Scott Pilgrim Takes Off
The ScienceSaru-produced animated series rebuilds rather than retells Bryan Lee O'Malley's beloved comic.
Late in the final volume of Bryan Lee O'Malley's 2004-2010 comic series Scott Pilgrim (Scott Pilgrim's Finest Hour), once the action's done and the hateful Gideon Graves has been slain, protagonists Scott Pilgrim and Ramona Flowers take a moment to process everything. Defeating Gideon meant facing not only the vicious misogynist swordsman but also their respective character flaws (It's telling that one of Scott's key moments is his realizing just how alike he and Gideon are, and by gaining that understanding, he affirms that, yeah, Gideon has so got to die). Continue Reading →
From De Palma's series launcher on, Cruise has used the tales of Ethan Hunt to ponder the nature of cinema as performance, perception, and manipulation.
The Mission: Impossible movies begin in perhaps the most inauspicious fashion possible: a computer tech, played by Emilio Estevez, watching security camera footage of clandestine crime scene clean-up. One of the men he's watching happens to be Tom Cruise in heavy prosthetics and a wig. It's an odd opening for an eight-film mega-franchise, a globe-trotting stunt spectacular that has attracted some of the world's biggest stars and most interesting actors—America's answer to Bond movies. But as the opening to a Brian De Palma movie, it's a no-brainer. Of course it starts with a dorky guy in a cramped little room watching unappealing CCTV footage of a crime of passion. That's De Palma. Continue Reading →