), The Silent Partner (1978), War of the Worlds (2005), Wild at Heart (1990), You Only Live Twice (1967),
Watch afterAmerican Fiction (2023),
Barbie (2023) Indiana Jones and the Dial of Destiny (2023), Meg 2: The Trench (2023), Talk to Me (2023), The Nun II (2023),
The Last Voyage of the Demeter feels like a movie from a different era. To a point, it is—writer Bragi Schut first drafted his adaptation of the 'Log of the "Demeter"' sequence in Bram Stoker's Dracula in the early 2000s. It's a capital letters Hollywood Creature Feature—a grimmer straight horror cousin to 2004's action/horror hybrid Van Helsing. At its best, it's an admirably gnarly monster flick—bolstered by sturdy craft from director André Øvredal and consistently good performances from a game ensemble. At its worst, it loses confidence and resorts to bumbling attempts to guide its audience by the hand—most notably in its prologue and epilogue. Continue Reading →
After Yang
Ambulance
Michael Bay, whose 1990s actioners are—for good and ill—iconic parts of the decade’s cinema, and whose 2000s and 2010s work is reliably fascinating (from the terrific Pain & Gain to the baleful Transformers: Revenge of the Fallen) delivers a bombastic chase movie that doubles as a damn good character study. Loving but criminal brothers (Jake Gyllenhaal and Yahya Abdul-Mateen II) take an ambulance hostage to escape a heist gone sideways. Along for the ride are a masterful EMT (Eiza González) resigned to personal apathy, and a critically injured cop (Jackson White). Amidst the carefully shaped chaos of burnt rubber and bullets, Bay makes space for Gyllenhaal (frenzied and in denial about how badly everything’s gone) Abdul-Mateen II (trying to keep cool even as that becomes impossible) and González (who must break out of her self-built walls if she is to survive) to bounce off each other in a pile of compelling ways. [JH] Continue Reading →
The Girl with the Dragon Tattoo
David Fincher's 2011 adaptation of The Girl with the Dragon Tattoo is both a quite good movie and a deeply frustrating one. At its best, it thrillingly delves into the art of investigation through the eyes of two well-crafted and well-performed protagonists. At its worst, it falls flat on its face and takes its sweet time to get up, dust itself off, and get back into a groove. Continue Reading →