7 Best TV Shows Similar to Elementary
Presumed Innocent
For a large segment of Gen X and Millennials, legal thrillers have an undeniable comfort food quality. These generational cohorts grew up as authors like Scott Turow and John Grisham rose to prominence, dominating best-seller lists. With that beachhead established, it wasn’t long before the legal thriller came to screens, large and small, via adaptations. While rarely deeply prestigious works, many, if not most, boasted big stars, well-established directors, and compelling enough storytelling. Presumed Innocent, an 8-part limited series—Apple provided critics with all but the final installment—arrives with that wind at its back for a considerable portion of the audience. It is further helped in the comfort department by being the second adaptation of the titular novel by Turow, following a well-regarded Alan Pakula-directed Harrison Ford-starring cinematic turn in 1990. The book also spawned a sequel and a made-for-TV adaptation of that sequel. Uh-oh. Jake Gyllenhaal and (Renate Reinsve) just spotted you across the bar. (AppleTV+) No one can accuse Turow’s Rusty Sabich (played here by Jake Gyllenhaal after Ford on the silver screen and Bill Pullman for the at-home audiences) of being the central star of a law and order-driven MCU. However, when it comes to legal thrillers, he’s about as close as you can get. Playing with that house money, creator David E. Kelley and star Gyllenhaal don’t exactly reinvent the wheel. Nonetheless, they offer a solid series to slip into just as summer kicks in. Continue Reading →
Mayor of Kingstown
It is, perhaps, unseemly to admit. Still, the fact that Jeremy Renner, who plays morally conflicted series protagonist Mike McLusky, survived a near-death experience does give Mayor of Kingstown Season 3 a draw that the crime show might not otherwise have. What’s immediately apparent in the series opener—and more than a little surprising—is how good Renner looks onscreen. While Mike, the character, is burdened with the weight of Kingstown’s concerns and his sin, Renner, the actor, seems lighter somehow. It doesn’t undermine the performance, though. Instead, it adds a dimension. For the first time, Mike seems like he’s rushing. It gives him—and season 3—a stronger sense of immediacy. It’s as though he’s seeing a different crisis, one bigger but not as immediate, coming down the road, and he’s rushing to set his house in order before it arrives. If anything, Mayor of Kingstown Season 3 would do well to better match its star’s energy and anxiety. The series has plenty of activity but no real sense of forward momentum. In real life, bringing change to a place like Kingstown would be a miserable challenge. So it is realistic when things barely change or do change only to be threatened by figures from the past, like Merle Callahan (Richard Brake), darkening Kingstown’s doorstep. Continue Reading →
Eric
Eric is a tough sit. Whether that sit is worth the difficulty is a question I struggled with before tentatively arriving at yes. The story begins as a tale of a missing child, Edgar (Ivan Morris Howe), the son of Vincent (Benedict Cumberbatch) and Cassie (Gaby Hoffmann). After the couple’s latest row the night before, Edgar doesn’t wait around for them to sort themselves in the morning. Instead, he walks to school on his own as his father tries to make amends with his mother. But Edgar never arrives at school that day. Vincent is a creator and puppeteer on a formerly top-rated children’s show—think Sesame Street with no on-screen humans and only one set—with his creative partner Lennie (Dan Fogler). Edgar, aware of the show’s downturn and the need for a new puppet, has been doodling and dreaming up just the solution, the titular Eric. When Edgar disappears, Vincent’s desperate and possibly delusional reaction is to finish his son’s work on the giant felt monster. He reasons that if his son could only see the puppet on television, the boy would understand how important he was to his parents and come home. Others, confident Edgar is not gone of his accord and likely no longer alive, cannot get on board with the plan. Continue Reading →
Criminal Record
AppleTV+’s new crime drama compellingly juggles issues of race, internal politics, and family dynamics. Criminal Record drips with a sinister sense of foreboding in the first episode’s cold opening. Daniel Hegarty (Peter Capaldi), a high-ranking cop moonlighting as a car service driver, guides an age-mismatched couple to their destination, trying to play nice with them. The man of the lovers obnoxiously probes Hegarty for gruesome tales. In reply, the detective briefly indulges them before trailing off. To bring things to a close, he declares he’s seen far worse than what he’s described, and more often besides. Nothing more happens. We never see the couple again. Presumably, Hegarty got them where they were going without anything further of interest occurring. Still, the scene bristles and pulses with danger. One can easily imagine Hegarty arresting them both. Or, worse, revealing his corruption and killing them both. Criminal Record isn’t that kind of show, as it turns out. However, the series smartly sets its tone in those early moments. No matter what it shows the audience after that, it’s impossible to shake the sense that this aging cop, played by Capaldi as somehow both spry and fragile, could be a ticking time bomb. Continue Reading →
True Detective
Jodie Foster and Kali Reis shine as a pair of detectives investigating an increasingly surreal crime. In Sara Gran’s Claire DeWitt mysteries, the title character is a brilliant, eccentric detective haunted by the unsolved disappearance of one of her closest friends. Her cases are vitally recognizable and beautifully surreal. When The Infinite Blacktop, the most recent entry in the series, was released in paperback, Gran held a giveaway, including a copy of the book and some fun feelies. On one of those, a pen, the following was printed: “Open your eyes and learn to see that truth lives in the ether.” In the course of thinking about Issa López (Tigers Are Not Afraid)’s excellent True Detective: Night Country, it’s a line that’s been on my mind. It's the end of 2023. In Ennis, Alaska, the eccentric scientists of the Tsalal research station vanish just as the long polar night sets in. Ennis police chief Liz Danvers (Jodie Foster) and detective-turned-trooper Evangeline Navarro (Kali Reis) know that something is not right. Though bitterly estranged, the former partners share a drive to discover what happened at Tsalal and why. Their need to get to the truth only intensifies after the scientists are discovered in a ghastly, bizarre state—a collective corpsicle, all of them nude and visibly terrified. Continue Reading →
The Morning Show
Aaron Sorkin learned the hard way that no one takes TV as seriously as TV people. When he followed up his critically acclaimed The West Wing, a show about the inner workings of the White House, with Studio 60 on the Sunset Strip he discovered that you can’t treat everything with the gravity of a cabinet meeting and the wit of a theater major who gets straight Bs. His backstage drama about a fake sketch show pleased no one. When he tried to course correct with The Newsroom he tried to portray the American news media out to be brave warriors for the cause of truth. Both shows have lived rich second lives as meme generators about what Andrew Sarris would call "strained seriousness." Continue Reading →
Hijack
Hijack, like 24 before it, is billed as a thriller television series told in real-time. In execution, however, it feels similar to a carrier full of other TV actioners. While it may, in fact, be seven hours from Dubai to London, there’s nothing about this show that makes the real-time gimmick sing. Instead of intense immediacy, it feels like a run-of-the-mill suspense series stakes. Continue Reading →