May December
SimilarAli: Fear Eats the Soul (1974), Anna and the King (1999), Billy Elliot (2000), Brazil (1985), Breakfast at Tiffany's (1961), Dawn of the Dead (2004), Fargo (1996), M*A*S*H (1970), Mars Attacks! (1996), Monster (2003), My Own Private Idaho (1991), Oldboy (2003), Shaun of the Dead (2004), Stalker (1979), Talk to Her (2002), The Life Aquatic with Steve Zissou (2004), The Pursuit of Happyness (2006), The Road (2009), The Tin Drum (1979), Volver (2006), Wonder Boys (2000),
Watch afterAmerican Fiction (2023), Anatomy of a Fall (2023), Killers of the Flower Moon (2023), Leave the World Behind (2023), Napoleon (2023),
Oppenheimer (2023) Poor Things (2023), Saltburn (2023), Thanksgiving (2023),
In such films as Superstar: The Karen Carpenter Story, Velvet Goldmine and I’m Not There, filmmaker Todd Haynes has taken the stories of famous people and utilized what we know—or think we know—about them to explore ideas about celebrity and our all-consuming need to render their often-complex stories into straightforward narratives. That strange compulsion to explain, understand, and commodify the lives of real people is at the heart of his latest work, May December, and it certainly seems to have sparked something in him because the end result is the strongest work that he has done in quite some time. Continue Reading →
The Princess Switch 3: Romancing the Star
SimilarBeverly Hills Cop II (1987), Brazil (1985), The Holiday (2006),
The temperatures are dropping and the stores are getting crowded, which can only mean one thing...it’s time for another installment of Netflix’s holiday cavity-maker...no, not that one. Noth that one either. That’s right, we’re talking Princess Switch 3: Romancing the Star, so grab your peppermint martinis and your fuzziest slippers as we delve into the film that begs the question “Is Vanessa Hudgens using Netflix as a vehicle to kiss cute boys?” Fair warning, there are some spoilers ahead. Continue Reading →