34 Best Movies To Watch After Back to the Future Part II (1989) (Page 2)

In the climactic monologue of the original Magic Mike, Mike Lane (Channing Tatum) says, “I don’t want to be a forty-year-old stripper.” It’s an affecting scene that shows that Mike understands the dead-end nature of his current lifestyle and his desire to escape, and it makes the ending where he gives stripping up a satisfying one.  Continue Reading →

“Not great, not terrible.” Continue Reading →

We’re officially in the third decade of Dwayne “The Rock” Johnson being a movie star. The former WWE legend made his cinema debut in the forgettable sequel to The Mummy, where he’s introduced as the dreaded Scorpion King, one of the most infamous early CGI debacles. Special effects have since improved, along with Johnson’s abilities as an actor and charismatic leading man. However, it feels like now we’ve come full circle with DC’s Black Adam.  Continue Reading →

James Nguyen hammers down the end of his bad-movie trilogy with a true stinker of birdemic proportions... and not in a fun way. (This review is part of our coverage of Fantastic Fest 2022.) With its stilted acting, incompetent screenplay and direction, and special effects that looked like someone puttering around with After Effects for the very first time, James Nguyen’s "ecological horror" film Birdemic: Shock and Terror (2010) became a cult favorite among bad film fanatics, especially latecomers to the hoopla surrounding The Room looking for something they could claim as their own. Continue Reading →

Considering Kevin Smith's career from a 2022 perspective is a fascinating exercise. His early output, from 1994's Clerks to 2001's Jay and Silent Bob Strike Back, were once quintessential texts for Gen X / film nerds, treated with the same reverence as the films of Quentin Tarantino or Robert Rodriguez. But that isn’t the case anymore, and hasn’t been for over a decade. Continue Reading →

Alright, there's only one way to start this off, so best to do it well. Continue Reading →

It's no understatement to say that Taika Waititi's Thor: Ragnarok was a welcome shot in the arm for both the titular God of Thunder (Chris Hemsworth) and the Marvel Cinematic Universe as a whole. There's something to be said for cutting out the creaky Shakespearean grandeur of the first two Thors in favor of whiz-bang sitcom theatrics, with a dash of Guardians of the Galaxy's signature irreverence thrown in, all leather and ironic needle-drops and "well that happened"s. The result was a whiz-bang sci-fi action comedy that made a buttload of cash, extended Thor's lease on cinematic life, and catapulted Waititi into Hollywood's A-list. Continue Reading →

In the video game version of the original Jurassic Park for the Sega Genesis, you can choose to play the side scroller as either Dr. Grant or a Velociraptor. Of course, you choose the raptor almost every time because dinosaurs are cooler than humans. It’s a great lesson for making a fun video game, but not for making a successful movie franchise.  Continue Reading →

Aadrman's original 1989 Creature Comforts did something unique. Director Nick Park took interviews with everyday Britain residents and then put those vocals into the mouths of stop-motion animated zoo animals. The result was fascinating, as two disparate elements combined to tap into the daily woes which inform our lives. Whether you’re a lion trapped in an exhibit, or a man just yearning for the space of your original home country, melancholy emotions are universal.  Continue Reading →

It's clear from the starting gun that Paramount originally intended to push The Tomorrow War as a major summer theatrical release. But given the pandemic, Amazon Prime Video has stepped up to rollout this 140-minute sci-fi action romp starring Chris Pratt of Marvel’s Cosmic corner and Jurassic World fame. Continue Reading →

At this point, the mechanics of a Fast and Furious movie are no secret. Running on an engine of blistering sincerity, the over-the-top action inevitably finds Dominic Toretto (Vin Diesel) pulled in for “one last job.” You’ll see a street race populated by women in bikinis. Fancy cars will defy the laws of physics as they inevitably crash, fly, or crash while flying. Roman (Tyrese Gibson) shall vamp and riff to kingdom come. Coronas will be consumed and, in the end, family will emerge victorious. Continue Reading →

As Gena Radcliffe laid out in her keynote, Francis Ford Coppola’s work most often reflects an ambition to blow out plot points to near-operatic proportions. Coppola makes it literal in The Godfather series, but one can observe it throughout his career—in Harry Caul’s outsized paranoia, the psychological horror of Apocalypse Now, the costuming of Dracula (and everything else come to it), the teen and gang dynamics of both The Outsiders and Rumble Fish and so on. Continue Reading →

There are certain places that, when you visit, you can feel the weight of time pushing up from under your feet. In 2015, I was visiting a friend in Sweden when his partner took us to the island of Oland, where you can touch the monolith headstones of the Vikings buried there. In one spot, two rows of stones met, parted, and met again in a longboat shape. I’ve thought about that day often since then, the long-dead warriors whose monuments I could touch. Less than a year later, my friend would be gone, but I will always remember that day, the way the time-worn stone felt under my hands. Continue Reading →