TAYLOR SWIFT | THE ERAS TOUR
SimilarOcean's Eleven (1960),
Make no mistake, Taylor Swift: The Eras Tour, the highly anticipated film version of the career-spanning spectacle the singer-songwriter-popstar toured stadiums with this summer, is essentially a victory lap for her in the wake of massive critical and commercial success. Despite that, it still works because it never feels like what it could have been—a final cash grab for a show that already pulled in enough money to rival the GNP of several developed nations. Instead, it plays like a summation of Taylor Swift and her ever-expanding artistic ambitions. It makes a definitive case for her as one of the most significant musical artists of these times. And it has a lot of sparkly, sassy fun while doing it. Continue Reading →
Elemental
SimilarBorat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006), Ocean's Eleven (1960), Poseidon (2006), Snakes on a Plane (2006), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005), Volver (2006),
Watch afterBarbie (2023) Meg 2: The Trench (2023), Spider-Man: Across the Spider-Verse (2023), The Flash (2023),
StudioWalt Disney Pictures,
Over the years, Pixar has enlisted a variety of creatures to populate their wholesome stories of love and acceptance. There have been toys, monsters, cars, disembodied souls, and even the occasional human. In their new film Elemental, the characters are personifications of the four elements. It’s a choice that may leave you asking, “Have they run out of ideas at this point?” Continue Reading →
Night at the Museum
SimilarBorat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006), King Kong (1933), King Kong (2005), Ocean's Eleven (1960), Snakes on a Plane (2006), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005), Willy Wonka & the Chocolate Factory (1971),
StarringOwen Wilson,
Studio20th Century Fox, Ingenious Media,
The thing about guilt is that it can wear you down until you’re more a cluster of exposed nerve endings than a human being. That, at least, is the premise behind The Night, a new psychological horror and debut film from director Kourosh Ahari. Set in Los Angeles and spoken almost entirely in Farsi, The Night is a wonderfully odd mix of being spare and a bit too much all at once. Continue Reading →