2 Best Movies To Watch After Infernal Affairs II (2003)
Blood Rage
Serve up this bizarre, oddly funny 80s slasher as part of your holiday entertainment feast this year. Though Quentin Tarantino and Robert Rodriguez’s retro horror double feature Grindhouse met with audience indifference, the collection of fake movie trailers during its “intermission” became amusing pop culture ephemera. Of the four featured, Eli Roth’s “Thanksgiving” is probably the most fun to revisit, mostly because of its loving dedication to capturing the unique seediness of an 80s slasher film. There’s something so familiar about the murky film quality, the low budget special effects, the incoherent plot (it appears to be a trailer for two different, unfinished movies stuck together, as was the case for many 80s horror movies), the glimpses of T&A, and of course, that hilarious voiceover and excellent tagline, that it seems unbelievable that it hadn’t actually already been made. Though it took over 15 years, Thanksgiving is finally a full-length feature, released to largely positive reviews just last weekend. It is not, however, as has been claimed elsewhere, the first Thanksgiving slasher film. Before that, there was 1987’s Blood Rage, a movie that leans into all the best and worst tropes of its genre, while also being deeply strange and often undeniably funny. Continue Reading →
Songbirds
Despite a challenging premise and an overlong runtime, the Hunger Games prequel makes the most of the hand it’s been dealt. The character of Coriolanus Snow is an odd choice for a Hunger Games hero. In the original books and films, as played by screen giant Donald Sutherland, Snow was a cold-hearted, cruel dictator clearly meant to echo real world fascist leaders. Here, in the prequel story The Ballad of Songbirds and Snakes (say that five times fast), Coriolanus (Tom Blyth) is just a sensitive, emotional teen dreamboat whose main goal is to provide for his family in the wake of the violent revolution that tore apart Panem, the country formerly known as the United States of America. It’s difficult to understand why author Suzanne Collins, who wrote the novel Songbirds is based on, made the decision to try to humanize a violent authoritarian when a core theme of the original Hunger Games books and movies was lashing back at systemic oppression. Nonetheless, director Francis Lawrence (Catching Fire, I Am Legend) and his enthusiastic cast of talented performers make the best of the rather thematically confused story arc they’ve been given, turning in one of the most exciting, emotionally arresting entries in the franchise. Continue Reading →