14 Best TV Shows Similar to Catterick
Sunny
About fifteen years ago, an era of “complicated” protagonists ruled the television landscape. These anti-heroes—Walter White, Don Draper—were the sort of people one wouldn’t associate in their day-to-day life. Safely sealed in a flat screen, though, and viewers couldn’t get enough of them. It was a glorious time to be unlikable on TV. Still, as Erik Kain pointed out, it was an honor almost entirely reserved for men. Sunny is a late-arriving corrective, centering a fully complex and often unlikable Rashida Jones. As Suzi, Jones ditches nearly everything that makes her an on-screen appealing presence in the likes of The Office and Parks and Recreation. She also flattens the traits that make her stand out as a character worthy of empathy in projects like Silo and On the Rocks. In place of those, she offers a dead-eyed stare that only sparks to life when castigating her mother-in-law Noriko (Judy Ongg), random bureaucrats, and, of course, the titular android Sunny (voiced by Joanna Sotomura). Rashida Jones does not, and this can't be stressed enough, have time for this nonsense. (AppleTV+) It isn’t like she doesn’t have cause for anger and the thousand-mile gaze. As the opening minutes reveal, Suzi has justy lost her husband Masa (Hidetoshi Nishijima) and son in a plane crash. However, as the series unfolds, it becomes clear Suzi can’t blame her unpleasantness entirely on grief. As revealed in flashbacks, she’s been hard-drinking and foul-mouthed for some time. Additionally, although partially owed to her dyslexia, she wields her failure to learn nearly any Japanese like a cudgel. It is yet another tool for holding the world at bay. That world includes, often, her spouse. Of course, his own drinking and pile of secrets hardly made him an ideal partner either. Continue Reading →
Tires
After six about 20-minute episodes of the Shane Gillis-Steve Gerben-created sitcom Tires, one can begin to understand why Netflix would want to work with him. He has a certain charisma and some acting chops. In one scene during the first episode, Gillis’ character, also named Shane, tries to snow a very unhappy reporter. In the sequence, Gillis has to convey to the audience that he doesn’t mean a word he’s saying and is using the moment to humiliate his boss and cousin Will (Gerben) while playing authentic convincingly enough that one can see why the reporter might fall for it. It’s not an easy lift, but Gillis makes it work. The story is fine enough for a hangout comedy. Will is a failure whose father owns several tire stores. Either as punishment or because it’s where he can do the least harm, Dad has exiled Will to manage one of the two lowest-performing branches of the chain. Physically slight and coded as a kind of nerd, Will doesn’t fit in with the mechanics, including their seeming ringleader, Shane. To save the shop and his job and earn his dad’s affection, he spends every episode of a “marketing” idea that derails spectacularly. Catch a glimpse of Steve Gerben. (Netflix) The bad news is that, despite a sound enough premise, everything the show says or tries has the shape of jokes without actually including a laugh line. It’s the essence of humor without any of the pesky chuckles. Continue Reading →
One Day at a Time
Netflix’s new romance limited series offers a thoughtful, warm adaptation of the 2009 novel. The hook of author David Nicholls’ 2009 novel is irresistible. Readers catch up with two former classmates who are something more than friends but not quite lovers on the same day, July 19, every year from 1988 to 2008. It’s no wonder it has managed two adaptations in the 15 years since its release—first as a 2011 movie directed by Lone Scherfig from a script by Nicholls himself and now as a limited series created by Nicole Taylor, with only one Nicholls’ script among the fourteen episodes. Dexter Mayhew (Leo Woodall) is handsome, charismatic, and just rich enough not to worry about making a plan for his future. Emma Morley (Ambika Mod) is also quite attractive—although she can’t (or won’t) see it—and from a working-class background that makes her feel as though she can’t pursue her clear goal for the future: to become a writer. They travel in different circles, but on the night of graduation, they end up falling into her bed. While they kiss plenty, it never goes further, Emma preferring to chat despite her massive and evident crush on Dexter. Continue Reading →
Frasier
When Frasier premiered in the fall of 1993 it had massive shoes to fill. That's probably an understatement. Its parent show, Cheers, was a critical and commercial monster in a way that can only happen when there are only three shows for two hundred million people to choose from. It was nominated for almost two hundred Emmys over the course of its eleven-year run, and its series finale aired to 90 million people (40% of the country’s then population) three months before Frasier’s start. So yeah, expectations were pretty high, and Frasier ended up pretty much meeting them all. While never as popular as Cheers (nothing has been as popular as Cheers since Cheers), it was nevertheless a solid commercial hit that carved out its own identity and won more Emmys than its parent show over the course of its own eleven-year run. A lot of that success was rooted in Frasier’s ability as its own, independent show with its own characters and rhythms instead of being Cheers 2.0. Continue Reading →
The Golden Girls
In 1983, a group of crooks broke into a vault at the Heathrow International Trading Estate in London, patrolled by Brink’s Mat security conglomeration. The Brinks company was already famous for a famous robbery, one that was carried out in the '50s in the North End in Boston, an incident that turned into a charmingly strange movie by William Friedkin in 1978. Continue Reading →
I Think You Should Leave with Tim Robinson
It’s difficult to explain to an average human the madness that is I Think You Should Leave with Tim Robinson. You could say it’s a sketch comedy show that combines surrealist imagery, social satire, and existential dread into tiny bursts of joyful chaos. Or you could point to the title. Every sketch--usually three to five an episode--features a character that’s so annoying or goes against social norms in such extremely inappropriate ways you want to scream at them to leave the room immediately. Continue Reading →
Barry
The theme music is gone. Continue Reading →
Mythic Quest
One of the hardest things in television is creating the impression of change without breaking the show or making it feel like half-assed window dressing. That’s the problem facing Mythic Quest at the start of Season 3. Continue Reading →
Bad Sisters
From Promising Young Women to Big Little Lies, we’re in a golden age of female revenge stories. Looking to add to the ranks is AppleTV+’s new series Bad Sisters. It follows the tight-knit group of sisters who slowly turn on their prick-ish brother-in-law after years of misogynistic torture. It’s a dash of thriller Big Little Lies with a sprinkle of the comedy of 9 to 5, all set in a coastal Irish town. Continue Reading →
Tuca & Bertie
Tuca & Bertie Season 3 finds Tuca (Tiffany Haddish) and Bertie (Ali Wong) rebuilding their lives in the season two Bird Town flooding and moss infestation aftermath. They’ve got promising leads professionally with new jobs on the horizon. Plus, they’re both in solid relations. Bertie with adorkable long-term boyfriend Speckle (Steven Yeun) and Tuca’s new beau Figgy (Matthew Rhys). The two bird besties might be leveling up in careers and personal life, but there’s always some drama waiting around the corner to pounce in and disrupt their technicolor dreams. Continue Reading →
How I Met Your Father
Hulu’s new series How I Met Your Father attempts to recreate the magic of the - wait for it! - legendary status of the original series How I Met Your Mother (HIMYM for short). This update proves a nostalgic ride for fans of the original series and an enjoyable journey for newcomers, even if it lacks some of the fresh qualities of its predecessor. Continue Reading →
Kevin Can F**K Himself
The formula isn’t a new one: the hot, hyper-competent wife who gave up her master’s track to marry the boorish, underachieving man-child. Just add three cameras and some annoying in-laws/neighbors, and you could be watching King of Queens, Everybody Loves Raymond, or (God forbid) According to Jim. Some shows have put a unique spin on the formula, the most successful being Gloria Calderon Kellett’s One Day at a Time reboot. But overall, when you see a three-camera sitcom, you usually know what you’re getting. It’s like gas station coffee or dinner at Applebee’s. It’s just there. Continue Reading →