To Live and Die in L.A.
It must have been easy to be cynical about William Friedkin’s To Live and Die in L.A. in 1985. After a blazing hot early 1970s, his critical and popular reputation bottomed out with four straight disappointments. So, it makes sense that someone might think Friedkin’s return to the cop-on-the-edge genre was a purely commercial decision, a hope to rekindle the fire he lit in 1971 with The French Connection. After all, that movie was both a commercial and critical smash. Continue Reading →
A Haunting in Venice
The first two entries in director/actor Kenneth Branagh’s foray into Agatha Christie adaptation lost the magic of the English writer’s mysteries. With his third attempt, A Haunting in Venice, Branagh decides to make considerable changes to the story. Using the bones of Christie’s Hallowe’en Party, writer Michael Green changes the setting from a small town in the English countryside to a palazzo in Venice. Branagh emphasizes the gothic elements of Christie’s story, leaning on the horror of the location, the manic nature of the children’s Halloween party, and the gruesome moments before and after an unexpected death. Continue Reading →
A Million Miles Away
A Million Miles Away is one of those movies that live in the meaty part of the decent curve. Far too sturdy and well-made to be called bad. Too rote and predictable to really call good. It tells the true story of José Hernández (Michael Pena), an unquestionably inspiring man who did an impossibly difficult thing under impossibly difficult circumstances. Continue Reading →
Aristotle and Dante Discover the Secrets of the Universe
In cinema, water is a site of birth, rebirth, and drastic transformations. In movies ranging from Sansho the Bailiff to Moonlight to Paul Blart: Mall Cop 2, characters walk into vast bodies of liquid one person and exit another (if, that is, they resurface). It tracks, then, that the romantic drama Aristotle and Dante Discover the Secrets of the Universe kicks off its central relationship at a community pool. A conversation between the film’s titular leads, set against the blue, kicks off a life-changing connection. Continue Reading →
Free Fire
The plot of Free Fire, in many ways, could not be more straightforward. A mix of thugs, gun runners, and revolutionaries meet up to exchange weapons in a Boston warehouse in the 1970s. Things go wrong in a hurry. Continue Reading →
Kill List
This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn't exist. Continue Reading →
So I Married an Axe Murderer
If anyone should be ripe for a huge comeback any minute now, it’s Mike Myers. Myers is largely responsible for two of the most iconic comedies of the 90s, Wayne’s World and Austin Powers: International Man of Mystery. If you weren’t there and cognizant of it then, it’s impossible to explain the grip both movies had on 90s pop culture, particularly Austin Powers. Even now, 25 years later, it’s very likely that you’ll occasionally hear someone say “One hundred…billion…DOLLARS” in the voice of Dr. Evil, or refer to a person’s lookalike child as their “Mini-Me.” Its closest competitor in the zeitgeist is probably Clueless, and Clueless didn’t get two sequels. Continue Reading →