American Horror Story
A quick overview of the high highs and middling disappointments in horror this year.
With the social media app formerly known as Twitter now a shell of its former self, horror fans have been forced to return to Facebook to continue such interminable debates as “What does or doesn’t qualify something as ‘horror’?” “What the hell is ‘elevated horror,’ anyway?” “Are remakes inherently bad?” “Have horror movies gotten too ‘woke’?” “Were we wrong for letting women make horror?”
In a year when both David Gordon Green and M. Night Shyamalan released new movies, the horror discourse was especially spicy, and that’s before we get to the really interesting stories, like the surprise viral success of Skinamarink, which, with the way time seems to be passing nowadays, feels like it was released five years ago. Both indie and mainstream horror made daring choices, not looking to appeal to as broad a range of audiences as possible, and treating the genre as a serious art form, as opposed to just a machine that prints money. But the biggest surprise came in October, with the release of Saw X, the tenth film in a seemingly unkillable franchise, which ended up being one of the best, most coherent entries in the entire series. Continue Reading →
Frasier
NetworkNBC,
Similar'Allo 'Allo!, Catterick, Fawlty Towers, Here and Now,
HIStory I Dream of Jeannie, LA to Vegas, Lost in Space, My Hero, Ned's Declassified School Survival Guide, Off Centre, Red Dwarf, Sons of Tucson, Taxi, That '70s Show, The Bride of Habaek, The Fire Next Time, The War at Home,
StudioParamount Television Studios,
When Frasier premiered in the fall of 1993 it had massive shoes to fill. That's probably an understatement. Its parent show, Cheers, was a critical and commercial monster in a way that can only happen when there are only three shows for two hundred million people to choose from. It was nominated for almost two hundred Emmys over the course of its eleven-year run, and its series finale aired to 90 million people (40% of the country’s then population) three months before Frasier’s start. So yeah, expectations were pretty high, and Frasier ended up pretty much meeting them all. While never as popular as Cheers (nothing has been as popular as Cheers since Cheers), it was nevertheless a solid commercial hit that carved out its own identity and won more Emmys than its parent show over the course of its own eleven-year run. A lot of that success was rooted in Frasier’s ability as its own, independent show with its own characters and rhythms instead of being Cheers 2.0. Continue Reading →
Good Omens
SimilarAgatha Christie's Poirot Akashic Records of Bastard Magic Instructor, American Horror Story, Animated Classics of Japanese Literature, Dexter, Fate/Apocrypha, Fearless, Game of Thrones, Gossip Girl,
Hilda Furacão HIStory In the Land of Leadale, Jewels,
Little Women Madan Senki Ryukendo, Mr. Mercedes, Ninja Sentai Kakuranger,
Planet of the Apes Pride and Prejudice Sherlock Holmes Star and Sky: Star in My Mind, Tales from the Neverending Story, The Lost World, The Moon Embracing the Sun, The Shining, Wycliffe,
StarringJon Hamm,
The 2019 adaptation of Neil Gaiman and Terry Pratchett’s 1990 novel Good Omens was a charming show that succeeded in translating the book’s strengths and weaknesses to the small screen. It was clever like the book, with an ingenious plot (what if there had been a mix-up at the hospital and the Antichrist went home with the wrong family) that parodied The Omen while conjuring an apocalyptic tale all its about an angel and demon whose millennials-long rivalry grew from mutual antagonism, to grudging respect, and finally admiration and even a kind of love. But it also carried over the book’s weaker elements, its wonky pacing, plurality of uninteresting characters, and the fact that the first two thirds of the story is essentially table setting for the final third. Continue Reading →